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Critics / Peter Brunette
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  • Official Websites:
    users.wfu.edu/brunetpc

PETER BRUNETTE

Agrees with the Tomatometer 79% of the time.

Biography: Besides being a weekly film critic and contributing editor at Film.com, Peter Brunette is Professor of English and Film Studies at George Mason University. He has written or edited six books on film, including Roberto Rossellini, the definitive study in English of this director's films (Oxford University Press, 1987; republished University of California Press, 1996); Screen/Play: Derrida and Film Theory (Princeton University Press, 1990; co-authored with David Wills); a co-edited book (with David Wills) on visual theory published by Cambridge University Press in 1994, entitled Deconstruction and the Visual Arts: Art, Media, Architecture; and a book on Francois Truffaut's film "Shoot the Piano Player" (Rutgers, 1993). Cambridge University Press published his book The Films of Michelangelo Antonioni in 1998 and, in 1999, his edited book, Martin Scorsese: Interviews, was published by the University of Mississippi Press. He is also general editor of the Mississippi interview series; some seven books have already been published in this series, and twenty more are contracted for. He is also general editor of a film book series at Indiana University Press; two titles have been published in the last two years. He is currently working on books on Luchino Visconti and Wong Kar-Wai. During the past several years he has served on panels at the Palm Springs Film Festival in California, the Sundance Film Festival in Utah, and at the Rotterdam Film Festival in Holland. He is director of the Film and Media Studies program at George Mason University and is also active in the GMU Cultural Studies program. He was recently elected to membership in the National Society of Film Critics, one of the first two Internet critics to be so named. Brunette has also written for film periodicals like Film Quarterly and Sight & Sound, and is the U.S. correspondent for the Italian journal Filmcritica. He also writes regularly for The New York Times Arts & Leisure section and The Boston Globe. He is artistic director of the Key Sunday Cinema Club, which has branches in six cities.

Publications: Film.com, Hollywood Reporter, Screen International, Screendaily

Total Reviews: 100

Location: Washington D.C.

LISTING OF ALL REVIEWS & ARTICLES

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# a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres
Showing 1 - 50 of 100
Previous | Next
Rating T-Meter Title | Year Add Date (default)

Fresh

N/A

The Korean Wedding Chest (2009)

" Tenderly observed personal documentary on Korean wedding customs." — Hollywood Reporter

Posted Oct 12, 2009

Fresh

Fresh
82%

Whip It (2009)

" Some old material given a delightful new grrrl-power twist." — Hollywood Reporter

Posted Sep 15, 2009

Fresh

Rotten
54%

The Stoning of Soraya M. (2009)

" A shocking yet stately and powerful plea for women's rights." — Hollywood Reporter

Posted Jun 26, 2009

Fresh

Fresh
89%

The White Ribbon (2009)

" It's clear that this portrait of a sick society is meant to explain, at least partially, the horrendous war that breaks out at the very end of the film, and the fascism that quickly followed in its wake." — Hollywood Reporter

Posted May 22, 2009

Fresh

Fresh
100%

The Army of Crime (2009)

" Though it drags here and there and is a bit flat in places, the film is solidly made and for the most part quite involving." — Hollywood Reporter

Posted May 18, 2009

Fresh

Rotten
49%

Antichrist (2009)

" Visually gorgeous to a fault and teeming with grandiose if often fascinating ideas that overwhelm the modest story that serves as their vehicle, this may be the least artistically successful film von Trier has ever made." — Hollywood Reporter

Posted May 18, 2009

Fresh

Fresh
100%

A Prophet (2009)

" French master Jacques Audiard has challenged the thus-far mostly middling Cannes competition with a powerful prison drama that's an old-fashioned Bildungsroman in in-your-face, intensely realistic disguise." — Hollywood Reporter

Posted May 16, 2009

Fresh

N/A

Don't Look Back (2009)

" "Don't Look Back" begins promisingly. Seemingly obsessed with surfaces, the camera restlessly searches for hints and clues among the fragments we see, even before we know there's a mystery." — Hollywood Reporter

Posted May 15, 2009

Fresh

Rotten
45%

Management (2009)

" The plot doesn't always make sense, and when it does it's often pretty predictable, but when all is said and done, this romantic comedy starring the ultracute Steve Zahn and Jennifer Aniston ultimately delivers the goods." — Hollywood Reporter

