Unlike [other] war films, this one's not about what it's like to fight, but rather what it's like not to fight. And that alone gives this exceptionally produced and directed drama its own unique place on the cinematic battlefield.
Jarhead (2005)
Tomatometer
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Reviews Counted:182
Fresh:110
Rotten:72
Average Rating:6.4/10
Consensus: This first person account of the first Gulf War scores with its performances and cinematography but lacks an emotional thrust.
Synopsis: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles... For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Drawing on the experience of acclaimed cinematographer Roger Deakins (THE SHAWSHANK REDEMPTION) to help viewers get a close-up taste of the Marines' punishing life in the desert, Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern day soldier, demonstrating how technology has made the average Marine's job all but redundant, and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches. [More]
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams, Jacob Vargas, Chris Cooper, Dennis Haysbert, Katherine Randolph
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: William Broyles
Producer: Lucy Fisher, Douglas Wick, Sam Mendes
Composer: Thomas Newman
Studio: Universal Pictures
Reviews for Jarhead
Although the picture suffers a narrative letdown in the third act that leaves its central characters -- and, alas, its audience -- in the muck of anticlimax, Jarhead has moments of real glory.
[Jarhead] is interesting, entertaining and sobering as it shows a war where the men fighting and dying didn’t have a clue as to why
As much as Jarhead seeks to break new ground, the movie feels calculated.
Appropriately obscene, violent and graphic, Jarhead gives a real taste of military life: the grueling training, the harsh physical conditions, the adrenalized masculinity, the undercurrents of aggression, sexuality, fear and death.
The movie is so good you wish it were even better, particularly in its characterizations.
Instead of overwhelming you with the brutal violence of war, this debilitates you with the tedium of life near the trenches waiting for something, anything to happen.
The movie has some of the washed-out look of David O. Russell's excellent Three Kings, but none of the edge.
Jarhead is a chaos of seemingly abstract moments arranged into a triptych.
The people you feel most badly for in Jarhead are not the men played by these talented actors, but the marketing department at Universal Pictures, saddled with the impossible task of selling a war movie that doesn't contain any actual war in it.
The film's lack of meaning seems all the more egregious, particularly since even wartime inaction contains large doses of political consequence.
Jarhead, taken from the book by Anthony Swofford, a veteran Marine sniper from the first Gulf War, takes what might seem the easiest soldiering job in the world and tells you something profoundly different.
I dare anyone to watch this bold exercise in postponed gratification and not come away with a new, disturbed sense of the genre.
A war picture that, trying to pass off fidelity to the book as objectivity, sacrifices any voice of its own, and ends up not knowing what to think.
Mendes does sacrifice a tighter plot and some character development in order to cram in a lot of cool scenes from the book. But in the end, viewers will be discharged with a clear view of war: Even boring ones really do suck.
Nicely acted, beautifully shot and pretty much devoid of action and context, Jarhead has to be considered one of the year's biggest failures, simply because so much talent went into a film so empty.
In the end, Jarhead is more of a training exercise than a meaningful mission, one that hits some targets without drawing any blood.
... keeps the focus squarely on the embattled title characters, valiantly struggling to survive the only war they know: the one inside their heads.
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