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CRITICS / AUTHORS REVIEWS AND ARTICLES
DON DRUKER
PUBLICATION(S)
• Chicago Reader
• Globe and Mail

STATS
Total Reviews: 254


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HOME ABOUT MOVIES FRESH ROTTEN OTHER
LISTING OF ALL REVIEWS & ARTICLES
A SAMPLING OF THIS CRITIC'S CINEMATIC TASTE
 
FRESH SAMPLE
----------------------------------
Fresh Pat and Mike
Fresh The Blue Angel
Fresh Richard III
Fresh The Big Heat
Fresh The Killers
Fresh Blazing Saddles
Fresh California Split
Fresh The Quiet Man
Fresh And Now My Love
Fresh Top Hat
 more...
 
ROTTEN SAMPLE
----------------------------------
Rotten The Way We Were
Rotten And Now for Something Completely Different
Rotten Jesus Christ Superstar
Rotten A Man and a Woman
Rotten It's a Mad, Mad, Mad, Mad World
Rotten Brief Encounter
Rotten Cries and Whispers
Rotten The Great Gatsby
Rotten The Parallax View
Rotten Rollerball
 more...
This critic agrees with the Tomatometer 87% of the time.

Genre:   # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ... (1-50 of 254) Next »
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/
 
"The best of the Spencer Tracy-Katharine Hepburn cycle." -- Chicago Reader
Posted Aug 4, 2008
 
Pat and Mike (1952)90%
/
 
"The first film collaboration between Josef von Sternberg and Marlene Dietrich, this reeks with decay and sexuality." -- Chicago Reader
Posted Jul 28, 2008
 
The Blue Angel (1930)94%
/
 
"Laurence Olivier's classic rendition (1956) of Shakespeare's total villain contains one of his most engaging performances and reveals some of his best spatial manipulation of action." -- Chicago Reader
Posted Jul 9, 2008
 
Richard III (1955)85%
/
 
"A for effort; C for execution." -- Chicago Reader
Posted May 26, 2008
 
The Way We Were (1973)61%
/
 
"Fans will have most of it memorized by now." -- Chicago Reader
Posted May 14, 2008
 
And Now for Something Completely Different (1971)89%
/
 
"Brutal, atmospheric, and exciting -- highly recommended." -- Chicago Reader
Posted Apr 9, 2008
 
The Big Heat (1953)100%
/
 
"An example of film noir at its most expressive." -- Chicago Reader
Posted Apr 8, 2008
 
The Killers (1946)100%
/
 
"One of the funniest awful movies ever made." -- Chicago Reader
Posted Apr 2, 2008
 
Blazing Saddles (1974)89%
/
 
"Robert Altman's masterful 1974 study of the psychology of the compulsive gambler." -- Chicago Reader
Posted Mar 25, 2008
 
California Split (1974)90%
/
 
"The music quickly becomes monotonous, and the operatic dialogue is silly right from the start." -- Chicago Reader
Posted Mar 19, 2008
 
Jesus Christ Superstar (1973)57%
/
 
"John Ford's 1952 Oscar winner is a tribute to an Ireland that exists only in the imaginations of songwriters and poets like Ford." -- Chicago Reader
Posted Mar 11, 2008
 
The Quiet Man (1952)91%
/
 
"If Lelouch's sensibilities are too flimsy to substantiate his quasi-epic ambitions, the film nevertheless offers some cozy comforts and more than a few inside filmmaking jokes." -- Chicago Reader
Posted Jan 15, 2008
 
And Now My Love (1974)60%
/
 
"It's full of misty romps in the meadows, rain-soaked windshields, assorted puppies and lambs, and a 'bittersweet' theme song that drones incessantly on the sound track." -- Chicago Reader
Posted Jan 15, 2008
 
A Man and a Woman (1966)77%
/
 
"This 1935 musical finds Fred Astaire and Ginger Rogers at the top of their form." -- Chicago Reader
Posted Jan 11, 2008
 
Top Hat (1935)100%
/
 
"One of Ernst Lubitsch's greatest accomplishments." -- Chicago Reader
Posted Jan 11, 2008
 
Lady Windermere's Fan (1925)n/a
/
 
"It runs 187 minutes, and it's worth every one of them." -- Chicago Reader
Posted Jan 9, 2008
 
Children of Paradise (1945)95%
/
 
"It does have enough gritty insights and (for the time) strikingly accurate production details to keep the level of interest up." -- Chicago Reader
Posted Nov 13, 2007
 
A Raisin in the Sun (1961)100%
/
 
"Stanley Kramer strikes out again with this elephantine 1963 attempt at uproarious comedy." -- Chicago Reader
Posted Nov 7, 2007
 
It's a Mad, Mad, Mad, Mad World (1963)77%
/
 
"Alec Guinness as the master pickpocket Fagin is the high point of David Lean's 1948 version of the Dickens classic." -- Chicago Reader
Posted Nov 6, 2007
 
Oliver Twist (1948)100%
/
 
"Rarely rises above the level of the old women's magazines." -- Chicago Reader
Posted Nov 6, 2007
 
Brief Encounter (1946)82%
/
 
"The graveyard scene is still a shocker, the details are still astonishingly well assembled, and the performances are wonderful." -- Chicago Reader
Posted Nov 6, 2007
 
Great Expectations (1946)100%
/
 
"A marvelous 1938 adaptation of the Shaw classic." -- Chicago Reader
Posted Nov 6, 2007
 
Pygmalion (1938)94%
/
 
"It's a polished and exciting thriller, mercifully unburdened with heavy political/philosophical digressions." -- Chicago Reader
Posted Nov 1, 2007
 
