LISTING OF ALL REVIEWS & ARTICLES
| Rating | T-Meter | Title | Year | Add Date (default) |
|---|---|---|---|
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| The Bluetooth Virgin (2009) | " Playing like a junior version of an early David Mamet talkfest, this arch look at the ups and downs of struggling screenwriters has more than its share of well-landed zingers." HeraldNet |
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| Life of Reilly (2007) | " It doesn't pretend to be a movie, really, but it's an unexpected treat from a man who made a living out of being silly." HeraldNet |
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| " As documentary subjects go, the Salton Sea was ripe for the plucking: This man-made phenomenon is one of the weirdest stories of the West." Film.com | |
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| Big Eden (2001) | The dialogue crackles happily and the performances charm. Film.com |
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| The Anniversary Party (2001) | Feels more like a backyard relaxation than a movie. Film.com |
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| The movie is a mess. Film.com | |
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| About Adam (2001) | There's more than enough freshness of place and keenness of observation to justify this movie's existence. Film.com |
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| Town and Country (2001) | When Charlton Heston is the funniest thing in a comedy, you've got problems. Film.com |
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| The Center of the World (2001) | Everyone involved is capable of more interesting work than this. Film.com |
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| Freddy Got Fingered (2001) | There is the spectacle of Green forcing things, of desperately willing something to happen when it is all too plain that nothing is happening. Film.com |
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| Bridget Jones' Diary (2001) | One imagines Bridget Jones attending the film and then writing about it later in her diary, and the likelihood of her savaging the evening seems high. Film.com |
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| Joe Dirt (2001) | Robbed of his usual caustic style, Spade can't work up many laughs, and the movie flops around. Film.com |
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| Along Came a Spider (2001) | Potter doesn't resemble a Secret Service agent in any significant way, but so little in this movie rings true that it hardly matters. Film.com |
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| Shadow Magic (2001) | It has a real sense of the wonder. Film.com |
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| Tomcats (2001) | Let's leave Tomcats in the gutter where it belongs, and re-adjust the levels of cinematic hell, because Porky's just got bumped up a notch. Film.com |
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| The Taste of Others (2001) | Like an Eric Rohmer film, but with a bit more breeziness and youth to it. Film.com |
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| The Brothers (2001) | Hughley and Jones have an explosively comic chemistry together. Film.com |
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| The Dish (2001) | If it weren't so pushy about selling itself, The Dish might have been a very special movie. Film.com |
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| Blow Dry (2001) | It may be possible that people who never go to the movies will stumble across Blow Dry and find it a charming way to spend an hour and a half, but the rest of us will have the ending written in our heads by the end of the first five minutes. Film.com |
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| The Caveman's Valentine (2001) | Ambitious and more than a little tedious. Film.com |
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| The Mexican (2001) | Deadly dull. Film.com |
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| Monkeybone (2001) | There are laughs here, but Selick doesn't corral them, and the movie has no shape. Film.com |
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| Sweet November (2001) | Charlize Theron has charm and skill, but no actress could survive this role, which has the gravity and verisimilitude of a sketch from a late-sixties Nancy Sinatra TV special. Film.com |
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| Hannibal (2001) | More complicated, more outrageous, less controlled in every way. Film.com |
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| The Claim (2001) | Seems suffocated by its sources. Film.com |
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| Head Over Heels (2001) | This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17. Film.com |
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| The Wedding Planner (2001) | The film overloads itself. Film.com |
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| The Pledge (2001) | Much of the film's power is in the worn gravity of watching 'Jack Nicholson' as he treads through a particularly obsessive and difficult character. Film.com |
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| Traffic (2000) | Traffic is movie excitement from beginning to end. Film.com |
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| An Everlasting Piece (2000) | Mild but amusing. Film.com |
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| Thirteen Days (2000) | This overdone project dissipates its energy in strange ways, and makes you wish its makers had shown the same restraint the government did during the crisis. Film.com |
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| O Brother, Where Art Thou? (2000) | This particular excursion into screwball madness is often heavenly, and frankly leaves critical explication somewhat unnecessary. Film.com |
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| Miss Congeniality (2000) | It all coalesces in a TV-level pleasantness, which isn't quite enough to fill a big screen. Film.com |
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| Finding Forrester (2000) | A lot more intriguing than it might have been. Film.com |
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| What Women Want (2000) | Despite the best efforts of both actors, the attraction between Gibson and Hunt doesn't flare into light. Film.com |
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| Pollock (2000) | Harris's intensity in the role and commitment to it is ferocious. Film.com |
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| Vertical Limit (2000) | Vertical Limit is so wound up in its own bungee cords, it leaves itself hopelessly tied in knots. Film.com |
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| 28 Days (2000) | 28 Days is a reminder of why Bullock became a movie star in the first place Film.com |
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| A Hard Day's Night (1964) | A Hard Day's Night conveys not just a joy in music and The Beatles, but a joy in cinema. Film.com |
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| Almost Famous (2000) | A triumph of personal filmmaking ... because it exhibits the care and specificity of an artist working through his own mind, not through a committee's idea of what a movie should be. Film.com |
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| American Beauty (1999) | If it is never really as profound as it seems to think it is, American Beauty is consistently entertaining. Film.com |
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| American Pie (1999) | Any kind of conversation, such as the boys' gatherings at a diner, is beyond the powers of filmmaking brothers Paul and Chris Weitz. Film.com |
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| Anywhere But Here (1999) | Portman's terrific performance in Anywhere But Here is replete with razor's-edge emotions, a watchful stillness, and an exact physical sense of how a teenager struggles to fit into her own body. Film.com |
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| Armageddon (1998) | There are many things to dislike about Armageddon, from its stunningly straight-faced Charlton Heston introduction to its casual contempt for the Greenpeace activists protesting the drilling of oil wells Film.com |
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| Autumn in New York (2000) | Finally ... the melodrama does take over. Film.com |
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| Bait (2000) | Director Antoine Fuqua ... is left buried just as surely as those very unlikely gold bars. Film.com |
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| Battlefield Earth (2000) | It's generic sci-fi right down to the last detail. Film.com |
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| Beautiful (2000) | This movie wants to have it both ways: to score points against beauty pageants and the cult of feminine beauty in our culture, but also to root for Mona. It doesn't work. Film.com |
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| Beautiful Thing (1996) | Reminds me of some of Jonathan Demme's early movies, where ordinary people are celebrated for their eccentricities but not condescended to. Film.com |
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| Being John Malkovich (1999) | A hilariously novel conception. Film.com |
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