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Critics / Robert Horton
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  • Official Websites:
    film.com

ROBERT HORTON

Agrees with the Tomatometer 73% of the time.

Biography: Robert Horton has been a film critic in Seattle for about 25 years, yet he mysteriously retains the blush of youth. He comments on film for The Herald (Everett, Washington), KUOW-FM, and the Seattle Channel. He is also the curator and host of the monthly Magic Lantern series at the Frye Art Museum, a periodic contributor to Film Comment and other publications, and the author of Billy Wilder: Interviews (University Press of Mississippi, 2001) and Frankenstein (Wallflower Press, 2009); his work was also included in Best American Movie Writing 1999 (St. Martin’s Griffin, 1999) and the International Dictionary of Films and Filmmakers (St. James Press, 2000). In his role as an onstage interlocutor, Horton has interviewed the likes of Debra Winger, Steven Soderbergh, Eva Marie Saint, Peter Greenaway, Buck Henry, Peter Fonda, and Elliott Gould. His interview with director James Longley is included on the Iraq in Fragments DVD, and he did the liner notes for the DVD of Tous les Matins du Monde. He has also been president of the Seattle Film Society, a film teacher, and an annual guest at the Port Townsend Film Festival. He was a mainstay of the original incarnation of Film.com and has written for many publications online and off, including Newsday, the Chicago Reader, and the Seattle Times. He grew up in Seattle, is married, and is now weary of saying all this in the third person.
Favorites: 30 fave films, in chronological order: Un Chien Andalou; M; Monkey Business (Marx Bros. version); Freaks; The Wizard of Oz: The Great Dictator; Cat People (Jacques Tourneur version); A Matter of Life and Death; The Lady From Shanghai; The Treasure of the Sierra Madre; The Third Man; The Quiet Man; Sansho the Bailiff; The Night of the Hunter; Rebel Without a Cause; Rio Bravo; Some Like it Hot; North by Northwest; Jules and Jim; Jason and the Argonauts; Help!; Masculin-Feminin; The Wild Bunch; Two English Girls; Duel; Chinatown; Barry Lyndon; The American Friend; Cutter's Way; Local Hero.

Publications: Film.com, HeraldNet

Total Reviews: 182

Location: Seattle

LISTING OF ALL REVIEWS & ARTICLES

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# a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres
Showing 1 - 50 of 182
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Rating T-Meter Title | Year Add Date (default)

Fresh

Fresh
67%

The Bluetooth Virgin (2009)

" Playing like a junior version of an early David Mamet talkfest, this arch look at the ups and downs of struggling screenwriters has more than its share of well-landed zingers." — HeraldNet

Posted Oct 30, 2009

Fresh

Fresh
100%

Life of Reilly (2007)

" It doesn't pretend to be a movie, really, but it's an unexpected treat from a man who made a living out of being silly." — HeraldNet

Posted Mar 10, 2009

Fresh

Fresh
96%

Plagues and Pleasures on the Salton Sea (2007)

" As documentary subjects go, the Salton Sea was ripe for the plucking: This man-made phenomenon is one of the weirdest stories of the West." — Film.com

Posted Jun 4, 2007

Fresh

Fresh
65%

Big Eden (2001)

The dialogue crackles happily and the performances charm. — Film.com
Posted Jun 14, 2001

Rotten

Fresh
60%

The Anniversary Party (2001)

Feels more like a backyard relaxation than a movie. — Film.com
Posted Jun 7, 2001

Rotten

Rotten
10%

What's The Worst That Could Happen? (2001)

The movie is a mess. — Film.com
Posted May 31, 2001

Fresh

Fresh
68%

About Adam (2001)

There's more than enough freshness of place and keenness of observation to justify this movie's existence. — Film.com
Posted May 3, 2001

Rotten

Rotten
13%

Town and Country (2001)

When Charlton Heston is the funniest thing in a comedy, you've got problems. — Film.com
Posted Apr 26, 2001

Rotten

Rotten
34%

The Center of the World (2001)

Everyone involved is capable of more interesting work than this. — Film.com
Posted Apr 20, 2001

Rotten

Rotten
11%

Freddy Got Fingered (2001)

There is the spectacle of Green forcing things, of desperately willing something to happen when it is all too plain that nothing is happening. — Film.com
Posted Apr 19, 2001

