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For Your Consideration (2006)
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Reviews Counted:36
Fresh:23
Rotten:13
Average Rating:6.5/10
Consensus: As the object of satire gets bigger the jokes become thinner, and Christopher Guest isn’t as droll or insightful here than when he was lampooning smaller subjects.
Runtime: 86 mins
Genre: Comedies
US Box Office: $5,490,967
Synopsis: Arch satirist Christopher Guest (THIS IS SPINAL TAP, BEST IN SHOW) brings more mirth to the screen, providing an inimitable take on the film industry with FOR YOUR CONSIDERATION. The plot follows... Arch satirist Christopher Guest (THIS IS SPINAL TAP, BEST IN SHOW) brings more mirth to the screen, providing an inimitable take on the film industry with FOR YOUR CONSIDERATION. The plot follows the cast and crew of a fictional movie called HOME FOR PURIM, which is directed by Jay Berman (played by Guest himself) and stars an aging actress at the end of her career, Marilyn Hack (Catherine O'Hara); an actor best known for starring in a hotdog ad, Victor Allen Miller (Harry Shearer); and young Callie Webb (Parker Posey), who is trying to put her VAGINA MONOLOGUES-esque past (in a production called NO PENIS INTENDED) firmly behind her. As Berman and Co. attempt to bring HOME FOR PURIM to the screen, a variety of supporting players flits in and out of the movie, with Ricky Gervais and Jennifer Coolidge appearing as two very different producers, Jane Lynch and Fred Willard playing the glitzy hosts of trashy celebrity-obsessed TV show HOLLYWOOD NOW, and Bob Balaban appearing as a frustrated co-writer. This motley bunch all get along just fine until an Oscar buzz surrounds certain cast members, leading to a fierce explosion of wildly different ideas and ambitions for the film. Fans of Guest's movies will doubtless experience a welcome familiarity in the feel of FOR YOUR CONSIDERATION. The usual deadpan wit, carefully crafted satire, and close attention to detail in everything from Fred Willard's haircut to the computer graphics of HOLLYWOOD NOW are all lovingly rendered, and Guest's loyal troupe of performers--as well as a sprinkling of new faces--delivers the material with habitual ease. In an era when most Hollywood comedy sticks to a strict, well-trodden formula, it's satisfying to find someone like Guest plowing a lonely furrow against the grain, and there's enough spark in FOR YOUR CONSIDERATION to suggest he still has plenty of wit yet to bestow on his faithful audience. [More]
Starring: Eugene Levy, Catherine O'Hara, Parker Posey, Harry Shearer
Starring: Eugene Levy, Catherine O'Hara, Parker Posey, Harry Shearer, Christopher Guest, Michael McKean, Fred Willard, Ricky Gervais, Jennifer Coolidge, Bob Balaban, Rachel Harris, Ed Begley, Sandra Oh, Jane Lynch, Loudon Wainwright
Director: Christopher Guest
Director: Christopher Guest
Producer: Karen Murphy
Studio: Warner Independent
Reviews for For Your Consideration
Funny, biting, cutting and satirical %u2026 but there are fewer laughs than expected; more likely to appeal to cult audiences interested in film industry in-jokes.
The comedy is very unsubtle, and huge swathes of screen-time are given over to Fred Willard as a presenter on a dumb entertainment TV show - funny, yes, but not funny enough to justify the vast amount of time he is given.
In the most bittersweet of ironies, O’Hara was tipped by some as a potential Oscar nominee for her performance in the film. You suspect that she handled the whole demeaning circus with rather more dignity than her character does.
We expect oddball wit of a higher calibre from Guest and co., although their inherent, zany likeability means plenty of laughs.
In order to stay ahead as a mocker these days, you must nail your subject for good.
While that title raises expectations for delicious humor, what we see of the movie itself is foolish and flat.
For Your Consideration is the first of Guest's films to be filmed as a narrative rather than a mock-documentary, but somehow it still feels a little played out and in need of a rest.
For Your Consideration is by far the broadest comedy Christoper Guest and company have made. Despite its merriment, it is also the flimsiest.
[The film] may contain as many riffs on ego, self-deception and corporate greed as Guest's directorial debut, but it also possesses something rarely seen from the director: a shocking degree of unforgiving misanthropy.
Jane Lynch does a stance, a television hostess stance that’s so perfect, without saying a word, that’s funnier than almost anything I’ve seen in most mainstream comedies this year.
[It] works chiefly because they continue to simultaneously embrace and condemn the cruel superficiality of their self-absorbed losers.
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November 11, 2008:
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