All the absurdities of the human condition are compressed into experiences of war, or at least that's the impression we get through Jarhead, Sam Mendes' fascinating film based on a real memoir by a Jarhead.
Jarhead (2005)
Tomatometer
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Reviews Counted:182
Fresh:110
Rotten:72
Average Rating:6.4/10
Consensus: This first person account of the first Gulf War scores with its performances and cinematography but lacks an emotional thrust.
Synopsis: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles... For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Drawing on the experience of acclaimed cinematographer Roger Deakins (THE SHAWSHANK REDEMPTION) to help viewers get a close-up taste of the Marines' punishing life in the desert, Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern day soldier, demonstrating how technology has made the average Marine's job all but redundant, and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches. [More]
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams, Jacob Vargas, Chris Cooper, Dennis Haysbert, Katherine Randolph
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: William Broyles
Producer: Lucy Fisher, Douglas Wick, Sam Mendes
Composer: Thomas Newman
Studio: Universal Pictures
Reviews for Jarhead
A disappointing war movie with not one shot fired, no visible enemy, and soldiers standing around in the desert. More gay than “Capote.”
The mundane and the tedious take precedent over insight and polemics.
Mendes paces his picture with military-like precision, aided by master editor Walter Murch (Apocalypse Now).
The first 20 minutes of have masterpiece written all over them, unfortunately, that fire peters out quite constantly until the film comes to a near flat lining ending.
It's a powerful experience that measures the human cost of its war -- and all war, really -- less in terms of battlefield statistics than in the subtle, degenerative psychological effect that it sends rippling through a generation and a society.
Ultimately, “Jarhead” is pretty pointless but the film does look wonderful, and the performances are very solid.
This is not a film that wrestles with itself to determine whether it's anti- or pro-war ... it doesn't even try.
A film about one of life's most primal experiences that's completely devoid of any sense of urgency.
Jarhead is compelling in the way it presents a new facet of a genre that some would argue was mined out long ago.
The movie has some of the washed-out look of David O. Russell's excellent Three Kings, but none of the edge.
I dare anyone to watch this bold exercise in postponed gratification and not come away with a new, disturbed sense of the genre.
As time passes, waiting for orders becomes like waiting for Godot, an absurdist tragicomedy of frustration, madness and masculinity gone awry.
Basically, (director Sam) Mendes and (screenwriter William) Broyles paint too big a canvas and cannot adequately cover it all.
...some may be disappointed Jarhead isn’t a typical war movie. But make no mistake, the film is about war--and it’ll still get under your skin.
Forward momentum is constantly at risk of running out of gas or thrown a monkey wrench by frat level interaction.
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