More than just a storytelling stunt, it’s a fraught, revealing portrait of a brand-crazed and emotionally arrested society.
Partner (1968)
Tomatometer
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Reviews Counted:6
Fresh:6
Rotten:0
Average Rating:7.4/10
Runtime: 1 hr 52 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: In PARTNER, Bernardo Bertolucci conflated his interests in psychoanalysis, nonlinear narrative, and Godard to create a uniquely avant-garde work unlike anything in his ouevre. The film is loosely... In PARTNER, Bernardo Bertolucci conflated his interests in psychoanalysis, nonlinear narrative, and Godard to create a uniquely avant-garde work unlike anything in his ouevre. The film is loosely based on Dostoyevsky's novel THE DOUBLE and concerns an alienated, puckish young man named Jacob (Pierre Clementi) who confronts his own double. Jacob allows his doppelganger to take over his life; the second Jacob commandeers his predecessor's theater class in the hopes of creating living theater--as a violent act of social revolution. The idea of students wreaking havoc was not an unfamiliar one in 1968, and Bertolucci refuses to take Jacob's dangerous intellectual posturing lightly. The second Jacob is a handsome killer, the first a handsome weakling who must find the courage to resist his baser self. Bertolucci matches inspired plot points with arresting images, including visual film references and the bright color schemes that would later become his trademark. [More]
Starring: Pierre Clementi, Tina Aumont, Stefania Sandrelli, Giulio Cesare Castello
Starring: Pierre Clementi, Tina Aumont, Stefania Sandrelli, Giulio Cesare Castello, Romano Costa, Jed Curtis, Antonio Maestri, John Ohettplace, Sergio Tofano, Mario Venturini
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
Screenwriter: Gianni Amico, Bernardo Bertolucci
Story: Feodor Mikhailovich Dostoevski
Composer: Ennio Morricone
Producer: Giovanni Bertolucci
Reviews for Partner
The specific meaning of many of the scenes is obscure, but the total effect is that of youthful explosion of movie talent.
Partner's unchained energy and its willingness to raise questions and even provide some answers still make for compelling viewing.
Bernardo Bertolucci's third and seldom-shown feature is very much a reflection of its period -- 1968 -- but no less fascinating for that.
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