Sniper-like precision has become old-fashioned. More effective weapons only deepen the despair of war.
Jarhead (2005)
Tomatometer
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Reviews Counted:182
Fresh:110
Rotten:72
Average Rating:6.4/10
Consensus: This first person account of the first Gulf War scores with its performances and cinematography but lacks an emotional thrust.
Synopsis: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles... For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Drawing on the experience of acclaimed cinematographer Roger Deakins (THE SHAWSHANK REDEMPTION) to help viewers get a close-up taste of the Marines' punishing life in the desert, Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern day soldier, demonstrating how technology has made the average Marine's job all but redundant, and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches. [More]
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams, Jacob Vargas, Chris Cooper, Dennis Haysbert, Katherine Randolph
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: William Broyles
Producer: Lucy Fisher, Douglas Wick, Sam Mendes
Composer: Thomas Newman
Studio: Universal Pictures
Reviews for Jarhead
Jarhead is a frustrating piece of craftsmanship, a fantastically made movie on a technical level that leaves viewers with nothing in the end.
Gyllenhaal is remarkable, especially in his Christmas Eve scene, dressed only in two Santa hats......
Jake Gyllenhaal attains acting heights here that are not even hinted at in his earlier roles.
The mundane and the tedious take precedent over insight and polemics.
What's so good about the movie is Gyllenhaal's refusal to show off; he doesn't seem jealous of the camera's attention when it goes to others and is content, for long stretches, to serve simply as a prism though which other young men can be observed.
Director Sam Mendes' third screen outing pretty well nails Swofford's tone, which was mordant without being disrespectful, and, in fact, is begrudgingly reverent of the Corps.
English director Sam Mendes drains Anthony Swofford's scathing, hilariously profane memoir about his stint as a Marine Corps sniper during the first Gulf War of much of its righteous anger.
Jarhead makes its points less obviously than most war films, and with more brains than blood.
The best war movies -- and this one, despite its being overlong and repetitive, is among them -- hold that men fight (or in this case, are ready to fight) not for causes, but to survive and to help their comrades do the same.
Jarhead is often a film about boredom, but it's never boring; full of unexpected touches and detailed character turns.
It's a powerful experience that measures the human cost of its war -- and all war, really -- less in terms of battlefield statistics than in the subtle, degenerative psychological effect that it sends rippling through a generation and a society.
The invigorating thing about Jarhead is it makes us encounter the truth in its undigested form.
Gorgeously shot and flawlessly acted, Jarhead readies the audience for a dramatic wallop it never delivers.
As hard as the actors work, Jarhead feels false right down to its seductive visuals.
Gyllenhaal is the heart and soul of a darkly funny and ferociously intense movie that sets its sights on soldiers under the gun of doing nothing.
In creating Jarhead, the filmmakers opt for a segmented, episodic style that befits the narrative's origins in a book. On film, that style generates few connecting threads or smooth flow.
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