It is a long, full-bodied picture, paced so deftly that although it covers more than half a century of crowded, changing events, it never drags and is rarely jerky.
Cimarron (1931)
Tomatometer
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Reviews Counted:13
Fresh:7
Rotten:6
Average Rating:5.7/10
Consensus: Supported by a strong performance from Irene Dunne, but uneven in basically every other regard, and riddled with potentially offensive stereotypes.
Synopsis: The Oscar winner for Best Picture of 1931 chronicles one family's experiences in the restless days of settling the American West. Adapted from Edna Ferber's sweeping novel, the story tracks the... The Oscar winner for Best Picture of 1931 chronicles one family's experiences in the restless days of settling the American West. Adapted from Edna Ferber's sweeping novel, the story tracks the growth of an Oklahoma town and the homesteaders who came there from the 1890s through the 1920s. CIMARRON was remade in 1960. [More]
Starring: Richard Dix, Irene Dunne, Estelle Taylor, Nance O'Neil
Starring: Richard Dix, Irene Dunne, Estelle Taylor, Nance O'Neil, William Collier, Roscoe Ates, George E. Stone, Stanley Fields, Edna May Oliver, Robert McWade, Frank Darien
Director: Wesley Ruggles
Director: Wesley Ruggles
Screenwriter: Howard Estabrook
Producer: William LeBaron
Composer: Max Steiner
Reviews for Cimarron
This is a spectacular western away from all others. It holds action, sentiment, sympathy, thrills and comedy -- and 100% clean.
Consistently dull, this old western tale is highlighted by an endearing debut performance by Irene Dunne.
Inexplicably winning Best Picture, Cimarron is one of 3 Westerns (Dances With Wolves and Unforgiven are the other two) to win the Oscar. The Academy also honored the screnplay and set decoration, and nominated actors Richard Dix and Irene Dunne.
There's a reason Wesley Ruggles' movies aren't often revived and this is one of them.
Taken by itself, as a film, without moral conundrums, it’s actually a fairly engaging yarn. However -- and this is a HUGE however -- it’s incredibly racist in its stereotyping of all sorts of people.
For pure history, this is a must, but it's laughable at times because of its overwrought machismo and intense over-acting.
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