Posted May 12, 2009

Fresh

Fresh
78%

Three Monkeys (2009)

" Patience will be required to appreciate this brilliant, gorgeously visual film." — Hollywood Reporter

Posted Nov 4, 2008

Rotten

Rotten
59%

Paris 36 (2008)

" Many stale plot devices are recycled." — Hollywood Reporter

Posted Oct 18, 2008

Rotten

Rotten
43%

The Stone Angel (2008)

" A perfectly respectable, solidly-made film which, beyond the expert performance by the always reliable Ellen Burstyn, has unfortunately little to recommend it." — Screen International

Posted Oct 18, 2008

Rotten

Rotten
22%

The Pleasure of Being Robbed (2008)

" Less pleasurable after the first fifteen minutes." — Hollywood Reporter

Posted Oct 18, 2008

Fresh

Fresh
86%

Lorna's Silence (2009)

" A worthwhile, if less powerful offering from the Belgian masters of slice-of-life filmmaking." — Hollywood Reporter

Posted Oct 18, 2008

Fresh

Fresh
91%

Il Divo (2009)

" At long last in this year's Cannes Competition, a film on a serious subject that nevertheless consistently entertains and often makes you laugh out loud." — Hollywood Reporter

Posted Oct 18, 2008

Rotten

Fresh
85%

The Take (2008)

" Things never quite come together and the central plot focus of the family drama is never plausible enough to make for compelling cinema." — Screen International

Posted Oct 15, 2008

Rotten

Rotten
18%

The Other Man (2009)

" Seldom has such great star power been marshaled in the service of a sillier movie than The Other Man." — Hollywood Reporter

Posted Oct 3, 2008

Fresh

Fresh
63%

One Day You'll Understand (2008)

" Once again, veteran Israeli director Amos Gitai has made a subtle yet powerful and moving film on an aspect of Jewish experience." — Hollywood Reporter

Posted Oct 3, 2008

Fresh

Fresh
66%

What Doesn't Kill You (2008)

" We've all seen this film before -- two hoodlum friends from the tough, violent streets of South Boston trying to cope with the lure of easy money and the offsetting threat of jail time -- but we've never seen it this well done." — Hollywood Reporter

Posted Sep 15, 2008

Fresh

Fresh
93%

Slumdog Millionaire (2008)

" A solidly entertaining and energizing film." — Hollywood Reporter

Posted Sep 11, 2008

Fresh

Fresh
62%

Che (2008)

" All in all, it's a highly worthwhile, professionally accomplished project, but in its obsessive devotion to precise documentation, the film forgets to inspire." — Hollywood Reporter

Posted May 29, 2008

Rotten

Rotten
57%

Married Life (2008)

" The film is hampered by a plodding and unimaginative script whose situations are pedestrian and whose dialogue is much less sparkling than the filmmakers appear to think it is." — Screen International

Posted Sep 22, 2007

Fresh

Fresh
89%

The Edge of Heaven (2008)

" Fatih Akin's new film, once it comes together at the end and finally defeats the shagginess of his script, is a solid if uneven piece of work." — Screen International

Posted May 24, 2007

Fresh

Fresh
85%

Import/Export (2009)

" It's the very unremitting nature of the vision that forces us to confront an unpalatable truth and in that, many willing to go along may find a strange sort of comfort." — Screen International

Posted May 23, 2007

Rotten

Fresh
93%

Eternal Sunshine of the Spotless Mind (2004)

" Even if the script had been more accessible, it's doubtful whether its ultra-high concept will connect with general audiences." — Screendaily

Posted Mar 15, 2004

Fresh

Fresh
77%

Moulin Rouge (2001)

Consistently witty and entertaining. — Film.com
Posted May 17, 2001

Fresh

Fresh
90%

Eureka (2001)

It's more an experience than anything else, and if you're looking for a transformative, redemptive one yourself, at the moment you can't do any better than go to see this film. — Film.com
Posted May 3, 2001

Fresh

Fresh
95%

With a Friend Like Harry (2001)

A quiet delight. — Film.com
Posted Apr 19, 2001

Fresh

Rotten
59%

The Luzhin Defence (2001)

Gorris's recreation of the period setting is scrupulous and fresh. — Film.com
Posted Apr 19, 2001

Fresh

Fresh
93%

The Circle (2001)

One of the most courageous, hard-hitting films I've seen in a long time. — Film.com
Posted Apr 12, 2001

