ROTTEN TOMATOES: Bob Satuloff

BOB SATULOFF

Agrees with the Tomatometer 90% of the time.

Publications: Film Journal International

Total Reviews: 22

LISTING OF ALL REVIEWS & ARTICLES

Rating	T-Meter	Title \| Year	Add Date (default)

Rotten	N/A	Parallel Sons (1996)	" Simply too adolescently overwrought to sit well with late '90s audiences, gay or otherwise." Posted Jul 11, 2007
Rotten	N/A	Other Voices Other Rooms (2003)	" Literal to a fault, enervatingly paced, and lacking the novel's poetic vitality, the movie seems stilted and stultifying." Posted Nov 13, 2001
Fresh	Fresh 86%	Gonin (1995)	" [A] dark, pounding exercise in mayhem, revenge, nihilism and despair in contemporary Tokyo." Posted Apr 20, 2001
Rotten	Rotten 7%	A Smile Like Yours (1997)	" A shallow, empty-headed rehash of cliches about the perils of contemporary marriage and baby-making." Posted Jan 1, 2000
Rotten	Rotten 8%	An American Werewolf in Paris (1997)	" *Lacks the style, wit and suspense that marked Waller's debut feature, Mute Witness.*" Posted Jan 1, 2000
Fresh	Fresh 68%	Bent (1997)	" Remains more a theatrical work than a cinematic one--but its dramatic story, powerful theme and historical importance are undeniable." Posted Jan 1, 2000
Fresh	Fresh 71%	Cop Land (1997)	" The way in which Mangold's writing and direction redistribute the weight of Stallone's screen persona is bound to impress." Posted Jan 1, 2000
Fresh	Fresh 83%	Eye of God (1996)	" Impresses with its ambitious theme, complex structure, well-sustained tension and strong, heartfelt performances." Posted Jan 1, 2000
Rotten	Rotten 42%	Fallen (1998)	" Too creepy for mainstream moviegoers and too tame for genre audiences." Posted Jan 1, 2000
Rotten	Rotten 16%	For Richer or Poorer (1997)	" A culture-clash comedy that's less a movie than an overproduced, four-times-too-long sitcom." Posted Jan 1, 2000
Rotten	Rotten 54%	G.I. Jane (1997)	" A simplistic, succeed-against-the-odds fantasy in Simpson-Bruckheimer mode." Posted Jan 1, 2000
Fresh	Fresh 62%	Going All the Way (1997)	" That rare '50s piece capable of attracting a young '90s audience." Posted Jan 1, 2000
Rotten	Rotten 40%	I Love You, Don't Touch Me! (1996)	" *Seems longer than the rough cut of Titanic.*" Posted Jan 1, 2000
Fresh	Fresh 70%	In & Out (1997)	" Sets the comic Richter Scale jumping." Posted Jan 1, 2000
Fresh	Fresh 100%	Lilies (1997)	" Greyson deserves much credit for realizing an outrageous theatrical conceit with clarity, consistency, and an arsenal of cinematic ideas." Posted Jan 1, 2000
Rotten	Rotten 52%	Midnight in the Garden of Good and Evil (1997)	" The film's effect is that of a fictional travelogue that offers amusement, but lacks substance." Posted Jan 1, 2000
Rotten	Fresh 60%	Starship Troopers (1997)	" *If Showgirls* represented Verhoeven's bid to become Hollywood's most shameless vulgarian, that sound you hear in Starship Troopers is the other shoe dropping.**" Posted Jan 1, 2000
Fresh	Rotten 54%	The Matchmaker (1997)	" Perfectly affable, and there are some good laughs." Posted Jan 1, 2000
Rotten	Rotten 36%	The Real Blonde (1998)	" Strains to build up a head of comic steam, but there's nowhere very interesting to go." Posted Jan 1, 2000
Fresh	Fresh 61%	The Winter Guest (1997)	" Acted with depth and acuity by its ensemble cast." Posted Jan 1, 2000
Fresh	Fresh 84%	Wag the Dog (1997)	" Breezily entertaining, cannily crafted, sociopolitical satire that brandishes razor-sharp teeth." Posted Jan 1, 2000
Fresh	Fresh 81%	Washington Square (1997)	" Painstakingly produced, dramatically compelling, and acted with skill and intensity." Posted Jan 1, 2000

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BOB SATULOFF

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