Mother of Tears may not stand tall in Argento’s body of viscera-laden work, but this final chapter of a loosely defined trilogy is refreshingly old school in its trashiness.
Mother of Tears (2008)
Tomatometer
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Reviews Counted: 66
Fresh: 32
Rotten:34
Average Rating: 5.3/10
Consensus: As excessive and ketchup laden as predecessors Suspiria and Inferno, Dario Argento's Mother of Tears completes the trilogy with the same baroque grandeur and soggy 1970s sensibilities.
Theatrical Release: Jun 6, 2008 Limited
Synopsis: The third installment in Italian horror master Dario Argento's Three Mothers saga, THE MOTHER OF TEARS is a gruesome and long-awaited treat for horror fans. Completing a loosely knit trilogy that began with SUSPIRIA (1977) and continued... The third installment in Italian horror master Dario Argento's Three Mothers saga, THE MOTHER OF TEARS is a gruesome and long-awaited treat for horror fans. Completing a loosely knit trilogy that began with SUSPIRIA (1977) and continued with INFERNO (1980), the film sees the titular witch awakening to unleash apocalyptic evil on Rome. A grisly and excessive hoot, this is one of the director's strongest efforts since the 1980s. After construction workers discover an ancient urn near a cemetery, it is sent to a Rome university where Sarah Mandy (Asia Argento, daughter of the director) is an art history student. Shortly after opening the urn, Sarah's associate is brutally murdered (in an frighteningly creative manner) by a mysterious being who also unleashes an evil monkey in the halls of the school. Sarah escapes to tell the police, but they find her story implausible. Soon, though, it becomes apparent that a tidal wave of evil is washing over the city as a serious of excessively violent crimes is committed. Matters are worsened when the international black magic community--aware that the urn has unleashed Mater Lachyrmarum, The Mother of Tears--begins to descend upon a chaotic Rome in droves. Within its first 10 minutes, MOTHER OF TEARS features a woman being strangled by her own intestines, and continues with well-paced shocks from that point on. As in TRAUMA (1993) and THE STENDHAL SYNDROME (1996), Argento has no reservations about putting his always-game daughter though virtual hell on screen. While featuring none of the candy-colored lighting that made SUSPIRIA and INFERNO such surreal nightmares, this is still a rock-solid horror film with more originality and loony energy than a dozen SAWs or FINAL DESTINATIONs, proving that the nearly 70-year-old Argento still has the knack that won him legions of fans. [More]
Starring: Asia Argento, Cristian Solimeno, Adam James, Udo Kier
Starring: Asia Argento, Cristian Solimeno, Adam James, Udo Kier
Director: Dario Argento
Director: Dario Argento
Screenwriter: Dario Argento, Jace Anderson, Adam Gierasch
Story: Dario Argento
Studio: Weinstein Company
Reviews for Mother of Tears
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style.
... Argento's nightmare vision is vivid enough to overcome the weaker aspects and make this a commendable, if not entirely satisfying, closing to his supernatural trilogy.
I wanted this to be great. Hell, I would have settled for just above average. This just sucks. All of the key elements are in place -- a solid story, great gore F/X, good sound work ... everything except Dario.
We come to an Argento picture for the surreal, Baroque imagery, and though much here fits those descriptions, there's a great deal of it that's also quite gaudy and goofy and, dare I say, campy.
... the concluding chapter of Argento's "Three Mothers" trilogy dispenses with the overt stylization of its predecessors ... in favor of a sobering dose of realism.
Mother of Tears is contrived, confused, clumsy, and quite simply dreadful.
Mother of Tears feels like a copy, like someone "doing Argento", instead of the real deal that it could have been.
Just as twisted, surprising and gruesome as anything that Argento has given us in the past and a more than worthy successor to its two predecessors.
So although Argento may not be in peak form, he does seem to be enjoying himself and there are still flashes of the old master.
A gruesome drama enacted by a cast that speaks English with a bewildering variety of accents, Mother of Tears is reliably gruesome and occasionally startling but not particularly scary.
Asia Argento's outright horrendous performance ruins what could have been a decent B-movie.
... goofy fun, in its own way. But it's the same goofy fun we've seen in dozens of other films for years now, by Argento and others.
In comparison to the majority of bland Hollywood widgets cranked out on a corporate conveyer belt, these mad, personal misfires are the real masterworks.
Latest News for Mother of Tears
September 24, 2008:
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
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June 09, 2008:
WNYC RADIO: Sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
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June 05, 2008:
Grisly trilogy closes with another gruesome snuff flick. ![]()
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May 20, 2008:
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
More...
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