Casanova leaves us with the beautiful-but-bland Miller and the emasculated Ledger, who, frankly, was more manly and more magnetic making out with Jake Gyllenhaal in Brokeback Mountain.
Casanova (2005)
Tomatometer
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Reviews Counted:127
Fresh:55
Rotten:72
Average Rating:5.6/10
Consensus: This frothy, oddly bloodless film does a disservice to the colorful life of the real Casanova.
Runtime: 1 hr 51 mins
Genre: Romance, Theatrical Release
US Box Office: $11,193,738
Synopsis: CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism.... CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism. Instead, it's a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström--a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES--the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn't be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy's puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women's rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn't want anything to do with him. The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger's winning star turn, Lena Olin is her usual mesmerizing self as Francesca's scheming mother, and the reliably excellent Oliver Platt (as Francesca's overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances. [More]
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Charlie Cox, Philip Davis, Stephen Greif, Helen McCrory
Director: Lasse Hallstrom
Director: Lasse Hallstrom
Screenwriter: Jeffrey Hatcher, Kimberly Simi
Producer: Gary Levinsohn
Composer: Alexandre Desplat
Studio: Buena Vista Pictures
Reviews for Casanova
Ledger, if less memorable than Donald Sutherland in Fellini's Casanova or Mastroianni's old rake in La Nuit de Varennes, is a virile, enjoyable addition to the Casanovan collection.
The whimsical plot, involving Casanova's seduction of a cross-dressing feminist, isn't helped by director Lasse Hallstrom's leaden hand.
Casanova's tale has been told many times before, but seldom with such light-hearted flair and puckish humor.
Pleasantly undistinguished, this movie rests on a handful of crowd-pleasing plot points about true love, and on a few strong supporting turns: Oliver Platt, who plays an obese Genoan fop, has now saved two movies in as many months.
The sticky sweet stuff in the middle traps history's greatest lover and slows the whole affair to a crawl.
The film, written by committee, is a pastiche of Casanova's life and times more unreliable than the real fellow's notoriously self-serving memoirs.
The irony of [Sienna] Miller co-starring in a film about the world's most notorious lothario aside, there's not much to love about Casanova.
Lasse Hallstrom’s costume comedy Casanova is pretty flat. In fact, it’s leaking air all over the place.
Despite its oh-so deviant title character, Casanova is a harmless bon-bon, a breezy period farce that mimics lesser Shakespeare and a look that recalls Amadeus or Shakespeare in Love.
A ribald, witty costume comedy filled with delightful performances and wily plot turns, this is the sort of film that makes you wonder why more films like this aren't made.
Casanova finds [director] Hallstrom more inspired, or at least lively and engaged, than he has been in years, and he's in the company of the actor of the moment.
It's watchable and is occasionally entertaining, but there's very much a split personality here.
Aside from having little to say, the new edition of Casanova tries so hard to serve a crowd-pleasing buffet that it turns into a scattershot series of unrewarding nibbles.
There's less sexiness in the awful Casanova than in the downbeat, doomed gay love story featuring Ledger in Brokeback Mountain.
Consider how marvelous Casanova could've been had it committed not just to the look and sound of the 18th century but to the ways people really talked, thought and behaved.
The whole thing feels too mindlessly cheerful, far too airy to be remembered.
What's meant to evoke Shakespeare in Love ends up more often evoking Saved by the Bell.
A standard period romance, the movie spends all of five unconvincing minutes on the womanizing side of the man. If you walked in late, you might wonder if you're in the right theater.
Although Casanova is far from a stinker, I can't join in the chorus of praise for what is essentially a coy farce replete with arch performances and even archer dialogue.
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