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The King (2006)
Tomatometer
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Reviews Counted:76
Fresh:42
Rotten:34
Average Rating:6/10
Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.
Synopsis: Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with... Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with movies like THE KING. Bernal stars as Elvis Valderez, a recently discharged Navy recruit who travels to Corpus Christi, Texas, to track down the father he's never met. But when he finds him, Elvis is in for a shock; his father, David Sandow (William Hurt, who surely based his performance on the all-too-real John Mark Byers from PARADISE LOST), is the leader of a Baptist congregation in Corpus Christi, and has instilled strong Christian values in all of his family. David wants the rogue-like Elvis to steer clear of his flock, perhaps fearing that he'll reveal long-buried secrets about David's past. But when the ex-Navy man sees his father's daughter, 16-year-old Malerie (Pell James), he longs to form a romantic bond with her. Initially unaware that Malerie is his half-sister, Elvis continues to pursue her even when he discovers their family relationship, leading to smalltown tumult with plenty of unexpected twists in the plot. Despite having only one prior film to his name (the wonderfully gloomy documentary WISCONSIN DEATH TRIP) director James Marsh pulls some great performances from Bernal and Hurt, and beautifully captures the dazzling sunlit countryside of this small Texan outpost. Indeed, cinematographer Eigil Bryld--who also worked with Marsh on his previous film--plays a big part in setting the tone of the movie with his stark use of color, which is well matched by an accomplished script from Milo Addica (MONSTER'S BALL). [More]
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano, Laura Harring
Director: James Marsh
Director: James Marsh
Studio: ThinkFilm
Reviews for The King
This story of a prodigal son returning to wreak havoc devolves into pointless and preposterous nastiness.
"The King" is a very distasteful picture that left me feeling uneasy and irritated.
The filmmakers' stoicism finally proves insurmountable and indefatigable
A Southwestern American pastoral of dormant menace, The King is a film of triple-dipped mood that turns on an act of shocking violence, but still seems to substitute willful indistinctness for insight.
The many possible ways to read the film might be more fruitful if Marsh's direction was more assured.
The web gets more tangled until, midway through, the drama drops and the film becomes yet another bloody horror show.
While Elvis' briefly startled face isn't precisely legible, your reading is pretty much ordained.
The King suffers from an overbearing sense of its own self-importance.
[Marsh] and co-writer Milo Addica display such contempt for their characters and religious conviction in general, they reduce everything to one-note banality.
This dark take on the prodigal son never picks up steam beyond initial exposition.
Good work that, with a little more effort, could have been so much better.
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