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Delta (2008)
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Reviews Counted:21
Fresh:12
Rotten:9
Average Rating:5.8/10
Director: Kornel Mundruczó
Director: Kornel Mundruczó
Screenwriter: Kornel Mundruczó
Reviews for Delta
For all its lofty thematic intentions, this thing has precious little to say.
Strikingly shot though it is, this Hungarian film, by Kornel Mundruczo, is sunk by a drama that represents art-house cinema at its worst: a dull, gloomy tale that skirts questions of plausibility.
Menace escalates to rape and then murder. It's like a solemn, slow-motion version of Straw Dogs with the wrong side winning.
Slow, laconic Hungarian art-house fare, featuring rape, pig slaughter, and a symbolic tortoise.
Mundruczó generates a moderate amount of intrigue from the build-up but stubbornly resists handling his themes in any direct and digestible fashion.
Don't expect to come away a whole lot wiser, but for its duration this film is mesmerising, mysterious and startlingly beautiful.
Delta is a weird, eerie, and utterly compelling Hungarian gem. A lugubrious piece of genius.
The movie is lovely looking, but frankly a little specious and shallow.
Mundruczó’s first instinct is aesthetic rather than emotive. But if that strips the film of a measure of moral authority, it only adds to the feeling of hollow nihilism that stays with you long after the closing credits.
It's a stately, impressive drama enriched by understated performances and a terrible pall of dread hanging over this unnatural relationship.
Long, lyrical takes – including a startling shot of a floating funeral procession – and Schubert’s ‘Death And The Maiden’ on the soundtrack remind us that forbidden passion will only end in tears. The Danube’s rarely seemed so blue.
Kornel Mundruczó’s film has been dubbed the Hungarian Deliverance — but even John Boorman’s classic wasn’t shot as beautifully as this.
Beautifully shot, occasionally stunning Hungarian drama, but it's also painfully slow, grimly predictable and unlikely to appeal to anyone other than hardcore arthouse devotees.
Delta, quite easy to laugh at, and deserving, at least, of impatience if not contempt, has a keen eye and a flexibility of expression as well as subtle intimations of depth that are worth sounding out.
Lies squarely on the very thin line that separates intelligent art films from plodding misfires, with a few too many diversions onto the wrong side of that line.
A beautifully atmospheric vessel that will seem infinitely deep to some and chafingly dry to others.
Kornel Mundruczo is back on his feet with his best rounded and most mature work to date.
It doesn't name its characters, hoping to make the story seem allegorical, or at least elemental, but the result is a movie that just makes itself hopelessly generic.
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