Rotten

Fresh
80%

Bridget Jones' Diary (2001)

One imagines Bridget Jones attending the film and then writing about it later in her diary, and the likelihood of her savaging the evening seems high. — Film.com
Posted Apr 12, 2001

Rotten

Rotten
11%

Joe Dirt (2001)

Robbed of his usual caustic style, Spade can't work up many laughs, and the movie flops around. — Film.com
Posted Apr 12, 2001

Rotten

Rotten
32%

Along Came a Spider (2001)

Potter doesn't resemble a Secret Service agent in any significant way, but so little in this movie rings true that it hardly matters. — Film.com
Posted Apr 5, 2001

Fresh

Fresh
71%

Shadow Magic (2001)

It has a real sense of the wonder. — Film.com
Posted Apr 5, 2001

Rotten

Rotten
15%

Tomcats (2001)

Let's leave Tomcats in the gutter where it belongs, and re-adjust the levels of cinematic hell, because Porky's just got bumped up a notch. — Film.com
Posted Mar 29, 2001

Fresh

Fresh
100%

The Taste of Others (2001)

Like an Eric Rohmer film, but with a bit more breeziness and youth to it. — Film.com
Posted Mar 22, 2001

Fresh

Fresh
63%

The Brothers (2001)

Hughley and Jones have an explosively comic chemistry together. — Film.com
Posted Mar 22, 2001

Rotten

Fresh
96%

The Dish (2001)

If it weren't so pushy about selling itself, The Dish might have been a very special movie. — Film.com
Posted Mar 16, 2001

Rotten

Rotten
19%

Blow Dry (2001)

It may be possible that people who never go to the movies will stumble across Blow Dry and find it a charming way to spend an hour and a half, but the rest of us will have the ending written in our heads by the end of the first five minutes. — Film.com
Posted Mar 8, 2001

Rotten

Rotten
44%

The Caveman's Valentine (2001)

Ambitious and more than a little tedious. — Film.com
Posted Mar 1, 2001

Rotten

Rotten
55%

The Mexican (2001)

Deadly dull. — Film.com
Posted Mar 1, 2001

Rotten

Rotten
19%

Monkeybone (2001)

There are laughs here, but Selick doesn't corral them, and the movie has no shape. — Film.com
Posted Feb 22, 2001

Rotten

Rotten
16%

Sweet November (2001)

Charlize Theron has charm and skill, but no actress could survive this role, which has the gravity and verisimilitude of a sketch from a late-sixties Nancy Sinatra TV special. — Film.com
Posted Feb 15, 2001

Rotten

Rotten
39%

Hannibal (2001)

More complicated, more outrageous, less controlled in every way. — Film.com
Posted Feb 8, 2001

Rotten

Fresh
62%

The Claim (2001)

Seems suffocated by its sources. — Film.com
Posted Feb 7, 2001

Rotten

Rotten
9%

Head Over Heels (2001)

This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17. — Film.com
Posted Feb 1, 2001

Rotten

Rotten
16%

The Wedding Planner (2001)

The film overloads itself. — Film.com
Posted Jan 25, 2001

Fresh

Fresh
77%

The Pledge (2001)

Much of the film's power is in the worn gravity of watching 'Jack Nicholson' as he treads through a particularly obsessive and difficult character. — Film.com
Posted Jan 18, 2001

Fresh

Fresh
92%

Traffic (2000)

Traffic is movie excitement from beginning to end. — Film.com
Posted Dec 28, 2000

Fresh

Rotten
53%

An Everlasting Piece (2000)

Mild but amusing. — Film.com
Posted Dec 22, 2000

Rotten

Fresh
82%

Thirteen Days (2000)

This overdone project dissipates its energy in strange ways, and makes you wish its makers had shown the same restraint the government did during the crisis. — Film.com
Posted Dec 22, 2000

Fresh

Fresh
77%

O Brother, Where Art Thou? (2000)

This particular excursion into screwball madness is often heavenly, and frankly leaves critical explication somewhat unnecessary. — Film.com
Posted Dec 21, 2000

Rotten

Rotten
40%

Miss Congeniality (2000)

