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Black Book (2007)
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Reviews Counted:142
Fresh:107
Rotten:35
Average Rating:7/10
Consensus: A furious mix of sex, violence, and moral relativism, Black Book is shamelessly entertaining melodrama.
Runtime: 2 hrs 26 mins
Genre: Foreign Films
US Box Office: $4,339,526
Synopsis: Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the... Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the acclaimed SPETTERS and SOLDIER OF ORANGE among them) in his native country, and it's to Holland that he returns for BLACK BOOK--his first Dutch film in 20 years. The story is set during the final days of World War II in Holland, and follows a Jewish singer named Rachel Stein (Carice Van Houten). Rachel attempts to avoid the Nazis and remains in quiet hiding until her family is brutally slain, causing her to join up with a resistance movement. On a subsequent undercover mission, Rachel crosses paths with a smitten German general named Ludwig Muntze (Sebastian Koch), with whom Rachel begins a relationship in order to feed vital information back to her colleagues in the resistance. But as the action and bloodshed escalate, Rachel realizes that she has genuine feelings for Muntze, and soon she is in enormous danger. Verhoeven's film is wildly ambitious and takes many intriguing twists and turns during its 145 minutes. BLACK BOOK commanded the largest budget of any film to be produced in Holland, and it shows. Explosions litter the screen, plenty of car chases ensue, and wince-inducing injuries and deaths propel the action. The director isn't afraid to criticize his fellow countrymen and inserts a fascinating subtext about the actions of the resistance fighters, asking some uncomfortable questions about the similarities between their behavior and that of the Nazis. Van Houten lights up the screen throughout and is surely destined for bigger things, and while the tumultuous experiences her character undergoes might push the boundaries of reality at times, Verhoeven has pointed out in interviews that Rachel is a composite character who encompasses the merged experiences of many real people from the era. [More]
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint, Halina Reijn, Christian Berkel, Michiel Huisman, Peter Blok
Director: Paul Verhoeven
Director: Paul Verhoeven
Screenwriter: Paul Verhoeven, Gerard Soeteman
Producer: San Fu Maltha, Jos van der Linden
Composer: Anne Dudley
Studio: Sony Pictures Classics
Reviews for Black Book
It's a bombshell of a film %u2013 riveting from start to finish and great entertainment to boot
Carice van Houten is a persuasive heroine -- beautiful, daring, wry and, when it counts, poignant.
Confronts us with an ugly humanity that is nevertheless unnervingly human.
Its failings are substantial, yet the fact that it's overblown and incredible doesn't entirely outweigh the fact that it's also exciting, fascinating, sexy, and thrilling.
Open up "Black Book" if you like your World War II dramas saucy, crass, sexually explicit and heedlessly entertaining.
...wildly entertaining and borderline incoherent, like Hogan's Heroes re-imagined by Joe Eszterhas, the movie whips along oblivious to hairpin plot turns, shaking off incredulous moviegoers all the while.
Insanely entertaining -- and often just plain insane -- World War II melodrama. You may hate yourself in the morning, but you'll have to admit Verhoeven gives you a lot of bang for your buck.
Even Verhoven's art house movies are a balancing act between vivid storytelling and exploitation.
Verhoeven cites David Lean as an influence, and the film has Lean’s epic scope and crackerjack timing, if not his mannerly refinement. (The 145-minute running time zips right by.)
Working again with longtime screenwriting collaborator Gerard Soeteman, Verhoeven makes Black Book into a rollicking wartime movie-movie, replacing awards-bait clichés with a strong dose of two-fisted action, frank sexuality, and coal-black cynicism.
[Director] Verhoeven proves a sure-handed storyteller, which might come as a surprise, as well as a terrific visual stylist, which shouldn't.
A layer of mainstream gloss takes the edge off the horrors, but the man behind Robocop marches through with a steely assurance that rarely allows you to snatch a breath.
A slick, thrilling, trashy, melodramatic and serialesque soap opera adventure which conceals the complex tale of moral ambiguity beneath.
All that keeps the movie from collapsing into soap opera is the exuberant drive of the filmmaking. And the central performance. Van Houten is pretty without being beautiful.
The film may ostensibly deal with serious issues such as collaboration, the fight to survive and the need for forgiveness or revenge, but they’re really just window dressing for Verhoeven’s elaborately assembled but empty set pieces.
Paul Verhoeven's target in Black Book is extremists on both sides of the political equation
Frequently crass but never dull, Verhoeven's best film in two decades has the guts to acknowledge the voices that went unheard above the gunfire of WWII, but refuses to sacrifice entertainment value for verisimilitude.
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