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King of the Hill (1993)
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Reviews Counted:24
Fresh:23
Rotten:1
Average Rating:7.8/10
Synopsis: For Steven Soderbergh's third feature film, the acclaimed director adapts A.E. Hotchner's 1972 memoir. Set in 1933 St. Louis, KING OF THE HILL follows 12-year-old Aaron Kurlander (a magnetic Jesse... For Steven Soderbergh's third feature film, the acclaimed director adapts A.E. Hotchner's 1972 memoir. Set in 1933 St. Louis, KING OF THE HILL follows 12-year-old Aaron Kurlander (a magnetic Jesse Bradford), a bright, affable boy coming of age during the heart of the American depression. His financially troubled family consists of a salesman father (Jeroen Krabbe) who must leave home to search for employment, a chronically ill mother (Lisa Eichhorn), and a younger brother (Cameron Boyd) who has been sent away to live with relatives. Their home in a poverty-stricken neighborhood is the dank Empire Hotel, where Aaron befriends hotel guests and management, including Lester (Adrien Brody) and Mr. Munco (Spalding Gray). When Aaron's not at school--where he's an honor student and master marble player--he's at the hotel trying to cope with the familial and economic adversities that consume his world and keep his stomach growling. Eventually, the broken family is reunited when Mr. Kurlander secures a job as a clerk, but it is up to Aaron to forgive his father for abandonment if they're to become a family again. Soderbergh films KING OF THE HILL with colorful photography, adding optimism even when things are at their most hopeless. [More]
Starring: Jesse Bradford, Karen Allen, Jeroen Krabbe, Lisa Eichhorn
Starring: Jesse Bradford, Karen Allen, Jeroen Krabbe, Lisa Eichhorn, Joseph Chrest, Elizabeth McGovern, Spalding Gray, Katherine Heigl, Amber Benson
Director: Steven Soderbergh
Director: Steven Soderbergh
Reviews for King of the Hill
This dark, poetic movie is intended as a tribute to the resilient spirit of many Jewish families that had fallen on hard times; Aaron and his survival instincts recall the young protagonists of Mark Twain and Charles Dickens.
The film does a lovely job of juxtaposing the sharp contrasts in Aaron's life, and in marveling at the fact that he survives as buoyantly as he does.
Affirms imagination as a character attribute that helps a resilient adolecent to survive in hard times.
King of the Hill proves that sex, lies, and videotape was no fluke. In fact, this movie is so good that it made me want to take another look at Kafka.
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