NATHAN LEE
Agrees with the Tomatometer 72% of the time.
Publications: City Pages, Minneapolis/St. Paul, Film Comment Magazine, L.A. Weekly, New York Times, NPR.org, Slate, Village Voice
Total Reviews: 312
LISTING OF ALL REVIEWS & ARTICLES
| Rating | T-Meter | Title | Year | Add Date (default) |
|---|---|---|---|
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| Fast & Furious (2009) | " This example of presummer pop diversion will be best appreciated by future audiences flabbergasted by its unabashed revelry in fossil-fuel consumption." — New York Times |
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| The Feature (2009) | " Michel Auder has been making videos longer than almost anyone, and that alone makes the work of this underappreciated artist and filmmaker worth attending to." — New York Times |
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| Friday the 13th (2009) | The undying Friday the 13th franchise gets a surprisingly decent reboot in this stylish, playful example of the decapitated hottie genre. — New York Times |
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| First Basket (2008) | The First Basket, a functional (if narrowly interesting) history lesson by the filmmaker David Vyorst, recollects the rich history of Jewish participation in basketball. — New York Times |
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| Fly Me To The Moon (2008) | Fly Me to the Moon bills itself as the first animated feature created expressly for 3-D. Too bad it wasn’t created expressly for, you know, pleasure or art. — New York Times |
| N/A | The Forgotten Woman (2008) | " Mr. Mehta's picture is a documentary, and while it ought to be included on every future copy of the Water DVD, his free-form portrait of real widows has more than enough visual beauty, graceful compassion and understated anger to stand on its own." — New York Times |
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| The Foot Fist Way (2008) | This sleeper hit in the making is sweet and sour in all the right proportions, the best thing of its kind since Napoleon Dynamite. — New York Times |
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| The Fall (2008) | " Shot piecemeal over the course of four years on locations in 18 countries, The Fall is a genuine labor of love -- and a real bore." — New York Times |
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| The Falls (1980) | " The Falls turns cinema into a puzzle or game—one that Greenaway continues to play, with increasing indifference to the amusement of lesser minds." — Village Voice |
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| Flanders (2006) | " [Director Dumont's] got a decent way of moving figures toward the vanishing point of a landscape. Otherwise, ugh." — Village Voice |
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| Factory Girl (2007) | " The least-fabulous movie imaginable about the most fabulous persona in that most fabulous of scenes, the Warhol Factory at the height of its genius and gaiety." — Village Voice |
| N/A | ||
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| For Your Consideration (2006) | " Hoopla in Hollywood isn't the real subject here, merely the pretext for another oddball ode to lovable losers." — Village Voice |
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| Flyboys (2006) | Empty headed and egregiously polite, this nostalgia trip to the First World War is what youd get if Norman Rockwell directed Top Gun. — New York Times |
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| Fearless (2006) | Jet Li says goodbye (supposedly) to the martial arts genre with this decent blend of old-school chopsocky and new school superproduction. — New York Times |
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| A number of questions spring to mind when considering The Fast and the Furious: Tokyo Drift. Can the movies possibly get any faster or more furious? What exactly is the Tokyo Drift? And does Al Gore know what we can do to stop it? — New York Times | |
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| Fanaa (2006) | Fanaa mines this conceit with an operatic extravagance -- and a body count -- that the Korean pulpmeister Park Chan Wook would envy. — New York Times |
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| Following Sean (2006) | Ralph Arlyck's ruminative essay film picks up the trail of Sean Farrell, the former child of San Francisco hippies and the subject of his 1969 short film Sean. — New York Times |
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| Final Destination 3 (2006) | " It's more dead teenagers and lunatic determinism in this grim third installment of the enjoyably preposterous Final Destination franchise." — New York Times |
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| First Descent (2005) | If this chronicle of snowboarding has no more heft than a fresh coat of powder, it's awfully fun to roll around in. — New York Times |
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