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12 and Holding (2006)
Tomatometer
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Reviews Counted:76
Fresh:56
Rotten:20
Average Rating:6.7/10
Consensus: This shocking pre-teen drama manages, through realistic performances and a sense of empathy, to avoid exploitation and instead deliver something honest and haunting.
Synopsis: Director Michael Cuesta follows up his debut film L.I.E. with another harrowing coming-of-age tale in TWELVE AND HOLDING. Cuesta casts young Conor Donovan as his lead, with the impressive actor... Director Michael Cuesta follows up his debut film L.I.E. with another harrowing coming-of-age tale in TWELVE AND HOLDING. Cuesta casts young Conor Donovan as his lead, with the impressive actor playing twins--the sociable athlete Rudy and the distinctly introspective Jacob. Joining Donovan in the cast are Jesse Camacho as Leonard, a paunchy kid reminiscent of Jerry O'Connell's Vern in STAND BY ME, and Zoe Weizenbaum as Malee, a quietly disturbed young girl with a fractured family life. The five 12-year-olds are close friends, but their lives are thrown into turmoil when a prank by local bullies goes horribly wrong and Rudy is burned alive in a tree house. As Jacob's parents fall apart at the news, the rudderless surviving twin realizes he can't rely on them for support, so he makes the surprising decision to make regular visits to the two brothers who killed Rudy as they languish in a juvenile detention center. Meanwhile, Malee copes with the tragedy by obsessing over an attractive older guy named Gus (Jeremy Renner) and Leonard gets on a health kick despite his overweight parents' protestations. Cuesta's film draws on elements of similar genre favorites, not only STAND BY ME but Jacob Estes's MEAN CREEK and even the work of Todd Solondz and Gregg Araki. But TWELVE AND HOLDING is not a facile reproduction of other work; instead it's a startling kids'-eye view of poor parenting and woeful neglect. The four leads give astonishingly mature performances, and Cuesta manages to surpass his meagre budget by creating a stylistic tour-de-force that may leave anxious parents wondering what their kids are doing in their spare time. [More]
Starring: Marcia DeBonis, Michael Cuesta, Conor Donovan, Linus Roache
Starring: Marcia DeBonis, Michael Cuesta, Conor Donovan, Linus Roache, Jo Weizenbaum, Annabella Sciorra, Jeremy Renner
Producer: Tom McGowan, Brian Bell, Michael Cuesta, Leslie Urdang
Composer: Pierre Foldes
Studio: IFC Films
Reviews for 12 and Holding
One of the most exceptional, down to Earth portrayals of childhood and adolescence in the face of tragedy I've ever seen...
[An] intelligent and edgy story that allows believable characters and their interpersonal dynamics to come alive as sinister undercurrents ripple below.
The kids help get the film past its messy, low-budget look, aided by a strong ensemble of familiar adult faces.
It doesn't sound like a barrel of laughs, but [director Michael] Cuesta finds wry humour in tragic situations while at the same time thickening the air with quiet foreboding.
... a film that never quite equals the sum of its many intriguing parts.
With his modestly impressive young actors and moody lens, Cuesta finds the normal in the extreme.
A refracted glimpse of American suburbia through the eyes of three pre-teens grappling with grief, reprisal and loneliness, the film boasts some great adolescent performances but can't overcome a rigidly partitioned structure and tonal inconsistency.
A gripping drama examining the pains and frustrations--and also the hidden strengths--of youth.
Though occasionally clumsy, it manages to accurately re-create the especial lonely pain of nascent pubescence, the shock of change and the feeling that no one has ever lived through the sort of emotional weather you're required to endure.
The film careens from crisis to crisis. Yet each time it threatens to spin out of control, [director Michael] Cuesta demonstrates a firm hand that keeps us leaning in with interest.
The children are operating without a safety net or a script typed with kid gloves, and that makes it all the more easy to fear for and sympathize with them, even as the plot takes outlandish twists.
Twelve isn’t always easy to watch. But it feels emotionally authentic -- not exploitive, not farfetchedly quirky.
The kids are very effective. Some laughs seem right, others catch in your throat. There is honest feeling, not sneering.
From the parents to the children, the cast is uniformly excellent. Weizenbaum and Renner deserve special mention for handling a potentially unsettling relationship with care.
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