Fresh

Fresh
91%

The Gleaners and I (2001)

A superb example of the genre of the self-expressive documentary. — Film.com
Posted Apr 4, 2001

Fresh

Fresh
92%

Amores Perros (2001)

Amores Perros (Love's a Bitch) is a great new film from Mexico that proves that somebody, somewhere, is still making upsetting, enthralling movies. — Film.com
Posted Mar 29, 2001

Fresh

Fresh
93%

Memento (2001)

Probably the most devilishly fascinating movie I've seen in months, if not years. — Film.com
Posted Mar 15, 2001

Fresh

Fresh
75%

Me, You, Them (2001)

A quiet film, certainly, but it's filled with small touches that manage to get deeply under your skin by the time the final credits roll. — Film.com
Posted Mar 9, 2001

Fresh

Fresh
88%

In the Mood for Love (2001)

A sublime tone poem that shows what cinema is capable of when it tries to do more than just tell a story. — Film.com
Posted Feb 1, 2001

Fresh

Fresh
85%

Faithless (2001)

It makes us realize, suddenly, and with immense regret, what the rest of contemporary cinema so sorely lacks. — Film.com
Posted Jan 25, 2001

Fresh

Fresh
74%

Before Night Falls (2000)

One of the best films I've seen all year. — Film.com
Posted Dec 21, 2000

Fresh

Fresh
82%

Pollock (2000)

It's almost like Pollock has come back from the dead and that we're watching a recently made documentary instead of a fiction film. — Film.com
Posted Dec 14, 2000

Rotten

Rotten
39%

Proof of Life (2000)

[A] flat and thoroughly predictable piece of filmmaking. — Film.com
Posted Dec 7, 2000

Fresh

Fresh
97%

Crouching Tiger, Hidden Dragon (1999)

A terrific movie. — Film.com
Posted Dec 7, 2000

Fresh

Fresh
91%

A Bug's Life (1998)

Entertaining and Enchanting! — Film.com
Posted Jan 1, 2000

N/A

N/A

A Tribute to Stanley Kubrick (1999)

Click here to read article — Film.com
TRIBUTE

Posted Jan 1, 2000

Fresh

Fresh
89%

Aimee & Jaguar (2000)

Its series of quiet but moving realizations of the utter ubiquity of the Nazi horror in every single aspect of life, even something as hidden as a sexual sub-culture, is powerful indeed. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
97%

All About My Mother (1999)

Nothing short of a triumph. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
89%

American Beauty (1999)

Hilarious, slightly sick, and super-edgy. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
66%

American Psycho (2000)

Harron's adaptation of Ellis's novel is brilliant, probably better than the book itself. — Film.com
Posted Jan 1, 2000

Rotten
3/10

Rotten
52%

Angela's Ashes (1999)

I'm sure the producers of Angela's Ashes meant well, but they got the wrong guy to direct it. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
95%

Antz (1998)

An excellent piece of work! — Film.com
Posted Jan 1, 2000

Fresh

Fresh
60%

Arlington Road (1999)

An imaginative action film! — Film.com
Posted Jan 1, 2000

Fresh

Fresh
85%

Billy Elliot (2000)

Billy Elliot is a feel-good movie that you don't have to feel bad about feeling good about. — Film.com
Posted Jan 1, 2000
Results for All Genres
Showing 1 - 50 of 100
Previous | Next
 
 
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Best Reviewed

Fresh Sample

Fresh

The Korean Wedding ChestOffsite

Fresh

Whip ItOffsite

Fresh

The Stoning of Soraya M.Offsite

Fresh

The White RibbonOffsite

Fresh

The Army of CrimeOffsite

Fresh

AntichristOffsite

Fresh

A ProphetOffsite

Fresh

Don't Look BackOffsite

Fresh

ManagementOffsite

Fresh

Three MonkeysOffsite

More…

Best Reviewed

Rotten Sample

Rotten

Paris 36Offsite

Rotten

The Stone AngelOffsite

Rotten

The Pleasure of Being RobbedOffsite

Rotten

The TakeOffsite

Rotten

The Other ManOffsite

Rotten

Married LifeOffsite

Rotten

Eternal Sunshine of the Spotless MindOffsite

Rotten

Proof of LifeOffsite

Rotten

There's Something About MaryOffsite

Rotten

Central StationOffsite

More…

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