We're left unable to get the music -- and the musicians -- out of our heads.
Al Otro Lado (2006)
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Reviews Counted: 7
Fresh: 5
Rotten:2
Average Rating: 5.9/10
Genre: Musical & Performing Arts
Theatrical Release: Mar 1, 2006 Limited
Synopsis: Like many in Sinaloa, the drug capital of Mexico, 23 year old Magdiel faces two choices to better his life: trafficking drugs or illegally crossing the border into the United States. Yet Magdiel has a special talent that could be his ticket... Like many in Sinaloa, the drug capital of Mexico, 23 year old Magdiel faces two choices to better his life: trafficking drugs or illegally crossing the border into the United States. Yet Magdiel has a special talent that could be his ticket out: composing corridos – ballads about the narcotics underworld and illegal immigrant life. For over 200 years corridos have been Mexico's musical underground newspaper and the voice of people who rarely see their ideas reach the outside world. From Sinaloa, Mexico, to the streets of South Central and East L.A., Al Otro Lado explores the world of drug smuggling, illegal immigration and the corrido music that chronicles it all. Featuring interviews and music from the most famous corrido musicians, including Grammy winners Los Tigres del Norte, the late corrido legend Chalino Sanchez, the first lady of the corrido, Jenni Rivera and Jesse Morales, El Original de La Sierra. -- © Cinema Tropical [More]
Studio: Cinema Tropical
Reviews for Al Otro Lado
Al Otro Lado serves as a primer on a musical style that may be unfamiliar to many, while putting a human face on the problem of illegal immigrants.
This infectious documentary by Natalia Almanda sings clear and strong when it sticks to translating the culture of corrido music for gringos.
The film's heart is Magdiel and the modest dreams that get him through the day but may also be the death of him.
Humane, visually exquisite and resists simple descriptions while moving toward a more mainstream non-fiction form.
A competent, earnest ethnographic video doc that never quite rises above its own best intentions.
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