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The King (2006)
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Reviews Counted:76
Fresh:42
Rotten:34
Average Rating:6/10
Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.
Synopsis: Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with... Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with movies like THE KING. Bernal stars as Elvis Valderez, a recently discharged Navy recruit who travels to Corpus Christi, Texas, to track down the father he's never met. But when he finds him, Elvis is in for a shock; his father, David Sandow (William Hurt, who surely based his performance on the all-too-real John Mark Byers from PARADISE LOST), is the leader of a Baptist congregation in Corpus Christi, and has instilled strong Christian values in all of his family. David wants the rogue-like Elvis to steer clear of his flock, perhaps fearing that he'll reveal long-buried secrets about David's past. But when the ex-Navy man sees his father's daughter, 16-year-old Malerie (Pell James), he longs to form a romantic bond with her. Initially unaware that Malerie is his half-sister, Elvis continues to pursue her even when he discovers their family relationship, leading to smalltown tumult with plenty of unexpected twists in the plot. Despite having only one prior film to his name (the wonderfully gloomy documentary WISCONSIN DEATH TRIP) director James Marsh pulls some great performances from Bernal and Hurt, and beautifully captures the dazzling sunlit countryside of this small Texan outpost. Indeed, cinematographer Eigil Bryld--who also worked with Marsh on his previous film--plays a big part in setting the tone of the movie with his stark use of color, which is well matched by an accomplished script from Milo Addica (MONSTER'S BALL). [More]
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano, Laura Harring
Director: James Marsh
Director: James Marsh
Studio: ThinkFilm
Reviews for The King
It's too full of tired clichis to be the Night of the Hunter it wants to be, but it tries its best, and the top-notch performances from Bernal and Hurt carry the deadweight.
This story of a prodigal son returning to wreak havoc devolves into pointless and preposterous nastiness.
The degree to which this film is unsettling is testimony to the strength of the acting and direction.
"The King" is a very distasteful picture that left me feeling uneasy and irritated.
The filmmakers' stoicism finally proves insurmountable and indefatigable
A Southwestern American pastoral of dormant menace, The King is a film of triple-dipped mood that turns on an act of shocking violence, but still seems to substitute willful indistinctness for insight.
The many possible ways to read the film might be more fruitful if Marsh's direction was more assured.
The web gets more tangled until, midway through, the drama drops and the film becomes yet another bloody horror show.
A dark and deeply unsettling movie with its roots in classical tragedy.
You think the movie is going to be one thing, like maybe a family drama about forgiveness for past wrongs, but it totally heads off in directions you don't expect.
It's not a story easily shaken, however, or easily pigeonholed, inhabiting instead a bright and evil category all its own.
A strange, disturbing movie that will appeal to you if you like to leave the theater with lots of questions to mull over.
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