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Critics / J. Hoberman
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    J. HOBERMAN

    Agrees with the Tomatometer 77% of the time.

    Publications: L.A. Weekly, Village Voice

    Critics' Group: National Society of Film Critics, New York Film Critics Circle

    Total Reviews: 944

    LISTING OF ALL REVIEWS & ARTICLES

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    # a b c d e f g h i j k l m n o p q r s t u v w x y z
    Results for All Genres
    Showing 1 - 50 of 944
    Previous | Next
    Rating T-Meter Title | Year « Add Date

    Fresh

    Fresh
    83%

    A Town Called Panic (2009)

    " A Town Called Panic, which has more strident colors and less synopsizable action than a year's worth of comic-book adventures, embodies a sensibility that might be termed "extreme quirk."" — Village Voice

    Posted Dec 15, 2009

    Rotten

    Fresh
    83%

    Avatar (2009)

    " The muscular, coming-atcha visuals trump the movie's camp dialogue and corny conception, but only up to a point." — Village Voice

    Posted Dec 15, 2009

    Fresh

    Rotten
    38%

    My Son, My Son, What Have Ye Done? (2009)

    " Herzog has gone beyond Good and Evil to reinvent himself as a candidate for the wiggiest director of comedy in America today." — Village Voice

    Posted Dec 8, 2009

    Rotten

    Rotten
    39%

    The Lovely Bones (2009)

    " Part Disney's Alice in Wonderland, part Fritz Lang's M, the movie is horrific yet cloying, alternately distended and abrupt, sometimes poignant and often ridiculous." — Village Voice

    Posted Dec 8, 2009

    Fresh

    N/A

    Film Ist: A Girl & A Gun (2009)

    " Film Ist. a Girl & a Gun is not subtle, but its literalism -- which refines the avant-primitivism of older Viennese artists -- is its strength." — Village Voice

    Posted Dec 2, 2009

    Rotten

    Fresh
    91%

    Up in the Air (2009)

    " Like Juno, Up in the Air conjures a troubling reality and then wishes it away." — Village Voice

    Posted Dec 2, 2009

    Fresh

    Fresh
    84%

    Me and Orson Welles (2009)

    " Deft, affectionate, and unexpectedly enjoyable." — Village Voice

    Posted Nov 25, 2009

    Rotten

    Fresh
    72%

    The Road (2009)

    " Cormac McCarthy's Pulitzer Prize–winning, Oprah-endorsed, post-apocalyptic survivalist prose poem... was a quick, lacerating read. John Hillcoat's literal adaptation is, by contrast, a long, dull slog." — Village Voice

    Posted Nov 25, 2009

    Fresh

    Fresh
    86%

    Bad Lieutenant: Port of Call New Orleans (2009)

    " Instead of plumbing the depths of spiritual degradation, Herzog's movie is -- largely due to Cage's performance -- almost fun." — Village Voice

    Posted Nov 17, 2009

    Fresh

    Fresh
    91%

    The Sun (2005)

    " Though he successfully humanizes Hirohito, who is shown happily shedding his divinity, Sokurov doesn't entirely exonerate him." — Village Voice

    Posted Nov 17, 2009

    Rotten

    Rotten
    54%

    The Men Who Stare at Goats (2009)

    " What's mildly exasperating is that there is an actual quest involved: The Men Who Stare at Goats goes out to the desert in search of its tone—and never finds it." — Village Voice

    Posted Nov 3, 2009

    Fresh

    Fresh
    100%

    Rembrandt's J'accuse (2009)

    " Peering beneath the painted surface and searching in the shadows, tracking that which was cut from the canvas and mapping the network of glances that remain, the filmmaker uncovers a foul, lurid, corrupt, and perversely compelling conspiracy." — Village Voice

    Posted Oct 20, 2009

    Rotten

    Fresh
    73%

    Where the Wild Things Are (2009)

    " Wild Things isn't overlong, but it is underwhelming." — Village Voice

    Posted Oct 14, 2009

    Fresh

    N/A

    Wild River (1960)

    " Sympathetic to both sides, the movie pits tradition against progress, rugged individualism against the greater good." — Village Voice

    Posted Oct 14, 2009

    Fresh

    Fresh
    80%

    Yes Men Fix the World (2009)

