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CRITICS / AUTHORS REVIEWS AND ARTICLES
DAVID CHUTE
PUBLICATION(S)
• IFilm
• L.A. Weekly
• Los Angeles Times
• rec.arts.movies.reviews

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Total Reviews: 113


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HOME ABOUT MOVIES FRESH ROTTEN OTHER
LISTING OF ALL REVIEWS & ARTICLES
A SAMPLING OF THIS CRITIC'S CINEMATIC TASTE
 
FRESH SAMPLE
----------------------------------
Fresh Partition
Fresh Jodhaa Akbar
Fresh Aaja Nachle
Fresh Saawariya
Fresh Chak De India
Fresh Jhoom Barabar Jhoom
Fresh Shoot Out at Lokhandwala
Fresh The Royal Guard
Fresh Black Friday
Fresh Traffic Signal
 more...
 
ROTTEN SAMPLE
----------------------------------
Rotten Nana
Rotten Sunday
Rotten Om Shanti Om
Rotten Laaga Chunari Mein Daag - Journey of a Woman
Rotten Gandhi, My Father
Rotten Cheeni Kum
Rotten Ta Ra Rum Pum
Rotten Kabul Express
Rotten Curse of the Golden Flower
Rotten Umrao Jaan
 more...
This critic agrees with the Tomatometer 72% of the time.

Genre:   # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ... (1-50 of 113) Next »
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"Partition doesn’t add many new ideas to the mix, but the deep colors and complex textures supplied by Indian-born cinematographer-turned-director Vic Sarin seem to embody the intensity of his boyhood memories." -- L.A. Weekly
Posted Mar 27, 2008
 
Partition (2007)14%
/
 
"Despite the gritty urban setting, there are episodes of Gilmore Girls that have more 'edge.'" -- L.A. Weekly
Posted Mar 20, 2008
 
Nana (2005)60%
/
 
"An imperial epic of 16th-century India, realized on a suitably gargantuan scale by writer-director Ashutosh Gowariker." -- L.A. Weekly
Posted Feb 21, 2008
 
Jodhaa Akbar (2008)71%
/
 
"We recommend sleeping in." -- L.A. Weekly
Posted Jan 31, 2008
 
Sunday (2008)n/a
/
 
"If history has taught us anything, it's that the effectiveness of a proposition such as Aaja Nachle depends almost entirely on charm. In this case, that invitation is all but irresistible." -- L.A. Weekly
Posted Dec 6, 2007
 
Aaja Nachle (2007)n/a
/
 
"The team of Bollywood superstar Shah Rukh Khan and A-list-choreographer-turned-director Farah Khan have pushed the Main Hoon Na gentle masala movie parody to repetitive extremes." -- L.A. Weekly
Posted Nov 15, 2007
 
Om Shanti Om (2007)83%
/
 
"Comes this close to sweeping us off our feet." -- L.A. Weekly
Posted Nov 14, 2007
 
Saawariya (2007)41%
/
 
"The movie works so hard to transform its shocking subject into acceptable material for middlebrow melodrama that it never deals with it." -- L.A. Weekly
Posted Oct 18, 2007
 
Laaga Chunari Mein Daag - Journey of a Woman (2007)n/a
/
 
"Weaves its familiar story with some fresh textures and even manages to invest the conflict on the field with a resonance that transcends the tick-tock turnover of the numerals on the scoreboard." -- L.A. Weekly
Posted Aug 16, 2007
 
Chak De India (2007)80%
/
 
"It’s a beautifully shot and staged period reconstruction, and is at times impressively acted, at least in the secondary roles. What it lacks is fresh insight." -- L.A. Weekly
Posted Aug 2, 2007
 
Gandhi, My Father (2007)40%
/
 
"Flirtatious repartee between glamorous stars in travel-poster international locations; a gratifyingly simple plot with puzzles and sleight-of-hand surprises; and, at regular intervals, outbursts of gaudy, energetic dancing infectiously exploding." -- L.A. Weekly
Posted Jun 21, 2007
 
Jhoom Barabar Jhoom (2007)83%
/
 
"Shootout at Lokhandwala may still be a rush for action fans because it never slows down long enough to become even remotely boring." -- L.A. Weekly
Posted May 31, 2007
 
Shoot Out at Lokhandwala (2007)n/a
/
 
"The movie [is] interesting to talk about afterward, but not necessarily any more fun to watch." -- L.A. Weekly
Posted May 31, 2007
 
