Fresh 76/100
| Fresh 84%
| The September Issue (2009) | "
Filmmaker R.J. Cutler demonstrates once again that he -- as well as anybody -- can capture the interpersonal dynamics that drive a team of headstrong individuals. Or at least make us think he has." Posted Sep 1, 2009 |
Fresh 69/100
| Fresh 87%
| Big Fan (2009) | "
A stronger director could have turned this material and its complex themes into a taut, ironic thriller." Posted Sep 1, 2009 |
Fresh 85/100
| Rotten 59%
| The Headless Woman (2009) | "
This subtle and compact short story affirms that the hovering hands and exquisitely layered sound design of her previous film weren't accidents but the unusually precise creations of an exciting new filmmaker." Posted Sep 1, 2009 |
Fresh 88/100
| Fresh 88%
| Inglourious Basterds (2009) | "
Quentin Tarantino's dual loves of vengeance and cinema have never had a purer expression than the face of a Jewish cinematheque owner projected Oz-like onto the smoke of Nazis aflame." Posted Aug 21, 2009 |
Fresh 69/100
| Fresh 78%
| It Might Get Loud (2009) | "
The film is a nice chronicle of each guitarist's rise to fame, but the much touted jam summit itself is the disappointing part, lackluster enough to function mostly as mortar between the bricks." Posted Aug 14, 2009 |
Fresh 65/100
| Fresh 90%
| District 9 (2009) | "
For 85 minutes, District 9 is a thinking creature's action film, but its final brain-numbing half hour sacrifices most of that logic for loud blasts and unconvincing sentiment." Posted Aug 14, 2009 |
Fresh 87/100
| Fresh 86%
| Lorna's Silence (2009) | "
Lorna's Silence is the fifth excellent film in a row from the remarkably consistent Dardennes." Posted Aug 11, 2009 |
Fresh 60/100
| Fresh 75%
| Cold Souls (2009) | "
Giamatti gives one of his best performances, and writer-director Sophie Barthes intriguingly turns his loss of soul into a clinical, observable event. But each fertile idea gets only a few shallow iterations." Posted Aug 7, 2009 |
Fresh
| Fresh 82%
| Beeswax (2009) | "
Beeswax is probably Bujalski's best film to date, and curiously it feels both spontaneous and carefully guided, deviously tilting the audience in favor of one of its characters while it subtly builds an equal and opposite critique." Posted Aug 7, 2009 |
Fresh 65/100
| Fresh 79%
| Humpday (2009) | "
Shelton often seems hemmed in by the high concept, but she manages to worm her way out so expertly that when it's over, the whole thing feels like it was built backwards, starting not with the premise but with the final, observant conversation." Posted Jul 23, 2009 |
Rotten 51/100
| Fresh 86%
| 500 Days of Summer (2009) | "
The film bounces between the relationship's winning uplslope and its mopey descent, and the intercutting eventually kills the momentum, even though the film's rousing final minute reclaims some of the early spunk." Posted Jul 16, 2009 |
Fresh 60/100
| Fresh 84%
| Soul Power (2009) | "
James Brown and B.B. King anchor this footnote in boxing history, but the film peaks near the midpoint with Bill Withers' truly soulful performance of "Hope She'll Be Happier."" Posted Jul 10, 2009 |
Fresh 79/100
| Fresh 67%
| Bruno (2009) | "
Those who last beyond the first few minutes will be treated to a film that's more focused than Borat, with more jokes, less fluff, and enough social awareness to step on some toes. And it saves the best stunt for last." Posted Jul 10, 2009 |
Fresh 85/100
| Fresh 66%
| Public Enemies (2009) | "
The story of the visually curious Michael Mann film Public Enemies has been told before in movies more exciting but rarely more thoughtful than this one." Posted Jul 2, 2009 |
Fresh 73/100
| Fresh 98%
| The Hurt Locker (2009) | "
These men live, barely, on a cocktail of adrenaline and testosterone, and yet The Hurt Locker hones in on the fatalistic psychology of the Iraqi war zone more convincingly than any other recent film about soldiers on the battlefield." Posted Jun 26, 2009 |
Fresh 69/100
| Fresh 89%
| Séraphine (2008) | "
During the film I craved energy, but by the end I realized that I just wanted a story that stood a bit closer to its interesting, well-played title character and a bit further from the time-marking events of historical drama." Posted Jun 19, 2009 |
Rotten 49/100
| Rotten 47%
| Whatever Works (2009) | "
Some may observe that two of every three jokes fall flat, but I'm a little bit amazed that Allen would toss that one good third into such a sloppy story, like a fistful of prized truffles whisked quickly into a pan of Tuna Helper." Posted Jun 19, 2009 |
