CURTIS MORGAN
Agrees with the Tomatometer 71% of the time.
Publications: Miami Herald
Total Reviews: 21
LISTING OF ALL REVIEWS & ARTICLES
| Rating | T-Meter | Title | Year | Add Date (default) |
|---|---|---|---|
|
| Shadow Magic (2001) | There is a humane touch here missing from so many modern movies. |
|
| The third time is far from a charm but it makes for marginal family fare, mainly for those who aren't expecting anything beyond warmed-over Dundee I and II. | |
|
| Along Came a Spider (2001) | A mediocre widget stamped straight out of the mold of the popular police procedural, the kind featuring a master detective. |
|
| Heartbreakers (2001) | Hewitt actually sucks life and laughs from just about every scene. |
|
| 3000 Miles to Graceland (2001) | 3000 Miles to Graceland revs up into oddly entertaining ride. |
|
| Sweet November (2001) | There's just too much fantasy here to swallow or take seriously. |
|
| Saving Silverman (2001) | A relentless misfire, ineptly stealing from a number of crude but more ably executed comedies. |
|
| Vertical Limit (2000) | Far too often, Vertical Limit still has to get back to its plot. |
|
| Blue Streak (1999) | The resumes of the minds behind it almost define Hollywood formula mediocrity. |
|
| Bring It On (2000) | Bring It On ... isn't awful. It simply lacks focus, energy and spirit, definite negs in the cheerleading world. |
|
| Disney's The Kid (2000) | Last time, the kid saw dead people. This time, The Kid is just dead -- as in deadly dull. |
|
| Duets (2000) | The movie simply creaks with contrivance. |
|
| Eye of the Beholder (1999) | Ugly is in the Eye of the Beholder. |
|
| Jakob the Liar (1999) | Jakob the Liar aspires to be a poignant parable about the power of hope but instead uses one of humanity's greatest tragedies for trite melodrama. |
|
| Lake Placid (1999) | A genial, if grisly, example of the hallowed summertime genre. |
|
| Loser (2000) | Surprises with its charm. |
|
| Shanghai Noon (2000) | Far too much time passes between good punches and punch lines. |
|
| Stigmata (1999) | A garish clashing of sacred images and bloody semihorror, this is a movie that defines the category: interesting failure. |
|
| The Best Man (1999) | The characters run shallow, and early on everyone stands around looking gorgeous but not doing much. |
|
| The Legend of Drunken Master (1994) | The Legend of Drunken Master ranks among Chan's most entertaining efforts. |
|
| Woman on Top (2000) | A charming confection spun from pure whimsy, and bouncy with bright songs and sets. |
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