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The Long Goodbye (1973)
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Reviews Counted:23
Fresh:22
Rotten:1
Average Rating:8.1/10
Synopsis: Director Robert Altman, famous for his ability to turn any genre inside out, takes aim at film noir with this evocative adaptation of Raymond Chandler's novel. Altman's Philip Marlowe (Elliott... Director Robert Altman, famous for his ability to turn any genre inside out, takes aim at film noir with this evocative adaptation of Raymond Chandler's novel. Altman's Philip Marlowe (Elliott Gould) is a relatively unsuccessful private eye living and working in 1970s Los Angeles. Stepping into the shoes of the notorious detective, Gould delivers a captivating performance that is the definition of '70s hip: he spends the entire film mumbling to himself, smoking cigarettes, and making wisecracks to everyone he encounters. This time around, Marlowe decides to investigate the supposed suicide of his friend Terry Lennox (Jim Bouton). At the same time, he's hired by Lennox's beautiful neighbor, Eileen Wade (Nina Van Pallandt), to track down her husband Roger (Sterling Hayden), a successful author and belligerent alcoholic. Slowly, the mystery begins to reveal itself, as Marlowe discovers that Eileen's relationship with his dead friend was more than merely casual. All the while, Marlowe must contend with police, a psychopathic gangster (Mark Rydell), and a host of other characters and situations that make up the hazy existential malaise that is the world of THE LONG GOODBYE. Altman's particular brand of filmmaking hits stride with this brilliant revisionist noir thriller photographed by the great Vilmos Zsigmond (MCCABE & MRS. MILLER, HEAVEN'S GATE). John Williams' score consists of several ironic variations on the title composition, which provides the film with an added comic punch. [More]
Starring: Elliott Gould, Sterling Hayden, Nina Van Pallandt, Henry Gibson
Starring: Elliott Gould, Sterling Hayden, Nina Van Pallandt, Henry Gibson, Mark Rydell, Jim Bouton, David Arkin, Warren Berlinger, Arnold Schwarzenegger
Director: Robert Altman
Director: Robert Altman
Screenwriter: Leigh Brackett
Story: Raymond Chandler
Producer: Jerry Bick
Composer: John Williams
Reviews for The Long Goodbye
Robert Altman's labyrinthine take on the Raymond Chandler classic is noir unburdened by a straight narrative - it's a triumph of atmosphere and attitude, a swiftly unfolding whodunit punctuated by subversive absurdities and shattering acts of violence.
Everywhere you look, there's something delightfully weird going on ... Altman and company fashion a state of slouching, freeform Zen that no one else has ever really duplicated.
When he was very near the top of his early peak, [Robert] Altman did the darnedest thing and made a private-eye movie -- or maybe a parody of a private-eye movie; it's hard to say. And he may never have topped it.
Simultaneously an act of revisionism as well as a parody of then-revitalizing neo-noir.
The reluctant and satirical mystery is one of the great Los Angeles movies and makes a great compliment to, say, The Big Lebowski.
It ends up with mixed results -- Marlowe is drawn as a goofy daydreamer (Altman calls him Rip Van Marlowe) and his story only gets interesting when Sterling Hayden, channeling Hemingway, goes bananas.
Altman's generalized misanthropy fits uncomfortably with the overall noir universe.
Latest News for The Long Goodbye
June 21, 2007:
Frank Miller and Clive Owen to Do Some Old-School Film Noir
Now here's a project that sounds pretty damn cool: Frank Miller directing Clive Owen in an adaptation of a Raymond Chandler story -- and it'll probably be the first in a series! More...
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