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The Reckoning (2004)
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Reviews Counted:84
Fresh:34
Rotten:50
Average Rating:5.6/10
Consensus: A talky, ponderous movie.
Synopsis: Set in England during the late 1300s, Paul McGuigan's THE RECKONING follows Nicholas (Paul Bettany), a young priest literally running from his past. After encountering a band of wandering actors,... Set in England during the late 1300s, Paul McGuigan's THE RECKONING follows Nicholas (Paul Bettany), a young priest literally running from his past. After encountering a band of wandering actors, Nicholas is grudgingly allowed into the fold by the good-natured Martin (Willem Dafoe). When the troupe reaches an impoverished village, they get word of a strange murder and look into the story as the basis for a new play. However, Nicholas and Martin uncover more than they'd expected, and soon a deeper mystery emerges. Meanwhile, as Nicholas attempts to find justice, he also struggles to come to terms with his own troubled history. A medieval murder mystery in the vein of THE NAME OF THE ROSE, THE RECKONING is based on the Barry Unsworth novel MORALITY PLAY. Under the artfully somber direction of previous collaborator McGuigan, Bettany turns in an excellent performance as a guilt-ridden priest struggling to atone for his sins. In addition to Dafoe, the film also features fine supporting actors such as Brian Cox and Gina McKee. Utilizing its historical backdrop to the fullest extent, THE RECKONING immerses the audience in its medieval setting, revealing the period's many hardships and enhancing the drama of this intriguing, unfolding mystery. [More]
Starring: Willem Dafoe, Paul Bettany, Brian Cox, Gina McKee
Starring: Willem Dafoe, Paul Bettany, Brian Cox, Gina McKee, Ewen Bremner, Vincent Cassel, Simon McBurney
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Mark Mills
Producer: Caroline Wood
Composer: Adrian Lee, Mark Mancina
Studio: Paramount Classics
Reviews for The Reckoning
[It's] a film with a lot on its mind -- perhaps too much. ... As it is, philosophical dilemmas spread through the film like a plague until they finally claim its life.
It's disappointing that The Reckoning devolves into a costumed murder mystery a la Jean-Jacques Annaud's 1986 film of Umberto Eco's The Name of the Rose.
Although raising intriguing questions about the moral obligation dramatists have to throw a spotlight on taboo subjects, The Reckoning offers simplistic solutions.
Builds cleverly as the mystery deepens, then struggles to bring it all to a conclusion.
Wraps itself around Bettany’s guilty secrets like a hot-water bottle, leaving more interesting characters in the moral cold
A multilayered snapshot of a decayed and disintegrating feudal system that richly develops themes and characters with an eerie modern resonance.
It is, despite the distractions, just a simple murder story, and the revelations in the end are hardly surprising or noteworthy.
As an existential awakening into the light and triumph of rational thought over superstition, it's an engaging film, but as a murder mystery it plods along as though weighted down by the heavens and more.
… the premise and setting that are intriguing, but the obvious foreshadowing and labored attempt to slowly unravel the facts surrounding the plot are drawbacks.
All that black, combined with the mundanity of the second act, induces us to close our eyes.
The interesting insights give way to undercover constables, and gut-spilling villains
Collapses under the weight of unlikely melodrama and over-pretty visual flourishes...
It's as if the filmmakers had a 14th-century audience in mind, one that had never seen a movie.
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