Fresh 80/100
| Fresh 86%
| Treeless Mountain (2009) | "
Relying on the essentially inert performances of child actors, So Yong Kim draws on a deep understanding of how movies work but also taps into her own experiences. That's a potent combination." Posted Jun 13, 2009 |
Fresh 69/100
| Fresh 96%
| Food, Inc. (2009) | "
At times I feel like I'm being guided by someone who not only doesn't have time to explore so many complex issues but also doesn't understand them deeply enough to know or admit when he's making dissonant compromises." Posted Jun 13, 2009 |
Fresh 56/100
| Fresh 78%
| The Hangover (2009) | "
While I'm not ready to call the film a triumph, its approach to humor is smart enough to benefit greatly from low expectations. Which is to say, it's an enjoyable piece of trash." Posted Jun 5, 2009 |
Fresh 85/100
| Fresh 90%
| Forbidden Lie$ (2009) | "
Thankfully, both filmmaker and subject approach the film as a duel. Broinowski thrusts, Khouri parries. Finding out what, if anything, is true about Khouri's story is simply the Macguffin for a filmmaker more thrilled by the hunt." Posted Jun 5, 2009 |
Fresh 78/100
| Fresh 66%
| Away We Go (2009) | "
Away We Go breathes. Its affectless, tossed-off quality tells a lumpy story built out of a few scenes that fizzle but also a few that transcend, in part because they arrive unexpectedly from an untidy little comedy." Posted Jun 5, 2009 |
Fresh 80/100
| Fresh 82%
| Pontypool (2009) | "
It's perfectly modulated horror of the imagination, à la Orson Welles' adaptation of The War of the Worlds, with potent ideas about what corrupts, inspires, subverts, and engages us." Posted Jun 5, 2009 |
N/A | Fresh 63%
| The Brothers Bloom (2009) | "
Paste caught up with Johnson in Chicago to chat about his literary approach to film and about his experience in the sandbox of big(ger)-budget movie-making." Posted May 22, 2009 |
Rotten 45/100
| Fresh 96%
| Burma VJ (2009) | "
Ostergaard has woven stunning footage with invasive reenactments that confusingly blur the line between what's real and what's recreated, undermining the vivid, first-hand accounts that should be the film's spine." Posted May 22, 2009 |
Fresh 89/100
| Fresh 93%
| Summer Hours (2009) | "
It's a lovely meditation on how objects carry history, reflect our decaying bones, and sometimes outlive us, and it's a nice change of pace for Olivier Assayas." Posted May 17, 2009 |
Fresh 65/100
| Rotten 36%
| Angels & Demons (2009) | "
Tom Hanks chases the Will Shortz of sacrilege and death in Angels & Demons, which is better than The Da Vinci Code in every way but one. It's more fun, it's less dumb, but: it has no Ian McKellan." Posted May 17, 2009 |
Fresh 90/100
| Fresh 93%
| Sugar (2009) | "
Some of the surprise of seeing a major new talent appear from thin air is lost in even a strong sophomore effort, but Boden and Fleck have set and met a high standard for their work. I found it sublime." Posted Apr 10, 2009 |
Fresh 70/100
| Fresh 65%
| The Escapist (2009) | "
It's swifter, grittier, and louder than the typical escape movie, but it still falls firmly within the tradition of underground breakouts. Its contrapuntal timelines are twisted into a surprisingly elegant first feature." Posted Apr 10, 2009 |
Fresh 80/100
| Fresh 90%
| Hunger (2008) | "
McQueen shows Sand's skin and bones then his blurred view of the ceiling, always striking a balance between static, distant observation and the taste of abraded knuckles." Posted Mar 27, 2009 |
Fresh 66/100
| Fresh 72%
| Sunshine Cleaning (2009) | "
Amy Adams impeccable from beginning to end, and her cheerful moxie is proving to be a valuable commodity in film after film, partly because it's deceptive. But there's a better film somewhere inside this story." Posted Mar 13, 2009 |
Rotten 45/100
| Fresh 64%
| Watchmen (2009) | "
Snyder's films lavish attention on men who are principled brutes and on women who are sexy, strong and secondary. He's driven by big ideas, but he never seems to consider the problems of macho justice." Posted Mar 6, 2009 |
Rotten 41/100
| Rotten 16%
| Crossing Over (2009) | "
The film plods along until late in the game when its mystery story is resolved with three nested flashbacks by a filmmaker with a markedly unimaginative sense of cinematic storytelling." Posted Mar 1, 2009 |
Fresh 69/100
| Fresh 79%
| Crips and Bloods: Made in America (2009) | "
