About as edgy as a Jonas Brothers concert, this harmless homage to ’80s hair bands and 21st-century emo teenyboppers is wholesome in its debauchery and good-natured in its antiauthoritarianism.
The Rocker (2008)
Tomatometer
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Reviews Counted:117
Fresh:46
Rotten:71
Average Rating:5.1/10
Consensus: With a predictable and lightweight story, the earnest efforts of the cast are squandered by The Rocker's bland script.
Runtime: 1 hr 50 mins
Genre: Comedies
US Box Office: $6,339,401
Synopsis: Slovenly drummer Robert "Fish" Fishman (THE OFFICE's Rainn Wilson) is booted out of his 1980s hair metal band, Vesuvius, right as they're signed to a big label, crushing his dreams and leading to a... Slovenly drummer Robert "Fish" Fishman (THE OFFICE's Rainn Wilson) is booted out of his 1980s hair metal band, Vesuvius, right as they're signed to a big label, crushing his dreams and leading to a 20-year stretch of office park employment. A second chance comes in the form of his overweight teenage keyboardist nephew (Josh Gad) who needs an emergency drummer for his band's gig at the prom. It's an odd match--an '80s metal guy in a teen emo-lite band (their name is A.D.D.)--but he's soon offering fatherly counsel to fatherless boy singer Curtis (Teddy Geiger), giving hair gel tips to the foxy bassist (Emma Stone), and working to get the band a club gig. Soon A.D.D. is signed to the same label as Vesuvius, poised for major MTV-stardom, all leading to a big arena spot as the opening band for the dreaded Vesuvius. Fish needs to overcome his tantrum-throwing ways and step up to the kit, if he wants to impress Curtis's hot mom (Christina Applegate) and outrock his former colleagues. A cross between rock star fantasia à la SCHOOL OF ROCK and the Will Ferrell School of man-child comedy, THE ROCKER benefits from tight editing and pretty decent songs. Real-life musician Geiger saves some rough stretches with his easygoing charisma, while Peter Best (the drummer dropped from the Beatles and hence the quintessential "dumped drummer") makes a cameo. It's directed by Peter Cattaneo of THE FULL MONTY [More]
Starring: Rainn Wilson, Christina Applegate, Jeff Garlin, Teddy Geiger
Starring: Rainn Wilson, Christina Applegate, Jeff Garlin, Teddy Geiger, Emma Stone, Josh Gad, Jane Lynch, Jason Sudeikis, Howard Hesseman, Bradley Cooper, Lonny Ross, Will Arnett, Fred Armisen
Director: Peter Cattaneo, Anthony B. Richmond
Director: Peter Cattaneo
Screenwriter: Maya Forbes, Wally Wolodarsky
Story: Ryan Jaffe
Producer: Shawn Levy, Tom McNulty
Director: Anthony B. Richmond
Composer: Chad Fischer
Studio: Fox Atomic
Reviews for The Rocker
It's too bad the unambitious Rocker didn't give those fine performers more to do. As it is, it's only half a screenplay, and theirs is the half that's missing.
An innocuous late-summer entry that barely rises above the level of sitcom alternative to Olympic-coverage overload.
The plot is ultrapredictable, but under the gentle direction of Peter Cattaneo the movie somehow works.
The Rocker feels safe, a long way from the cutting edge, a PG guy in a PG-13 movie, a comedy with too much 'parental guidance' to be rock 'n' roll.
If this isn't the laugh riot of the year, it's still a pleasant surprise, particularly for teen audiences. And in comedy seasons like this one, that's sometimes more than enough.
The Rocker qualifies as a B-side, but it still makes for a passable summer single.
Watching Rainn Wilson gyrate in The Rocker, you can’t help wondering if Mr. Wilson is inhabiting a role that was originally turned down by Jack Black.
Manages to be a notably funnier than average summer comedy despite being a fairly shameless rip-off of School of Rock.
While nobody's expecting This Is Spinal Tap, both the audience and the cast -- which is strong all around -- deserve better than the generic script and bland direction here.
The cinematic equivalent of elevator music: bland, occasionally entertaining and, once it's over, utterly forgettable.
It sort of gurgles, with some pleasant-sounding pops here and there. But this is essentially a film that squanders a good idea by playing things too safely.
How much you ultimately like The Rocker will inevitably depend on how much you like Wilson. And a little goes a long way.
The film gets credit for heart, and a certain amount of rock 'n' roll spirit, but that's about it.
You want to like almost everyone in this film, but they're all undone by a weak script that really wasn't worth more than a Gilmore Girls subplot after all.
Tuneless execution, with flat writing and inharmonious direction as noticeable as Motley Crue's eyeliner. Or Whitesnake's snakeskin pants.
It can be hard to explain what makes a star, but it's fairly easy to identify a performer who doesn't have that mysterious star stuff.
While The Rocker may be completely unoriginal and campy at times, the film still exceeds well with great laughs and a couple of one-liners I will be adding to my collection.
Despite its breezy quality and occasional big laugh, The Rocker just never completely clicks as A-side material.
No matter how much a movie tries to convince us, emo will never rock.
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