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The King

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The King (2006)

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55 %
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Reviews Counted:76

Fresh:42

Rotten:34

Average Rating:6/10

Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.

Runtime: 1 hr 45 mins

Genre: Dramas

US Box Office: $157,875

Synopsis: Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with... Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with movies like THE KING. Bernal stars as Elvis Valderez, a recently discharged Navy recruit who travels to Corpus Christi, Texas, to track down the father he's never met. But when he finds him, Elvis is in for a shock; his father, David Sandow (William Hurt, who surely based his performance on the all-too-real John Mark Byers from PARADISE LOST), is the leader of a Baptist congregation in Corpus Christi, and has instilled strong Christian values in all of his family. David wants the rogue-like Elvis to steer clear of his flock, perhaps fearing that he'll reveal long-buried secrets about David's past. But when the ex-Navy man sees his father's daughter, 16-year-old Malerie (Pell James), he longs to form a romantic bond with her. Initially unaware that Malerie is his half-sister, Elvis continues to pursue her even when he discovers their family relationship, leading to smalltown tumult with plenty of unexpected twists in the plot. Despite having only one prior film to his name (the wonderfully gloomy documentary WISCONSIN DEATH TRIP) director James Marsh pulls some great performances from Bernal and Hurt, and beautifully captures the dazzling sunlit countryside of this small Texan outpost. Indeed, cinematographer Eigil Bryld--who also worked with Marsh on his previous film--plays a big part in setting the tone of the movie with his stark use of color, which is well matched by an accomplished script from Milo Addica (MONSTER'S BALL). [More]

Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano

Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano, Laura Harring

Director: James Marsh

Director: James Marsh
Studio: ThinkFilm

[See More Credits]

Reviews for The King

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1 - 20 (sorted by date; Australian critics are listed first)
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N/R

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Full Review Source: Urban Cinefile | comment Comment
10/18/08
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: In Film Australia | comment Comment
05/04/06
In Film Australia
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N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
03/10/06
Sydney Morning Herald
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Click to read the article

Full Review Source: Hollywood.com | comment Comment
11/20/08
Brian Marder
Brian Marder
Hollywood.com

The degree to which this film is unsettling is testimony to the strength of the acting and direction.

Full Review Source: Eye for Film | comment Comment
06/13/08
Amber Wilkinson
Amber Wilkinson
Eye for Film

Red States' worst nightmare rules on screen.

Full Review Source: WBAI Web Radio | comment Comment
05/03/07
Prairie Miller
Prairie Miller
WBAI Web Radio

Good work that, with a little more effort, could have been so much better.

Full Review Source: Film Journal International | comment Comment
03/01/07
Doris Toumarkine
Doris Toumarkine
Film Journal International
N/R

Click to read the article

Full Review Source: Observer [UK] | comment Comment
01/20/07
Philip French
Philip French
Observer [UK]

This movie creeped me out big time.

Full Review Source: Laramie Movie Scope | comment Comment
01/19/07
Robert Roten
Robert Roten
Laramie Movie Scope

An undemanding morality tale set in the Bible Belt.

Full Review Source: Ozus' World Movie Reviews | comment Comment
12/07/06
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

The filmmakers' stoicism finally proves insurmountable and indefatigable

Full Review Source: Film Freak Central | comment Comment
10/17/06
Bill Chambers
Bill Chambers
Film Freak Central

I'm all in favor of warts-and-all depictions of Christians, but the closer you look, the more you realize that warts are all this film has to offer.

Full Review Source: Christianity Today | comment Comment
09/25/06
Peter T. Chattaway
Peter T. Chattaway
Christianity Today

A Southwestern American pastoral of dormant menace, The King is a film of triple-dipped mood that turns on an act of shocking violence, but still seems to substitute willful indistinctness for insight.

Full Review Source: Now Playing Magazine | comment Comment
09/22/06
Brent Simon
Brent Simon
Now Playing Magazine

"The King" actually moves you, particularly because it has outstanding actors like William Hurt and Gael Garcia Bernal giving haunting, complex performances.

Full Review Source: Capital Times (Madison, WI) | comment Comment
09/06/06
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

This film wastes the talents of the entire cast.

Full Review Source: Deseret News, Salt Lake City | comment Comment
08/25/06
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

Programmed by the fatalistic filmmakers toward a cruel outcome, but the actors make it convincing...

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
08/11/06
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)
N/R

Click to read the article

Full Review Source: Atlanta Journal-Constitution | comment Comment
08/06/06
Atlanta Journal-Constitution
Top Critic Icon Top Critic

Both Hurt and Bernal drift through their performances, leaving the audience as unfulfilled as an empty collection plate.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
07/28/06
Michele Kenner
Michele Kenner
Milwaukee Journal Sentinel

The many possible ways to read the film might be more fruitful if Marsh's direction was more assured.

Full Review Source: Austin Chronicle | comment Comment
07/15/06
Brian Clark
Brian Clark
Austin Chronicle

Marsh has a knack for setting up twisted situations, and he nicely counterbalances the horror by filming everything in a straightforward, muted style.

Full Review Source: Oregonian | comment Comment
07/07/06
Mike Russell
Mike Russell
Oregonian
 
 
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