Cheeni Kum (2007)n/a
/
 
"The film is so single-mindedly determined to be light and comfortable, to not raise a sweat, that it forgoes even the mildest surprises. The only things that get heavy here are the viewer’s eyelids." -- L.A. Weekly
Posted May 3, 2007
 
Ta Ra Rum Pum (2007)60%
/
 
"This is robust storytelling, with blood and thunder pumping through its veins, and real whiskers on its face." -- L.A. Weekly
Posted Feb 15, 2007
 
The Royal Guard (2007)100%
/
 
"The underused Indian actor Kay Kay Menon is perfectly cast as a crisply correct detective keeping a tight lid on his seething anger in Black Friday, a rigorously naturalistic docudrama about a complex police investigation." -- L.A. Weekly
Posted Feb 15, 2007
 
Black Friday (2007)86%
/
 
"A skillfully woven multicharacter drama, Traffic Signal is a methodical depiction of a stratified alternative society cobbled together by the group of Bombay street people." -- L.A. Weekly
Posted Feb 8, 2007
 
Traffic Signal (2007)n/a
/
 
"Writer-director Nikhil Advani cuts with crisp elegance between six passionate love stories in this master-class, South Asian extreme version of a tear-streaked Bollywood music drama." -- L.A. Weekly
Posted Feb 1, 2007
 
Salaam-e-Ishq (2007)n/a
/
 
"The film is a triumph of casting: In a role that is often about the sheer steamrolling force of his character’s personality, Abishek Bachchan’s attention to detail makes Guru accessible rather than intimidating, admirable but also plausible." -- L.A. Weekly
Posted Jan 19, 2007
 
Guru (2007)90%
/
 
"Kabul Express is the first foreign production shot in Afghanistan since the war, but [writer-director Kabir] Khan makes surprisingly little of his unique opportunity." -- L.A. Weekly
Posted Dec 22, 2006
 
Kabul Express (2006)n/a
/
 
"In the end, Curse also looks alarmingly like a dry run for the opening and closing ceremonies Zhang has been hired to direct for the Beijing Olympic Games in 2008." -- L.A. Weekly
Posted Dec 20, 2006
 
Curse of the Golden Flower (2006)65%
/
 
"A movie meal as satisfying as this one can make you feel that nothing else matters." -- L.A. Weekly
Posted Nov 30, 2006
 
Dhoom 2 (2006)80%
/
 
"At three and a half hours, J.P. Dutta's lugubrious period melodrama Umrao Jaan defeated me. It feels endless." -- L.A. Weekly
Posted Nov 9, 2006
 
Umrao Jaan (2006)n/a
/
 
"Working to keep the home audience interested in a story it knows by heart, Akhtar adds so many additional betrayals and secret identities to an already far-fetched plot that the real world becomes a distant memory, and happily so." -- L.A. Weekly
Posted Oct 26, 2006
 
Don (2006)n/a
/
 
"Viewers who are not already Bolly-heads are likely to be appalled." -- L.A. Weekly
Posted Oct 26, 2006
 
Jaan-E-Mann (2006)50%
/
 
"Ha Yu, the young director of the sleek Korean gangster drama A Dirty Carnival, walks the genre-movie tightrope like a master: He keeps us guessing but never gets so hot for novelty that he disrespects the ground rules of the form." -- L.A. Weekly
Posted Oct 12, 2006
 
A Dirty Carnival (2006)n/a
/
 
"Squanders most of the goodwill generated by Part 1, banishing nearly all of its supporting characters to the Shadow Zone and starting all over again from scratch." -- L.A. Weekly
Posted Sep 7, 2006
 
Lage Raho Munna Bhai (2006)n/a
/
 
"Kabhi Alvida Naa Kehna (Never Say Goodbye) contains set pieces so spine-chillingly effective that people may still be talking about them 20 years from now." -- L.A. Weekly
Posted Aug 17, 2006
 
Kabhi Alvida Naa Kehna (2006)75%
/
 
"Hearty pulp cinema that really sticks to your ribs." -- L.A. Weekly
Posted Jun 29, 2006
 
Krrish (2006)100%
/
 
"Every gesture feels synthetic, from the back story about North-South separation to massage the emotions of the home audience, to the 24-style globe-hopping nuclear-terrorism premise." -- L.A. Weekly
Posted Jun 1, 2006
 
Typhoon (2006)22%
/
 
"The sheer exuberant star power of this movie’s early scenes of romance and lip-synching among the national monuments is irresistible." -- L.A. Weekly
Posted Jun 1, 2006
 
