A particularly special entry in Ford's already lengthy career... his first absolutely perfect movie.
Stagecoach (1939)
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Reviews Counted:21
Fresh:21
Rotten:0
Average Rating:9.1/10
Synopsis: Regarded by many as the best Western ever made, STAGECOACH shot John Wayne to stardom and elevated the prestige of a genre that had hitherto been considered a B-movie province. With rumors in the... Regarded by many as the best Western ever made, STAGECOACH shot John Wayne to stardom and elevated the prestige of a genre that had hitherto been considered a B-movie province. With rumors in the air of a possible Apache attack, a motley group of travelers in a small New Mexico town board the Overland Stage bound for Lordsburg. Among them are the pregnant Lucy Mallory (Louise Platt); timid liquor salesman Peacock (Donald Meek); Hatfield, an aloof gambler (John Carradine); Gatewood (Berton Churchill), a pompous, embezzling banker; and two who have been exiled from town, alcoholic Doc Boone (Thomas Mitchell) and Dallas (Clair Trevor), a lady of the evening. Along the trail, they pick up the Ringo Kid (John Wayne), an outlaw who's escaped from prison to take revenge on the Plummer brothers for destroying his family and framing him for murder. As their journey progresses, the hypocrisy of the supposedly respectable passengers becomes clear, and it's the tainted outsiders who display courage and humanity. Described by Orson Welles, who watched the film innumerable times before making CITIZEN KANE, as his cinematic textbook, STAGECOACH is superbly made in every respect, layering humor and sharp characterization into an exciting plot that includes a spectacularly photographed chase in Monument Valley. [More]
Starring: John Wayne, Claire Trevor, John Carradine, Thomas Mitchell
Starring: John Wayne, Claire Trevor, John Carradine, Thomas Mitchell, Donald Meek, Andy Devine, George Bancroft, Tim Holt
Director: John Ford
Director: John Ford
Screenwriter: Dudley Nichols
Story: Ernest Haycox
Producer: Walter Wanger
Composer: Richard Hageman, Frank Harling, Louis Gruenberg, Leo Shuken, John Leipold, Boris Morros
Reviews for Stagecoach
One of the best Westerns ever made, Ford's Stagecoach is a very stylized work, shot in black-and-white and influenced by German Expressionism. Sharply written by Dudley Nichols, it features strong characterizations well-played by the entire ensemble.
The first great Western… Instead of rote good-guy / bad-guy conflict, Stagecoach emphasized characterization, social commentary, and moral drama.
A true classic. Despite most of the characters being archtypes, Ford has created a Western setting in which we get involved in the lives of these people; Wayne is sincere in his first major role, and Carradine almost steals the show as the gambler. Claire
John Ford's splendid film was considered to be the first modern Western, one that went a long way in influencing the genre.
The greatest enjoyment in watching Stagecoach is in observing how Ford builds and populates this moral universe, in seeing complex personalities sketched in simple words or gestures.
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