    " The anti-globalist performance guys who call themselves the Yes Men are masters of forging corporate rhetoric and media protocols." — Village Voice

    Posted Oct 6, 2009

    Rotten

    Fresh
    78%

    Bronson (2009)

    " The kernel of an idea -- brutish antihero as irrepressible life force -- is trampled into dust by the showy Sturm und Drang of Refn's filmmaking." — Village Voice

    Posted Oct 6, 2009

    Fresh

    Fresh
    77%

    Afterschool (2009)

    " Afterschool, the almost frighteningly accomplished first feature made by Antonio Campos when he was 24, is high school as horror show." — Village Voice

    Posted Sep 29, 2009

    Fresh

    Fresh
    85%

    Bright Star (2009)

    " England 1818 seems like a Fragonard garden, the pastoral height of civilization. Conversation is witty; summer feels eternal." — Village Voice

    Posted Sep 15, 2009

    Fresh

    Fresh
    100%

    Fat City (1972)

    " The movie is crafty work and very much a show. In one way or another, right down to the percussively abrupt open ending, it's all about being hammered." — Village Voice

    Posted Sep 15, 2009

    Fresh

    Fresh
    100%

    Liverpool (2009)

    " Liverpool opens with a big blast of neo surf, and coasts on that energy for the movie's 84 minutes, ending with a shot of corresponding impact." — Village Voice

    Posted Sep 1, 2009

    Fresh

    Fresh
    93%

    Suspiria (1977)

    " A movie that makes sense only to the eye (and even then . . .)." — Village Voice

    Posted Sep 1, 2009

    Fresh

    Fresh
    63%

    Extract (2009)

    " Here for Labor Day -- a comedy about the hilarity and heartbreak of running a small business." — Village Voice

    Posted Sep 1, 2009

    Fresh

    Fresh
    86%

    The Baader Meinhof Complex (2009)

    " The movie has an undeniable sweep, increasing in intensity once the principals are arrested in June 1972." — Village Voice

    Posted Aug 18, 2009

    Fresh

    Fresh
    88%

    Inglourious Basterds (2009)

    " Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment -- rich in fantasy and blithely amoral." — Village Voice

    Posted Aug 18, 2009

    —

    Fresh
    75%

    I'm Gonna Explode (2009)

    Click here to read article — Village Voice

    Posted Aug 12, 2009

    Fresh

    Rotten
    59%

    The Headless Woman (2009)

    " As dense and fluid as Martel's movie is, the viewer -- like the protagonist -- is compelled to live in the moment. And a rich moment it is." — Village Voice

    Posted Aug 11, 2009

    Fresh

    Fresh
    75%

    I'm Gonna Explode (2009)

    " I'm Gonna Explode dramatizes even as it demonstrates the maxim that you can't go home again." — Village Voice

    Posted Aug 11, 2009

    Fresh

    Fresh
    82%

    Beeswax (2009)

    " Bujalski has always been good at making closeness feel exotic, and awkwardness seem natural." — Village Voice

    Posted Aug 4, 2009

    Fresh

    Fresh
    100%

    In a Lonely Place (1950)

    " The grayest, most morally ambiguous of film noirs -- and arguably the most self-reflexive." — Village Voice

    Posted Jul 15, 2009

    Fresh

    Fresh
    67%

    Bruno (2009)

    " Outrage is entertainment!" — Village Voice

    Posted Jul 8, 2009

    Fresh

    Fresh
    97%

    The Beaches of Agnes (2009)

    " In a sense, Varda has done for herself what she did for Demy -- creating a work, as charming as it is touching, that serves to explicate and enrich an entire oeuvre." — Village Voice

    Posted Jul 1, 2009

    Fresh

    Fresh
    63%

    10 Rillington Place (1971)

    " More highly regarded these days than when it was released in 1971, Richard Fleischer's 10 Rillington Place is a grimly efficient treatment of a once-notorious case." — Village Voice

    Posted Jun 24, 2009

    Fresh

    Fresh
    78%

    $9.99 (2009)

    " Etgar Keret is sometimes described as Israel's Woody Allen, but this hugely popular humorist is more fanciful and morbid in his evocation of cultural schlemielery." — Village Voice

    Posted Jun 16, 2009

    Rotten

    Rotten
    47%

    Whatever Works (2009)

