NATHAN LEE
Agrees with the Tomatometer 72% of the time.
Publications: City Pages, Minneapolis/St. Paul, Film Comment Magazine, L.A. Weekly, New York Times, NPR.org, Slate, Village Voice
Total Reviews: 312
BEST REVIEWED FILMS
| « Rating | T-Meter | Title | Year | Add Date (default) |
|---|---|---|---|
|
| Death Race (2008) | No fancy talk here, just solid, monosyllabic obscenities; no flights of digital fancy, just souped-up monster cars flipping end over end in a napalm blaze and crashing in a crunch of flaming metal ouch. — New York Times |
|
| " An eye-popper and brain-boggler, Razzle Dazzle is also, remarkably, a thing to stir the soul." — New York Times | |
|
| Blood Tea and Red String (2006) | Thirteen years in the making, Christiane Cegavskes stop-motion fairy tale is at once wondrously obsolete and perfectly au courant. — New York Times |
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| Loren Cass (2009) | This sharp, gutsy indie is one of the year’s great discoveries. — New York Times |
| N/A | " A tender, fascinating documentary by Matt Wolf, will delight the cult and instantly convert new members." — New York Times | |
|
| Louise Bourgeois: The Spider, The Mistress and The Tangerine (2008) | " This uncommonly elegant and evocative portrait of Louise Bourgeois reveals much about the haunting and haunted master while leaving intact the thing you cannot explain." — New York Times |
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| The Foot Fist Way (2008) | This sleeper hit in the making is sweet and sour in all the right proportions, the best thing of its kind since Napoleon Dynamite. — New York Times |
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| Heavy Metal In Baghdad (2008) | " An intrepid, unlikely and altogether splendid feat of D.I.Y. reportage." — New York Times |
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| Paraguayan Hammock (2008) | " That Paraguayan Hammock happens to be one of the few features to emerge from Paraguay in recent decades in no way diminishes its rarity." — New York Times |
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| Wonderful Town (2007) | It's no small feat to pull off as sweet and sensitive a romance as that between Na and Ton, and something rarer yet to suffuse such affections into a poem of wounded landscape. — New York Times |
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