Stacy Peralta's visual style and sense of storytelling when applied to a weightier subject than surfing or skating actually works surprisingly well." Posted Mar 1, 2009 |
Rotten 39/100
| Rotten 13%
| The Pink Panther 2 (2009) | "
The Pink Panther 2 is like the meat that Jeff Goldblum sent through the teleporter in The Fly: looks familiar, tastes weird." Posted Feb 11, 2009 |
Rotten 50/100
| Rotten 44%
| He's Just Not That Into You (2009) | "
While calculated to be grittier than the typical romantic comedy, it's still a shallow, sitcom view of complex human interactions." Posted Feb 6, 2009 |
Fresh 72/100
| Fresh 88%
| Medicine for Melancholy (2009) | "
The film weaves an intriguing commentary on race, class and personal identity, but the trick of minimalism is to hide ideas inside sparse scenes, and Jenkins is too often balancing over-stuffed conversations with undernourished carousel rides." Posted Jan 30, 2009 |
Rotten 55/100
| Rotten 32%
| The Uninvited (2009) | "
The Uninvited is an occasionally spooky, often silly, made-you-jump suspense film with a conclusion that's not quite whack enough to satisfy." Posted Jan 29, 2009 |
Fresh 85/100
| Fresh 97%
| The Class (2008) | "
Under Cantet's microscope, the school is a junction of urban lives. Raw and realistic, The Class picks apart the competing interests that hold kids, teachers and parents at loggerheads." Posted Jan 28, 2009 |
Rotten 45/100
| Rotten 45%
| Hotel for Dogs (2009) | "
There are movies that work for children and there are movies that work for all ages, and while I, as a grownup, prefer the latter, I'll have to admit that the kids in my screening of Hotel for Dogs liked it just fine." Posted Jan 16, 2009 |
Rotten 54/100
| Fresh 71%
| The Curious Case of Benjamin Button (2008) | "
The literal Benjamin Button that Fincher and Pitt have created with special effects is bland and passive even in the years when you'd think a reverse-ager would be most conflicted, fatalistic, or wise." Posted Dec 25, 2008 |
Fresh 91/100
| Fresh 90%
| The Secret of the Grain (2008) | "
The Secret of the Grain is one of the most remarkable films of 2008, in part because it masterfully extends certain sequences not only to let them play out before our eyes but also to invite reflection even as the film is still running." Posted Dec 25, 2008 |
Fresh 83/100
| Fresh 98%
| The Wrestler (2008) | "
Aronofsky's unadorned portrait of a pro-wrestling has-been is built around a fantastic, physical performance by Mickey Rourke, captured with a style that renders his dingy world all the more strange, funny and heartbreaking." Posted Dec 22, 2008 |
Rotten 31/100
| Rotten 27%
| Seven Pounds (2008) | "
Seven Pounds is among the dumbest prestige films to vie for an award in this season of half-baked Oscar contenders. It's a waste of talent, a waste of two earnest performances, and a waste of forty good gallons of water." Posted Dec 18, 2008 |
Fresh 79/100
| Fresh 93%
| Milk (2008) | "
Harvey Milk is remembered as a local hero in San Francisco, and Sean Penn's joyful, deeply layered portrayal in an uncommonly graceful -- albeit conventional -- new biopic by Gus Van Sant gives us a pretty good idea why." Posted Dec 1, 2008 |
Fresh 89/100
| Fresh 86%
| Rachel Getting Married (2008) | "
The magic of the inverted suspense belongs in part to Demme's bold structure, which requires the patience to let scenes build, and in part to Anne Hathaway whose fierce and quivering performance is astonishing." Posted Oct 3, 2008 |
Rotten 40/100
| Fresh 76%
| Appaloosa (2008) | "
Appaloosa has a solid enough opening, and it should be fun just to watch things play out, what with the shootouts, the trains, the swagger at gunpoint. But the script (co-written by Harris) is alternately dumb and lifeless." Posted Sep 19, 2008 |
Fresh 57/100
| Rotten 50%
| Battle in Seattle (2008) | "
Boiled down to its minerals, Battle in Seattle feels a lot more like The Poseidon Adventure (1972) than a thorough examination of the moment." Posted Sep 19, 2008 |
Rotten 28/100
| Rotten 16%
| Hounddog (2008) | "
Instead of embracing its pulpy nature, it aims for seriousness, then gives us cornpone performances, a lightning bolt that triggers a tractor's ejector seat, and a simple-minded view of saintly black folk who possess a dangerous blues." Posted Sep 19, 2008 |
Rotten 39/100
| Fresh 77%
| Burn After Reading (2008) | "
The script chases its tail for an hour and a half and then conks out, tired and strangely satisfied with its catch." Posted Sep 12, 2008 |
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