    " Whatever Works illustrates, even as it names, Allen's artistic limitations." — Village Voice

    Posted Jun 16, 2009

    Rotten

    Fresh
    89%

    Moon (2009)

    " Impressively pulled together on a modest budget, Moon has a strong lead and a valid philosophical premise but, despite Bell's fissured psyche, the drama is inert. Ground control to Major Tom: Moon orbits an idea, but it doesn't go anywhere." — Village Voice

    Posted Jun 10, 2009

    Fresh

    Fresh
    81%

    Unmistaken Child (2009)

    " The movie is a drama of faith, a Tibetan monk's search for the reincarnation of his beloved master Lama Konchog." — Village Voice

    Posted Jun 3, 2009

    Fresh

    Fresh
    90%

    24 City (2009)

    " This subversively old-fashioned hymn to industrial production is filled with offbeat, vaguely absurd details." — Village Voice

    Posted Jun 3, 2009

    Rotten

    Rotten
    50%

    Antichrist (2009)

    " Antichrist, which, above all, wants to make pain visceral, is less successful at projecting authentic experience -- the shock tactics are ultimately numbing." — Village Voice

    Posted May 27, 2009

    Fresh

    Fresh
    100%

    Being Jewish in France (2009)

    " More impressionistic than analytical." — Village Voice

    Posted May 13, 2009

    Fresh

    Fresh
    93%

    Summer Hours (2009)

    " Too chatty to be ascetic, Summer Hours is nevertheless almost Ozu-like in its evocation of a parent's death and the dissolving bond between the surviving children." — Village Voice

    Posted May 13, 2009

    Fresh

    Fresh
    86%

    Tony Manero (2009)

    " Tony Manero has a purposefully murky look and a frantic feel." — Village Voice

    Posted May 12, 2009

    Fresh

    Fresh
    73%

    Rudo and Cursi (2009)

    " Energetic fun." — Village Voice

    Posted May 5, 2009

    Fresh

    Fresh
    80%

    Audience Of One (2009)

    " Ridiculous as it is, Audience of One is more chilling than funny." — Village Voice

    Posted May 5, 2009

    Fresh

    Rotten
    39%

    The Limits of Control (2009)

    " The Limits of Control is a shaggy dog story, but it’s leaner and less precious (and more beautiful) than the past few Jarmusch films." — Village Voice

    Posted Apr 28, 2009

    Fresh

    Fresh
    63%

    The Girlfriend Experience (2009)

    " Grey isn’t the first porn actress to go straight, but she may be the first to allegorize her own situation -- projecting an on-screen self-confidence that’s indistinguishable from pathos." — Village Voice

    Posted Apr 28, 2009

    Rotten

    Rotten
    14%

    The Informers (2009)

    " There's plenty of incident, but not much plot. As befits a tale of absolute self-absorption and unconscious revelation, The Informers often seems to be telling on itself." — Village Voice

    Posted Apr 22, 2009

    Fresh

    Fresh
    86%

    Treeless Mountain (2009)

    " Skillfully unsentimental -- because of, but also despite, the presence of two irresistible, unself-conscious performers in virtually every scene." — Village Voice

    Posted Apr 22, 2009

    —

    N/A

    Oblivion (1994)

    Click here to read article — Village Voice

    Posted Apr 15, 2009

    Fresh

    Fresh
    93%

    Oblivion (2008)

    " The result is a tender, poetically aimless movie by someone who no longer dwells among these stoic people, but feels like she might be the only one who remembers them." — Village Voice

    Posted Apr 14, 2009

    Fresh

    Fresh
    84%

    State of Play (2009)

    " An effectively involving journalism-cum-conspiracy yarn with a bang-bang opening and a frantic closer." — Village Voice

    Posted Apr 14, 2009
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    Best Reviewed

    Fresh Sample

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    A Town Called PanicOffsite

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    Film Ist: A Girl & A GunOffsite

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    Me and Orson WellesOffsite

    Fresh

    Bad Lieutenant: Port of Call New OrleansOffsite

    Fresh

    The SunOffsite

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    Rembrandt's J'accuseOffsite

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    Yes Men Fix the WorldOffsite

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    The RoadOffsite

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    The Men Who Stare at GoatsOffsite

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