It all coalesces in a TV-level pleasantness, which isn't quite enough to fill a big screen. — Film.com
Posted Dec 21, 2000

Fresh

Fresh
74%

Finding Forrester (2000)

A lot more intriguing than it might have been. — Film.com
Posted Dec 20, 2000

Rotten

Rotten
52%

What Women Want (2000)

Despite the best efforts of both actors, the attraction between Gibson and Hunt doesn't flare into light. — Film.com
Posted Dec 14, 2000

Fresh

Fresh
82%

Pollock (2000)

Harris's intensity in the role and commitment to it is ferocious. — Film.com
Posted Dec 14, 2000

Rotten

Rotten
47%

Vertical Limit (2000)

Vertical Limit is so wound up in its own bungee cords, it leaves itself hopelessly tied in knots. — Film.com
Posted Dec 7, 2000

Fresh

Rotten
30%

28 Days (2000)

28 Days is a reminder of why Bullock became a movie star in the first place — Film.com
Posted Jan 1, 2000

Fresh

Fresh
100%

A Hard Day's Night (1964)

A Hard Day's Night conveys not just a joy in music and The Beatles, but a joy in cinema. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
88%

Almost Famous (2000)

A triumph of personal filmmaking ... because it exhibits the care and specificity of an artist working through his own mind, not through a committee's idea of what a movie should be. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
89%

American Beauty (1999)

If it is never really as profound as it seems to think it is, American Beauty is consistently entertaining. — Film.com
Posted Jan 1, 2000

Rotten

Fresh
60%

American Pie (1999)

Any kind of conversation, such as the boys' gatherings at a diner, is beyond the powers of filmmaking brothers Paul and Chris Weitz. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
65%

Anywhere But Here (1999)

Portman's terrific performance in Anywhere But Here is replete with razor's-edge emotions, a watchful stillness, and an exact physical sense of how a teenager struggles to fit into her own body. — Film.com
Posted Jan 1, 2000

Rotten

Rotten
41%

Armageddon (1998)

There are many things to dislike about Armageddon, from its stunningly straight-faced Charlton Heston introduction to its casual contempt for the Greenpeace activists protesting the drilling of oil wells — Film.com
Posted Jan 1, 2000

Rotten

Rotten
21%

Autumn in New York (2000)

Finally ... the melodrama does take over. — Film.com
Posted Jan 1, 2000

Rotten

Rotten
26%

Bait (2000)

Director Antoine Fuqua ... is left buried just as surely as those very unlikely gold bars. — Film.com
Posted Jan 1, 2000

Rotten

Rotten
2%

Battlefield Earth (2000)

It's generic sci-fi right down to the last detail. — Film.com
Posted Jan 1, 2000

Rotten

Rotten
15%

Beautiful (2000)

This movie wants to have it both ways: to score points against beauty pageants and the cult of feminine beauty in our culture, but also to root for Mona. It doesn't work. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
89%

Beautiful Thing (1996)

Reminds me of some of Jonathan Demme's early movies, where ordinary people are celebrated for their eccentricities but not condescended to. — Film.com
Posted Jan 1, 2000

Fresh

Fresh
92%

Being John Malkovich (1999)

A hilariously novel conception. — Film.com
Posted Jan 1, 2000
Results for All Genres
Showing 1 - 50 of 182
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Best Reviewed

Fresh Sample

Fresh

The Bluetooth VirginOffsite

Fresh

Life of ReillyOffsite

Fresh

Plagues and Pleasures on the Salton SeaOffsite

Fresh

Big EdenOffsite

Fresh

About AdamOffsite

Fresh

Shadow MagicOffsite

Fresh

The Taste of OthersOffsite

Fresh

The BrothersOffsite

Fresh

The PledgeOffsite

Fresh

TrafficOffsite

More…

Best Reviewed

Rotten Sample

Rotten

Meet the SpartansOffsite

Rotten

The Anniversary PartyOffsite

Rotten

What's The Worst That Could Happen?Offsite

Rotten

Town and CountryOffsite

Rotten

The Center of the WorldOffsite

Rotten

Freddy Got FingeredOffsite

Rotten

Bridget Jones' DiaryOffsite

Rotten

Joe DirtOffsite

Rotten

Along Came a SpiderOffsite

Rotten

TomcatsOffsite

More…

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