The Day of the Jackal (1973)90%
/
 
"A tough-talking, sparely directed effort by Hal Ashby, with an immaculate performance by Jack Nicholson." -- Chicago Reader
Posted Oct 31, 2007
 
The Last Detail (1974)91%
/
 
"Ray's incredible warmth and superbly understated visual style can charm even those (like me) who don't find his films particularly compelling." -- Chicago Reader
Posted Oct 24, 2007
 
Pratidwandi (1972)100%
/
 
"Pasolini uses a complex but seemingly stark and simple visual style, and he evokes wonderful performances from nonprofessionals Enrique Irazoqui, Margherita Caruso, and Marcello Morante." -- Chicago Reader
Posted Oct 23, 2007
 
The Gospel According to St. Matthew (1965)92%
/
 
"The archetypal Joan Crawford movie." -- Chicago Reader
Posted Oct 17, 2007
 
Mildred Pierce (1945)87%
/
 
"Movies like this are beyond criticism." -- Chicago Reader
Posted Oct 16, 2007
 
The Adventures of Robin Hood (1938)100%
/
 
"More a film about unreasoning fear than the supernatural, this work demonstrates what a filmmaker can accomplish when he substitutes taste and intelligence for special effects." -- Chicago Reader
Posted Sep 26, 2007
 
Cat People (1942)94%
/
 
"Gory, imaginative, wildly melodramatic -- good fun." -- Chicago Reader
Posted Sep 25, 2007
 
Theatre of Blood (1973)95%
/
 
"As atmospheric and menacing a work as the expressionist movement ever produced." -- Chicago Reader
Posted Sep 25, 2007
 
3 Faust (1926)94%
/
 
"Aldrich's direction and dynamite performances from the two old troupers make this film an experience." -- Chicago Reader
Posted Sep 24, 2007
 
What Ever Happened to Baby Jane? (1962)89%
/
 
"It transcends the conventions of the horror genre and remains one of Lewton-Tourneur's most compelling studies in light and darkness." -- Chicago Reader
Posted Sep 24, 2007
 
I Walked With a Zombie (1943)89%
/
 
"John Boorman's 1972 film of the James Dickey novel has a beautiful visual style that balances the film's machismo message." -- Chicago Reader
Posted Sep 18, 2007
 
Deliverance (1972)94%
/
 
"American-born director Richard Lester serves up a helping of what, on this side of the pond, we came to think of as kicky, mod British filmmaking." -- Chicago Reader
Posted Sep 10, 2007
 
A Hard Day's Night (1964)100%
/
 
"As Andrew Sarris says, not without its cruelties, but not without its beauties as well." -- Chicago Reader
Posted Aug 15, 2007
 
Love in the Afternoon (1957)90%
/
 
"The pace is blistering, and Wilder's deep-seated hatred of Germans has never been put to more comic use." -- Chicago Reader
Posted Aug 15, 2007
 
One, Two, Three (1961)94%
/
 
"Wildly funny in spots..." -- Chicago Reader
Posted Aug 15, 2007
 
The Fortune Cookie (1966)90%
/
 
"A delight." -- Chicago Reader
Posted Aug 14, 2007
 
Ball of Fire (1941)100%
/
 
"Funny and forgettable." -- Chicago Reader
Posted Aug 14, 2007
 
Midnight (1939)92%
/
 
"The resulting letdown is terrific, but along the way there is some of the funniest men-at-loose-ends interplay that Wilder has ever put on film." -- Chicago Reader
Posted Aug 14, 2007
 
Stalag 17 (1953)96%
/
 
"A tour de force for Swanson and one of Wilder's better efforts." -- Chicago Reader
Posted Aug 14, 2007
 
Sunset Boulevard (1950)100%
/
 
"Coppola manages to turn an expert thriller into a portrayal of the conflict between ritual and responsibility without ever letting the levels of tension subside or the complicated plot get muddled." -- Chicago Reader
Posted Aug 12, 2007
 
The Conversation (1974)98%
/
 
"One of his most perfectly realized efforts." -- Chicago Reader
Posted Aug 1, 2007
 
The Silence (1963)91%
/
 
"The much-vaunted color symbolism is so obvious as to be almost charming in its simplicity, and the gothic ambience never really resonates." -- Chicago Reader
Posted Aug 1, 2007
 
Cries and Whispers (1972)89%
/
 
"A funny, sardonic, and clever satire on popular heroes and ordinary people's illusions." -- Chicago Reader
Posted Jul 31, 2007
 
The White Sheik (1952)100%
/
 
"It is one of Bergman's most tightly structured and frightening films." -- Chicago Reader
Posted Jul 30, 2007
 
The Magician (1958)100%
/
 
"Director Jack Clayton seems overawed by the opulence of the production as well as by the mythic presence of Fitzgerald -- and the result is a film of shimmering surface brilliance and almost complete lack of focus or substance." -- Chicago Reader
Posted Jul 26, 2007
 
The Great Gatsby (1974)38%
/
 
"John Huston has rarely been in better form than in this 1948 study of gold fever and worse obsessions among an unlikely trio of prospectors..." -- Chicago Reader
Posted Jul 2, 2007
 
The Treasure of the Sierra Madre (1948)100%
/
 
"The direction is often questionable, but the screenplay (by James Agee, John Collier, Huston, and Peter Viertel from C.S. Forester's novel) is a model of tight construction." -- Chicago Reader
Posted Jun 28, 2007
 
The African Queen (1951)100%

Genre:   # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ... (1-50 of 254) Next »
* Sort by Rating: Sort results by this critic's rating. This option is only available for critics with a rating system (4 star, letter grade, 1-10, etc.)
* Sort by T-meter: Sort results by the Tomatometer (percentage of critics recommending a certain movie)


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