Fanaa (2006)100%
/
 
"... hitches some of the most irresistible conventions of Hindi movie melodrama to an earnest agenda of social protest." -- L.A. Weekly
Posted Apr 28, 2006
 
Water (2006)91%
/
 
"Crisp, fast editing and some expert sound effects goose this clash of social opposites as it escalates into a slapstick battle of wits." -- L.A. Weekly
Posted Mar 2, 2006
 
Taxi Number 9211 (2006)n/a
/
 
"Already a cultural phenomenon in India, this reformist melodrama by Rakesh Omprakash Mehra (Aks) uses razor-sharp technique and an eavesdropper’s ear for dialogue to update the patriotic fervor of Bollywood’s golden age." -- L.A. Weekly
Posted Feb 2, 2006
 
Rang De Basanti (2006)n/a
/
 
"Zinda (Alive) isn't quite as gripping or as flamboyant as it should be." -- L.A. Weekly
Posted Jan 19, 2006
 
Zinda (2005)n/a
/
 
"Not even a third-act rescue from a burning building can prevent the tension from going up in smoke." -- L.A. Weekly
Posted Jan 5, 2006
 
Shikhar (2005)n/a
/
 
"despite the excellence of its large ensemble, Bluffmaster still feels like a star vehicle, and a solidly convincing one at that." -- L.A. Weekly
Posted Dec 22, 2005
 
Bluff Master (2006)n/a
/
 
"The normally sharp instincts of Yash Chopra, the executive producer and distributor of this strident sex comedy, seem to have deserted him this time." -- L.A. Weekly
Posted Dec 15, 2005
 
Neal 'n' Nikki (2006)n/a
/
 
"A watchable, but conventional, romantic comedy about negotiating domestic peace agreements in the shadow of an unexpected pregnancy." -- L.A. Weekly
Posted Sep 15, 2005
 
Salaam Namaste (2005)80%
/
 
"The movie never finds the right balance between momentum and exposition, and way too much historical information has been crammed into voice-over narration." -- L.A. Weekly
Posted Aug 18, 2005
 
The Rising (2005)89%
/
 
"An almost exhaustingly inventive action comedy that uses every available trick." -- L.A. Weekly
Posted Apr 6, 2005
 
Kung Fu Hustle (2005)89%
/
 
"An earnest also-ran." -- L.A. Weekly
Posted Mar 31, 2005
 
Schizo (2005)78%
/
 
"The premise of the first Miss Congeniality is unrepeatable by definition, and Gracie is much less interesting as a now-fashion-savvy agent in Las Vegas." -- L.A. Weekly
Posted Mar 24, 2005
 
Miss Congeniality 2: Armed and Fabulous (2005)14%
/
 
"Ghobadi's genius seems supercharged rather than weighed down by his higher calling, and his imagery is so boilingly alive that we come away from it feeling exhilarated rather than depressed." -- L.A. Weekly
Posted Feb 17, 2005
 
Turtles Can Fly (2005)90%
/
 
"A withering satire." -- L.A. Weekly
Posted Feb 10, 2005
 
Masculin Feminin (1966)94%
/
 
"Tony Jaa is the real thing." -- L.A. Weekly
Posted Feb 10, 2005
 
Ong-Bak: The Thai Warrior (2005)85%
/
 
"The supposedly human face of our metal-plated robocop's partner -- the inevitable curvy female in a leather jump suit -- is an inexpressive, glossy doll mask, untouched by human hands." -- L.A. Weekly
Posted Jan 12, 2005
 
Appleseed (2004)19%
/
 
"A soulless piece of product, an ungainly hybrid of sketchy hand-drawn characters in blocky CGI environments, derivative at just about every level." -- L.A. Weekly
Posted Dec 30, 2004
 
Sky Blue (2005)55%
/
 
"This man without qualities is a concept rather than a man, an ambitious rich actor's condescending fantasy of a colorless suburban schmo." -- L.A. Weekly
Posted Dec 30, 2004
 
The Assassination of Richard Nixon (2004)69%
/
 
"Feels like a big-budget Dharma & Greg episode with toilet jokes." -- L.A. Weekly
Posted Dec 16, 2004
 
Meet the Fockers (2004)39%

Genre:   # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ... (1-50 of 113) Next »
* Sort by Rating: Sort results by this critic's rating. This option is only available for critics with a rating system (4 star, letter grade, 1-10, etc.)
* Sort by T-meter: Sort results by the Tomatometer (percentage of critics recommending a certain movie)


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