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Fedora (1978)
Tomatometer
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Reviews Counted:9
Fresh:7
Rotten:2
Average Rating:6.8/10
Synopsis: Billy Wilder's knowing, deliberately old-fashioned homage to a bygone age of filmmaking, it stars William Holden as producer Barry Detweiler. In flashbacks, the producer recalls his efforts to coax... Billy Wilder's knowing, deliberately old-fashioned homage to a bygone age of filmmaking, it stars William Holden as producer Barry Detweiler. In flashbacks, the producer recalls his efforts to coax aging movie queen Fedora (Marthe Keller) out of retirement, while attending her funeral. Not long before, he had tried to penetrate the phalanx of functionaries who protected the star at the Greek island villa of her friend, the Countess Sobryanski (Hildegard Knef) without success. When Barry accidentally bumped into the actress in town, looking amazingly well, she claimed that she was at the mercy of her caretakers, but asked him to send her his script. Following a series of frustratingly mixed signals from Fedora, she arrives one night at Barry's hotel in desperation, but is quickly seized and conjured away by her plastic surgeon Dr. Vandos (Jose Ferrer), and her chauffeur Kritos (Gottfried John). The next day, the producer returns to the villa, and is knocked unconscious by the chauffeur. Although his penultimate film, this is truly the director's farewell to moviemaking, an absorbing meditation on age, beauty, and the perils of practicing a profession of illusion. [More]
Starring: William Holden, Marthe Keller, José Ferrer, Henry Fonda
Starring: William Holden, Marthe Keller, José Ferrer, Henry Fonda, Michael York, Mario Adorf, Frances Sternhagen, Hildegard Knef
Director: Billy Wilder
Director: Billy Wilder
Producer: Billy Wilder
Screenwriter: Billy Wilder, I. A. L. Diamond
Composer: Miklos Rozsa
Reviews for Fedora
Defiantly and proudly old-fashioned both in style and content, weaving an (intentionally) campy melodrama about the mysterious suicide of a faded movie queen into a spellbinding meditation on cinema and the price of manufactured illusions.
The deliberate and sometimes dismaying anachronisms are signs of a deep, unshakable commitment to a personal aesthetic -- a commitment that is sometimes more moving than anything in the film itself.
A shamefully underrated film, Fedora is Wilder's testament and one of the most sublime achievements of the '70s.
Trust Wilder to know what he's doing, even during the deliberate clichés. See it like that, and I bet you'll like it. See it with a straight face, and you'll think it's boring and obvious.
Probably Wilder's most interesting work, if not necessarily his best.
Fedora is old-fashioned with a vengeance, a proud, passionate remembrance of the way movies used to be, and a bitter smile at what they have become.
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