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The King (2006)
Tomatometer
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Reviews Counted:76
Fresh:42
Rotten:34
Average Rating:6/10
Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.
Synopsis: Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with... Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with movies like THE KING. Bernal stars as Elvis Valderez, a recently discharged Navy recruit who travels to Corpus Christi, Texas, to track down the father he's never met. But when he finds him, Elvis is in for a shock; his father, David Sandow (William Hurt, who surely based his performance on the all-too-real John Mark Byers from PARADISE LOST), is the leader of a Baptist congregation in Corpus Christi, and has instilled strong Christian values in all of his family. David wants the rogue-like Elvis to steer clear of his flock, perhaps fearing that he'll reveal long-buried secrets about David's past. But when the ex-Navy man sees his father's daughter, 16-year-old Malerie (Pell James), he longs to form a romantic bond with her. Initially unaware that Malerie is his half-sister, Elvis continues to pursue her even when he discovers their family relationship, leading to smalltown tumult with plenty of unexpected twists in the plot. Despite having only one prior film to his name (the wonderfully gloomy documentary WISCONSIN DEATH TRIP) director James Marsh pulls some great performances from Bernal and Hurt, and beautifully captures the dazzling sunlit countryside of this small Texan outpost. Indeed, cinematographer Eigil Bryld--who also worked with Marsh on his previous film--plays a big part in setting the tone of the movie with his stark use of color, which is well matched by an accomplished script from Milo Addica (MONSTER'S BALL). [More]
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano, Laura Harring
Director: James Marsh
Director: James Marsh
Studio: ThinkFilm
Reviews for The King
Dense with religious allegory, The King is so bizarre and so sly even the Catholic Church didn't know whether to ban it or not.
A rather beautifully produced indie mix of melodrama, ethnographic detail, and modern Southern gothic.
Milo Addica's script delves into emotionally messy territory... and director James Marsh embraces the ambiguity, sometimes at the expense of the characters.
"The King" is a very distasteful picture that left me feeling uneasy and irritated.
It's not a story easily shaken, however, or easily pigeonholed, inhabiting instead a bright and evil category all its own.
Programmed by the fatalistic filmmakers toward a cruel outcome, but the actors make it convincing...
The film is an accomplished piece of mischief making that directly confronts religious conviction, in this case Christian, with its worst nightmare: can you really forgive evil?
The soundtrack is brilliant, the cinematography strange and wonderful and the performances are creepy good.
The real acting sparks are generated by Hurt, delivering an absolutely sincere performance as a reformed sinner basking in God's love.
The King suffers from an overbearing sense of its own self-importance.
The filmmakers' stoicism finally proves insurmountable and indefatigable
I'm all in favor of warts-and-all depictions of Christians, but the closer you look, the more you realize that warts are all this film has to offer.
A dark and deeply unsettling movie with its roots in classical tragedy.
The many possible ways to read the film might be more fruitful if Marsh's direction was more assured.
Marsh takes a clever approach to a controversial idea, but he never makes it terribly engaging
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