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Movies / Upcoming / The Eclipse
The Eclipse

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The Eclipse (1962)

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Reviews Counted:15

Fresh:13

Rotten:2

Average Rating:7.4/10

Runtime: 2 hrs 6 mins

Genre: Foreign Films

US Box Office: $0

Synopsis: Michaelangelo Antonioni's L'ECLISSE (ECLIPSE) is a visually stunning film with a strange, abstract plotline. Monica Vitti stars as Vittoria, a beautiful woman who, in the opening scene of the... Michaelangelo Antonioni's L'ECLISSE (ECLIPSE) is a visually stunning film with a strange, abstract plotline. Monica Vitti stars as Vittoria, a beautiful woman who, in the opening scene of the movie, dumps her boring boyfriend Riccardo (Francisco Rabal). Vittoria's mother (Lilla Brignone) passes her time at the stock exchange, watching the numbers rise and fall as if her whole life depends on the next high or low. In contrast, Vittoria wanders the streets of the city unhindered, dreaming, floating independently and waiting for whatever fate befalls her. She begins an affair with a powerful, handsome, emotionally vacant stockbroker, Piero (Alain Delon). Their relationship is fun, flirtatious, risky, and dangerous all at once--but mostly, it is an expression of true human affection, which the other characters in L'ECLISSE seem to lack. However, the plot of L'ECLISSE is hardly Antonioni's focus. As sweeping pans of the calm, dusty streets mix with the intense cacophony of the stock exchange, the director compares and contrasts the structure of city life with the still, silent aspects of a more natural environment, observing society's evolution into a technological monolith. L'ECLISSE is part of a trilogy of Antonioni films, along with LA NOTTE and L'AVVENTURA. [More]

Starring: Monica Vitti, Alain Delon, Francisco Rabal, Lilla Brignone

Starring: Monica Vitti, Alain Delon, Francisco Rabal, Lilla Brignone, Rosanna Rory

Director: Michelangelo Antonioni

Director: Michelangelo Antonioni
Screenwriter: Michelangelo Antonioni, Tonino Guerra
Producer: Raymond Hakim, Robert Hakim
Composer: Giovanni Fusco

[See More Credits]

Reviews for The Eclipse

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1 - 15 (sorted by date; Australian critics are listed first)
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The vitality Vitti displays makes her absence deeply felt in the film's infamously ambiguous final scenes.

Full Review Source: eye WEEKLY | comment Comment
07/31/07
Jason Anderson
Jason Anderson
eye WEEKLY

Vitti's elegant languor is contrasted with the cacophony of the Rome stock exchange, which is the director's metaphor for the madness of unrestrained capitalism.

Full Review Source: Observer [UK] | comment Comment
07/31/07
Philip French
Philip French
Observer [UK]

The characters' emotional twilight is unsettlingly conveyed by this piece of celluloid mood music.

Full Review Source: Guardian [UK] | comment Comment
07/31/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

Vitti once again proves an ideal performer for Antonioni's thematics in what is probably her best role to date.

Full Review Source: Variety | comment Comment
07/31/07
Variety Staff
Variety Staff
Variety
Top Critic Icon Top Critic

One watches -- and, perhaps more importantly, hears -- the modern world through his rendering of emotion, architecture, chaos, boredom, silence, and incommunicability.

Full Review Source: TV Guide's Movie Guide | comment Comment
08/29/06
TV Guide's Movie Guide

Dymanic, inventive look at modern life and love in Rome.

Full Review Source: Classic Film and Television | comment Comment
08/22/06
Michael E. Grost
Michael E. Grost
Classic Film and Television

Antonioni's love story is much like a sci-fi story.

Full Review Source: Ozus' World Movie Reviews | comment Comment
07/30/06
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Anyone disenchanted with the vacuity of later Antonioni will find the seeds of their dissatisfaction well-rooted in the mannerism and facile anguish evident here.

Full Review Source: Time Out | comment Comment
01/26/06
Time Out

No review available.

comment Comment
07/02/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

All there is to the drama -- a prolonged detailed illustration of the moody surrender of the woman to a rare and elusive love. This takes, for its full illumination, a few minutes over two hours.

Full Review Source: New York Times | comment Comment
05/10/05
Bosley Crowther
Bosley Crowther
New York Times
Top Critic Icon Top Critic

...sit back, suppress the subtitles so they don't distract you from the images and let the 125-minute movie suspend and substitute your consciousness like the moon passing in front the sun.

Full Review Source: Hollywood Reporter | comment Comment
04/21/05
Douglas Pratt
Douglas Pratt
Hollywood Reporter

Because Antonioni shoots characters and places in ways that make them look unfamiliar, the impact makes the slow pacing and lack of clarity not just endurable, but ecstatic.

Full Review Source: Coast (Halifax, Nova Scotia) | comment Comment
03/29/05
Mark Palermo
Mark Palermo
Coast (Halifax, Nova Scotia)

while one feels the passion that Antonioni puts into his movies, one also gets the slightest sense of a wish that he'd go ahead and grow up a little already

Full Review Source: Filmcritic.com | comment Comment
03/21/05
Christopher Null
Christopher Null
Filmcritic.com

[In] Antonioni's version of science fiction, he allows the incredible to be implied.

Full Review Source: ToxicUniverse.com | comment Comment
12/27/02
Jeremiah Kipp
Jeremiah Kipp
ToxicUniverse.com

The conclusion of Michelangelo Antonioni's loose trilogy (preceded by L'Avventura and La Notte), this 1961 film is conceivably the best in Antonioni's career, but significantly it has the least consequential plot.

Full Review Source: Chicago Reader | comment Comment
01/01/00
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
 
 
1 - 15 (sorted by date; Australian critics are listed first)
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Latest News for The Eclipse

July 31, 2007: Remembering Michelangelo Antonioni
Italian director Michelangelo Antonioni, who gave the world such influential films as L'Avventura, Blow-Up, and The Passenger, died Monday at the age of 94. More...

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