ROTTEN TOMATOES: Jeannette Catsoulis

WORST REVIEWED FILMS

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-31* of 31)**

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0/5	Captivity the movie has been thoroughly eclipsed by Captivity the marketing. -- New York Times Posted Jul 14, 2007	Captivity (2007)	7%
0/5	" *Lush, lurid and completely besotted with itself, Eternal* is one of those movies normally found slinking around the ether of late-night cable television.*" -- New York Times* Posted Aug 25, 2005	Eternal (2005)	21%
0.5/5	Glen Morgan's disastrous remake smothers terror beneath a blanket of unnecessary information, revealing too much and teasing too little. -- New York Times Posted Dec 27, 2006	Black Christmas (2006)	17%
0.5/5	Saw III, with its barrage of grungy rooms, mortified flesh and elaborate torture, is a highly creative exercise in bloodletting, with a bleak view of human nature. -- New York Times Posted Oct 28, 2006	Saw III (2006)	27%
0.5/5	*Unpleasant, uncouth and painfully unfunny, Larry the Cable Guy* attempts lowbrow humor with neither the wit of the Farrelly brothers nor the raunchy inventiveness of Keenen Ivory Wayans.** -- New York Times Posted Mar 28, 2006	Larry the Cable Guy: Health Inspector (2006)	6%
0.5/5	" *It�s a sad day indeed when a movie�s most memorable performance belongs to Scooby Doo�s Matthew Lillard." -- Las Vegas Mercury* Posted Sep 8, 2004	Wicker Park (2004)	23%
1/5	Not even the august presence of Maximilian Schell can dispel the odor of fusty smut that clings to House of the Sleeping Beauties. -- New York Times Posted Nov 14, 2008	House of the Sleeping Beauties (2008)	36%
1/5	*Had Jorge Ameer, the writer and director of The House of Adam, aimed for high-flying camp instead of low-rent earnestness, his movie might have stood a chance.* -- New York Times Posted Sep 5, 2008	The House of Adam (2008)	0%
1/5	" *How atrocious is the comedy Everybody Wants to Be Italian? Let me count the ways." -- New York Times* Posted Sep 5, 2008	Everybody Wants to Be Italian (2008)	0%
1/5	*One of the sleaziest documentaries to arrive in a very long time, Expelled: No Intelligence Allowed* is a conspiracy-theory rant masquerading as investigative inquiry.** -- New York Times Posted Apr 18, 2008	Expelled: No Intelligence Allowed (2008)	10%
1/5	*For a film about erotomania, Prom Night* is a curiously flaccid affair.** -- New York Times Posted Apr 14, 2008	Prom Night (2008)	7%
1/5	Eyes popping and mouths agape, Martin Lawrence and Raven-Symon� mug their way through College Road Trip as if it were a silent movie -- which, come to think of it, would have been a lot less irritating. -- New York Times Posted Mar 7, 2008	College Road Trip (2008)	12%
1/5	Custom designed for its smirking star (who is also an executive producer), this tasteless train wreck asks only that she preen and prance on cue. -- New York Times Posted Feb 8, 2008	The Hottie & the Nottie (2008)	5%
1/5	" *Jason Friedberg and Aaron Seltzer, the team behind Meet the Spartans,* prove that ridiculing other movies is much easier than making your own.*" -- New York Times* Posted Jan 25, 2008	Meet the Spartans (2008)	2%
1/5	" Awake is filled with risible medical behavior (the sterility of the operating room is repeatedly compromised) and a horizontal Mr. Christensen screaming variations on "Oh no, I can feel that!"" -- New York Times Posted Dec 2, 2007	Awake (2007)	24%
1/5	*Over the course of [its] sequels, the Saw* franchise took a novel, if distasteful, idea and basically tortured it to death.** -- New York Times Posted Oct 27, 2007	Saw IV (2007)	18%
1/5	*It's not easy to turn one of the most controversial events of the 20th century into a movie that makes your eyes roll, but O Jerusalem* does this and worse.** -- New York Times Posted Oct 17, 2007	O Jerusalem (2007)	30%
1/5	*Yawningly directed by Jim Isaac, Skinwalkers* is a slavering mess that buries its clunky addiction metaphor beneath a welter of genre clich�s, all delivered in extra-slow motion.** -- New York Times Posted Aug 11, 2007	Skinwalkers (2007)	14%
1/5	*Pretentious and inane, I Know Who Killed Me* arouses unexpected sympathy for its embattled star.** -- New York Times Posted Jul 28, 2007	I Know Who Killed Me (2007)	8%
1/5	The Condemned is tailor-made for those who like their violence multifaceted and their women monosyllabic. -- New York Times Posted Apr 27, 2007	The Condemned (2007)	16%
1/5	Roberto Benigni's film is a scorching affront to Italians, Iraqis and the intelligence of movie audiences everywhere. -- New York Times Posted Dec 29, 2006	The Tiger and the Snow (2006)	17%
1/5	*A Rubik's Cube of shifting sexual orientation and elaborate sex fantasies, Sloppy Seconds* gathers all the accouterments of soft pornography ... into a plot of stunning imbecility.** -- New York Times Posted Nov 23, 2006	Eating Out 2: Sloppy Seconds (2006)	43%
1/5	*Directed by Greg Coolidge with the flair of a training video, Employee of the Month* turns work into a game and love into a sporting event.** -- New York Times Posted Oct 5, 2006	Employee of the Month (2006)	21%
1/5	Only Laura San Giacomo, as Morris's lonely daughter, Flo, transcends the staginess of the premise and the creakiness of Richard Marcus's screenplay to deliver a performance that feels remotely natural. -- New York Times Posted Sep 15, 2006	Checking Out (2006)	43%
1/5	*Too infantile for tweens and too stagnant for tots, Zoom* bleeds boredom from every frame.** -- New York Times Posted Aug 14, 2006	Zoom (2006)	2%
1/5	Not even necrophilia and the imaginative deployment of leeches can relieve this exercise in unrelenting dullness. -- New York Times Posted Jun 8, 2006	Psychopathia Sexualis (2006)	23%
1/5	... the appropriately named Mr. Dark has no use for actors as anything other than body-bag fillers. -- New York Times Posted May 23, 2006	See No Evil (2006)	9%
1/5	Not even a grumpy cameo by Burt Young and some lovely shots of the Brooklyn Bridge can save a movie as punch-drunk as its benighted protagonist. -- New York Times Posted May 19, 2006	RevoLOUtion (2006)	18%
1/5	Ultraviolet cleaves faithfully to its comic-book genealogy with a plot unobstructed by big words and images that rarely breach two dimensions. Ultrasilly. -- New York Times Posted Mar 5, 2006	Ultraviolet (2006)	8%
1/5	With leads who strain to manage one facial expression between them, and a cinematographer shooting everything through the same steel-blue filter, Underworld: Evolution is a monotonous barrage of computer-generated fur and fangs. -- New York Times Posted Jan 24, 2006	Underworld: Evolution (2006)	14%
1/5	" *Even allowing for the burdens of low-budget filmmaking, Ethan Mao* is little more than a revenge fantasy for anyone whose parents ever gave him or her a hard time.*" -- New York Times* Posted Jun 16, 2005	Ethan Mao (2005)	36%

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-31* of 31)**

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