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Amateur (1994)
Tomatometer
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Reviews Counted:22
Fresh:16
Rotten:6
Average Rating:6.2/10
Synopsis: After falling from the window of a New York City apartment, a man named Thomas (Martin Donovan) awakens as an amnesiac. Wandering into a diner, he meets Isabelle (Isabelle Huppert), an former nun... After falling from the window of a New York City apartment, a man named Thomas (Martin Donovan) awakens as an amnesiac. Wandering into a diner, he meets Isabelle (Isabelle Huppert), an former nun who writes pornography while waiting patiently for God to reveal her mission in life. A deeply spiritual yet sexually curious woman who has yet to be physically intimate with anyone, Isabelle invites Thomas to stay at her apartment, where she propositions him. But before they can consummate their relationship, the clairvoyant Isabelle senses a connection between Thomas and infamous porn star Sofia (Elina Löwensohn). Though Thomas now seems kindhearted, as he and Isabelle search out his true identity, they come upon some unpleasant truths about the man he was. Hal Hartley's AMATEUR carries the tone of mystery and imminent violence inherit in Hollywood thrillers while retaining the director's quirky and unique aesthetic. Hartley regulars Donovan and Löwensohn are in fine form and well-matched by the elegant yet naive Huppert. The film also includes appearances by Parker Posey, Dwight Ewell, and Tim Blake Nelson. In addition to its strong cast, AMATEUR features a delightfully deadpan script which adds an absurd quality to the proceedings, making this one of Hartley's most fascinating films. [More]
Starring: Isabelle Huppert, Martin Donovan, Elina Löwensohn, Damian Young
Starring: Isabelle Huppert, Martin Donovan, Elina Löwensohn, Damian Young, Chuck Montgomery, Dave Simonds, Pamela Stewart
Director: Hal Hartley
Director: Hal Hartley
Screenwriter: Hal Hartley
Producer: Hal Hartley, Ted Hope, Jerome Brownstein, Yves Marmion, Scott Meek
Composer: Ned Rifle
Reviews for Amateur
Less quirky than earlier films, Amateur pushes its humor too hard and the conceit of amnesia is so absurd that the movie's more poignant observations about purity versus experience and ignorance versus knowledge (perennial Hartley themes) get lost.
A deadpan examination of coincidence versus signs; tangibility versus faith.
Comes across as an interesting study of the ways in which we are all amatuers at changing our lives.
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