The filmmakers succumb to the temptation of trying to have their escape movie cake and eat the psychological drama, too
The Escapist (2009)
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Reviews Counted:40
Fresh:26
Rotten:14
Average Rating:6.1/10
Consensus: A tense, smart prison break movie, The Escapist is a sharp debut from director Rupert Wyatt.
Synopsis: There is a long tradition of films about prison escapes, such that any new venture into the subject is compelled to add some form of innovation to the well-known narrative elements. The audience... There is a long tradition of films about prison escapes, such that any new venture into the subject is compelled to add some form of innovation to the well-known narrative elements. The audience expects to see a motley crew of cons discern a subtle seam in the prison’s security, which they then exploit with an ingenious combination of resourcefulness and subterfuge, using handmade trinkets to chisel through the walls and into the underground, which represents the darkness just before the dawn of freedom. THE ESCAPIST wraps this familiar package with a beautiful new bow, using a unique structure and a metaphysical twist to freshen up the formulaic plot. The opening scene, which veritably screams references to Guy Ritchie’s SNATCH, shows the felons breaking through the first barrier, and director Rupert Wyatt then alternates the thrilling depiction of the escape with earlier scenes depicting the planning stage of the breakout. Thus, Wyatt dictates the amount of knowledge the audience requires, so that questions about certain aspects of the escape (how did they get through that steel wall? why did they bring that new guy along?) are then systematically addressed by subsequent scenes of the earlier action in the prison. Gradually, everything slips nicely into place, arousing a false sense of mental confidence in the viewer, which will again be shattered before the end of the film. Brian Cox is outstanding in this rare lead role, effortlessly evoking the fatigue and surrender embodied by Frank Perry, a man who has spent the better part of his life in confinement. Other notable performances include Damian Lewis as Rizza, the confidently effete leader of the prison population; Steven Mackintosh as Rizza’s creepy weak link of a brother; and Joseph Fiennes as the thug thief who provides the muscle to enact Perry’s master plan. [More]
Starring: Brian Cox, Joseph Fiennes, Damian Lewis, Steven Mackintosh
Starring: Brian Cox, Joseph Fiennes, Damian Lewis, Steven Mackintosh, Liam Cunningham, Seu Jorge, Dominic Cooper
Director: Rupert Wyatt
Director: Rupert Wyatt
Screenwriter: Rupert Wyatt, Daniel Hardy
Producer: Adrian Sturges, Alan Moloney
Composer: Benjamin Wallfisch
Studio: IFC Films
Reviews for The Escapist
This is a rather curious film, admirable in some ways but also strangely frustrating.
Brilliant or obscure? Engaging or pretentious? Intense performances, artistic cinematography, ambitious editing and eclectic music are the filmic elements, but obtuse storytelling with almost incomprehensible dialogue completes the picture
I hate criticising someone for ambition but The Escapist is a victory of ambition over dramatic achievement.
A combination of a superb score and amazing performances make this a genre defying prison break film.
How much you enjoy this prison drama will depend on your reaction to its fractured, flashback-laced structure. Oh, for the simple, straightforward days of The Big House!
The splintered viewpoints help with the monotony, but from the taunting of new inmates to the cell-block sadist, we've gone through all this before, right down to the final twists.
It's simply an experiment in throwing a familiar premise into a blender and seeing how it looks once it's all chopped up.
The script flaunts one thwart too many, including a head-slapping gotcha that barely makes sense. The film lacks an exit strategy.
The two narrative tracks only really come together at the end, and meanwhile we have to work a bit too hard to keep track of it all.
O bom elenco é desperdiçado por um roteiro que se julga mais inteligente do que é na verdade e por uma direção que acredita imprimir originalidade à narrativa quando, na realidade, está apenas seguindo as batidas convenções do gênero.
A customarily fine performance by Brian Cox and a well-oiled supporting cast are not enough to lift this brutal and listless prison melodrama out of the ranks of ’40s B movie.
All of this mayhem keeps us watching, but it would be hard to describe the experience as pleasurable.
Too much of this movie about prison feels only like a movie about prison, with actors posing and directors getting poetic.
Director Rupert Wyatt and his co-writer Daniel Hardy have neatly trimmed the fat from this story -- there's almost no character, incident or visual cue that doesn't somehow enhance the plot or set up a surprise or key revelation later on.
Here, the visceral, the intellectual and the spiritual all come together, elevating The Escapist beyond merely escapist entertainment, and offering something that any viewer can dig.
A rousing film packed with solid performances and relentless suspense that brilliantly reinvigorates the genre of prison escape thrillers.
The movie was written specifically for Brian Cox, and it’s a great fit.
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