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Movies / Upcoming / The King
The King

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The King (2006)

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Reviews Counted:76

Fresh:42

Rotten:34

Average Rating:6/10

Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.

Runtime: 1 hr 45 mins

Genre: Dramas

US Box Office: $157,875

Synopsis: Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with... Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with movies like THE KING. Bernal stars as Elvis Valderez, a recently discharged Navy recruit who travels to Corpus Christi, Texas, to track down the father he's never met. But when he finds him, Elvis is in for a shock; his father, David Sandow (William Hurt, who surely based his performance on the all-too-real John Mark Byers from PARADISE LOST), is the leader of a Baptist congregation in Corpus Christi, and has instilled strong Christian values in all of his family. David wants the rogue-like Elvis to steer clear of his flock, perhaps fearing that he'll reveal long-buried secrets about David's past. But when the ex-Navy man sees his father's daughter, 16-year-old Malerie (Pell James), he longs to form a romantic bond with her. Initially unaware that Malerie is his half-sister, Elvis continues to pursue her even when he discovers their family relationship, leading to smalltown tumult with plenty of unexpected twists in the plot. Despite having only one prior film to his name (the wonderfully gloomy documentary WISCONSIN DEATH TRIP) director James Marsh pulls some great performances from Bernal and Hurt, and beautifully captures the dazzling sunlit countryside of this small Texan outpost. Indeed, cinematographer Eigil Bryld--who also worked with Marsh on his previous film--plays a big part in setting the tone of the movie with his stark use of color, which is well matched by an accomplished script from Milo Addica (MONSTER'S BALL). [More]

Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano

Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano, Laura Harring

Director: James Marsh

Director: James Marsh
Studio: ThinkFilm

[See More Credits]

Reviews for The King

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41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

It's the kind of work where characters develop on their own, without consulting the book of cliches.

Full Review Source: Chicago Sun-Times | comment Comment
06/16/06
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

[Marsh] and co-writer Milo Addica display such contempt for their characters and religious conviction in general, they reduce everything to one-note banality.

Full Review Source: Washington Post | comment Comment
06/15/06
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

Disturbing, but not haunting or soul-scorching, which is obviously what the filmmakers wanted.

Full Review Source: Chicago Tribune | comment Comment
06/15/06
Michael Wilmington
Michael Wilmington
Chicago Tribune

Dark, disturbing and audaciously original in a way only indies are given license to be anymore.

Full Review Source: San Francisco Chronicle | comment Comment
06/09/06
Ruthe Stein
Ruthe Stein
San Francisco Chronicle

A complex, deeply disturbing parable that's certain to find as many detractors as fans.

Full Review Source: Reel.com | comment Comment
06/09/06
Gary Goldstein
Gary Goldstein
Reel.com

A dark and deeply unsettling movie with its roots in classical tragedy.

Full Review Source: Los Angeles Times | comment Comment
06/09/06
Carina Chocano
Carina Chocano
Los Angeles Times
Top Critic Icon Top Critic

Isn't a particularly good film, but it is a perversely fascinating one.

Full Review Source: One Guy's Opinion | comment Comment
06/09/06
Frank Swietek
Frank Swietek
One Guy's Opinion

Dense with religious allegory, The King is so bizarre and so sly even the Catholic Church didn't know whether to ban it or not.

Full Review Source: Combustible Celluloid | comment Comment
06/08/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Its attempts at symbolism regarding sin and faith are astoundingly heavy-handed and further dampened by an ending that will be greeted with either silence or sneers.

Full Review Source: Dallas Morning News | comment Comment
06/08/06
Philip Wuntch
Philip Wuntch
Dallas Morning News

The first-time director, James Marsh, and his co-writer Milo Addica (who wrote Monster's Ball), sustain a black-comic tone, and the performances, as far they go, are quietly chilling.

Full Review Source: Christian Science Monitor | comment Comment
06/08/06
Peter Rainer
Peter Rainer
Christian Science Monitor

A lurid, overheated Southern Gothic that wallows in its own unpleasantness.

Full Review Source: L.A. Weekly | comment Comment
06/08/06
Scott Foundas
Scott Foundas
L.A. Weekly

A rather beautifully produced indie mix of melodrama, ethnographic detail, and modern Southern gothic.

Full Review Source: Village Voice | comment Comment
05/30/06
Michael Atkinson
Michael Atkinson
Village Voice

The imagery and the acting are often sufficiently persuasive, reminding one of the old, um, cliché about clichés being clichés because they're true.

Full Review Source: Premiere Magazine | comment Comment
05/30/06
Glenn Kenny
Glenn Kenny
Premiere Magazine

While the appealing Mr. Bernal can do little with the cruel task he has been given, the rest of the cast, particularly Mr. Hurt and Mr. Dano, invest their characters with real feeling.

comment Comment
05/27/06
Manohla Dargis
Manohla Dargis
New York Times
Top Critic Icon Top Critic

Just about the only way to make sense of the film is to view its Christian family the way that the director, James Marsh, does -- with a contempt masquerading as social criticism.

Full Review Source: Entertainment Weekly | comment Comment
05/26/06
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly

... one of the more disturbing and chilling films so far this year ...

Full Review Source: Ebert & Roeper | comment Comment
05/24/06
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

Watching The King is a mesmerizing, nerve-wracking experience. Bernal meanwhile heightens the tension with his ever-present angelic smile.

Full Review Source: About.com | comment Comment
05/23/06
Marcy Dermansky
Marcy Dermansky
About.com

Hail to The King, a quietly shocking slice of Southern Gothic from British director James Marsh.

Full Review Source: BBC | comment Comment
05/23/06
Matthew Leyland
Matthew Leyland
BBC

This story of a prodigal son returning to wreak havoc devolves into pointless and preposterous nastiness.

Full Review Source: Associated Press | comment Comment
05/20/06
Associated Press
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A compelling, intelligent and provocative sins-of-the-father story with a terrific ensemble cast, and a standout Mr. Ripley turn by the ever-versatile Gael García Bernal.

Full Review Source: Empire Magazine | comment Comment
05/20/06
Damon Wise
Damon Wise
Empire Magazine
Top Critic Icon Top Critic
 
 
41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 >> >|
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