Kelly's most accessible ambiguous odyssey to date, The Box dares you to open it up again and again.
The Box (2009)
Tomatometer
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Reviews Counted:90
Fresh:42
Rotten:48
Average Rating:5.3/10
Consensus: Imaginative but often preposterous, The Box features some thrills but largely feels too piecemeal.
Genre: Horror/Suspense
US Box Office: $14,503,106
Synopsis: What if someone gave you a box containing a button that, if pushed, would bring you a million dollars…but simultaneously take the life of someone you don’t know? Would you do it? And what would... What if someone gave you a box containing a button that, if pushed, would bring you a million dollars…but simultaneously take the life of someone you don’t know? Would you do it? And what would be the consequences? The year is 1976. Norma Lewis is a teacher at a private high school and her husband, Arthur, is an engineer working at NASA. They are, by all accounts, an average couple living a normal life in the suburbs with their young son…until a mysterious man with a horribly disfigured face appears on their doorstep and presents Norma with a life-altering proposition: the box. With only 24 hours to make their choice, Norma and Arthur face an impossible moral dilemma. What they don’t realize is that no matter what they decide, terrifying consequences will have already been set in motion. They soon discover that the ramifications of this decision are beyond their control and extend far beyond their own fortune and fate. --© Warner Bros [More]
Starring: Cameron Diaz, James Marsden, Frank Langella, James Rebhorn
Starring: Cameron Diaz, James Marsden, Frank Langella, James Rebhorn, Holmes Osborne
Director: Richard Kelly
Director: Richard Kelly
Screenwriter: Richard Kelly
Producer: Sean McKittrick, Richard Kelly, Dan Lin
Composer: Win Butler, Regine Chassagne, Owen Pallett
Studio: Warner Bros.
Reviews for The Box
Regrettably, and despite a lot of effects -- including those watery tentacles he seems so fond of -- Kelly delivers a Big Reveal that is, frankly, boring.
The movie gives the impression of being pasted together from many different parts rather than presented as a cohesive whole.
The interesting thing about Richard Kelly's films is that in none of them do you know exactly what's happening, and it does not really matter, because there is such a wealth of imagination there. I found it very impressive.
Like Donnie Darko, The Box's eerily effective atmosphere of paranoid conspiracy would not hold up to too much scrutiny. Fans of that twisted sci-fi conundrum will need no further encouragement to see this follow-up in the same vein.
Certain parts of it are maddeningly inspired. The sum of all its parts will just make you mad.
Although an improvement on Southland Tales, Richard 'Donnie Darko' Kelly's cryptic moody thriller has a far-fetched premise that is not helped by a script filled with holes.
A moody antidote to the freakshow of Southland Tales, The Box feels like Richard Kelly’s spiritual sequel to Donnie Darko -- foreboding and off-kilter, it’s a late-night riff on ’70s sci-fi that confirms the director as an original.
It may fall short of Donnie Darko's clever storytelling, but for his third feature film, Kelly plays confidently with suspense and lays down the right hooks at the right time to keep you drawn into his creepy world.
all at once an engrossing genre piece, an exceptional exercise in expansive adaptation, and a complex moral allegory, so that this is a Box that requires a lot of unpacking - which of course makes it the gift that keeps on giving...
Outlandish embellishments serve as annoying distractions to a perfectly good premise in this disappointing thriller.
Kelly, king of dumbed-down nihilism, takes a short Twilight Zone TV episode, “Button, Button,” and extends it unendurably...
The choice is yours, but I suggest you push that button for your ticket and see The Box in theaters.
This hokum might have been entertaining if Kelly could have somehow made this "Twilight Zone" material more credible.
The first half is a brilliantly realized exercise in sustained tension; the suspense fades as the story becomes increasingly bizarre...
A Richard Matheson story is a good place to start, but boy did this screenplay lose direction. By the third act, a good story becomes totally laughable, including nose-bleeding zombies. Paul Chambers, CNN.
One of those thrillers that, looking back on it, has some plot ribbons with frayed, fuzzy ends. Just not quite sharp-edged enough to open doors to images and fears in your head you never knew were there, but now want desperately to lock up.
Both its imagination and its ambition sprint far beyond anything offered in the creatively neutered likes of Disney's A Christmas Carol or Law Abiding Citizen.
Latest News for The Box
November 05, 2009:
Critics Consensus: A Christmas Carol Dazzles But Disappoints
This week at the movies, we've got some modern-day Dickens (Disney's A Christmas Carol, starring Jim Carrey and Gary Oldman); a button-pushing thriller (The Box, starring... More...
November 03, 2009:
Richard Kelly Talks The Box ![]()
It's been a long and somewhat bumpy ride getting "The Box" to theaters, but director Richard Kelly is finally on the verge of releasing his latest film. He talks about the... More...
October 29, 2009:
Richard Kelly chats about The Box
Richard Kelly's no stranger to the mysterious whims of fate. His first feature, Donnie Darko, flopped upon initial release, only to live on as one of the decade's most beloved... More...
September 28, 2009:
New: Brand New Movie Trailer/Poster ![]()
More...
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