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Broken Blossoms (1919)
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Reviews Counted:13
Fresh:13
Rotten:0
Average Rating:8.1/10
Synopsis: This strangely beautiful silent film from D.W. Griffith is also one of his more grim efforts; an indictment of child abuse and the violence of western society. An idealistic Asian (Richard... This strangely beautiful silent film from D.W. Griffith is also one of his more grim efforts; an indictment of child abuse and the violence of western society. An idealistic Asian (Richard Barthelemess) travels to the west in hopes of spreading the Buddha's message of peace to the round-eyed "sons of turmoil and strife." Instead he winds up a disillusioned, opium-smoking shopkeeper in London's squalid Limehouse District. Down the street, a poor waif (Lillian Gish) suffers horrific abuse at the hands of her boxer father (Donald Crisp). When fortune delivers the battered girl into the Asian's tender care, a strange and beautiful love blossoms between them, a love far too fragile to survive their brutal environment. Griffith directed with his unique blend of poetry and realism, and Miss Gish delivers a typically first-rate performance as the girl; the result is a work of art that's both eloquent and crushing. The film was originally presented with color tinting and a musical score composed by Griffith, both of which may vary in different video and film versions. [More]
Starring: Richard Barthelmess, Lillian Gish, George Beranger, Donald Crisp
Starring: Richard Barthelmess, Lillian Gish, George Beranger, Donald Crisp, Arthur Howard, Ed Piel, Norman Selby, Ernest Butterworth, Fred Hamer, Wilbur Higby
Director: D.W. Griffith
Director: D.W. Griffith
Producer: D.W. Griffith
Reviews for Broken Blossoms
One of the screen's greatest symbioses of performance and photography.
This mawkish Victorian melodrama rises above its faults with a stylishly beautiful film that also brings real tragedy to the screen.
It's an important film that should be seen, but it's hardly the flawless masterpiece it's often hailed as.
The delicate insinuations of competing amorous and cultural allegiances provide the movie with some of its best and most technically assured sequences.
The love story at the center of Broken Blossoms is deliberately overstuffed but unmistakably colored with infinite shades of biting irony and social critique.
Despite its old-fashioned melodrama roots, a great movie with Gish at her most beautiful and vulnerable. Griffith was the master.
Broken Blossoms (1919) is director D. W. Griffith's most tragic, serious, poetic, intricate, and melodramatic film.
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