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Critics / Rosie Fletcher
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    ROSIE FLETCHER

    Agrees with the Tomatometer 67% of the time.

    Publications: SFX Magazine, Total Film

    Total Reviews: 6

    LISTING OF ALL REVIEWS & ARTICLES

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    • Movies
    • Fresh
    • Rotten
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    Rating T-Meter Title | Year Add Date (default)

    Fresh
    3/5

    Rotten
    56%

    9 (2009)

    " Great material, credible producers, top voice talent and gorgeous visuals, stitched together to make a patchwork that’s less than the sum of its parts. Striking and ambitious, but worn at the seams." — Total Film

    Posted Oct 30, 2009

    Fresh
    3/5

    Fresh
    81%

    Triangle (2009)

    " The story springs several leaks, but a cool concept, striking set-pieces and an outstanding central performance manage to keep Christopher Smith’s vessel afloat." — Total Film

    Posted Oct 16, 2009

    Fresh
    4/5

    Rotten
    58%

    Vinyan (2008)

    " A sense of dread weighs heavy throughout, reinforced by a score so intense that at times it verges on abusive. Yet this is also one of the most gorgeous-looking films in recent memory, with brave, unabashed performances." — Total Film

    Posted Oct 4, 2009

    Rotten
    2/5

    Rotten
    41%

    The Last House on the Left (2009)

    " A passable, pointless remake that’s as slick as it is empty." — Total Film

    Posted Jun 12, 2009

    Fresh
    3.5/5

    Fresh
    75%

    Tormented (2009)

    " A smart, competent horror-com that's easily a match for its US counterparts." — SFX Magazine

    Posted May 27, 2009

    Rotten
    1/5

    Rotten
    9%

    Reverb (2008)

    " The whole thing takes itself so seriously it’s not even good for a laugh. Maybe it’s scarier if you play it backwards." — Total Film

    Posted Mar 6, 2009
     
     
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    Best Reviewed

    Fresh Sample

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    9Offsite

    Fresh

    TriangleOffsite

    Fresh

    VinyanOffsite

    Fresh

    TormentedOffsite

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    Best Reviewed

    Rotten Sample

    Rotten

    The Last House on the LeftOffsite

    Rotten

    ReverbOffsite

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