An irritating experience
Blindness (2008)
Tomatometer
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Reviews Counted:147
Fresh:61
Rotten:86
Average Rating:5.2/10
Consensus: This allegorical disaster film about society's reaction to mass blindness is mottled and self-satisfied; provocative but not as interesting as its premise implies.
Australian Theatrical Release:
Mar 19, 2009 Wide
US Box Office: $3,073,392
Synopsis: Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to... Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to forfeit names for his characters, instead spinning BLINDNESS around the plight of a doctor and his wife (respectively played by Mark Ruffalo and Julianne Moore). A blindness epidemic strikes an unnamed city, forcing the government to put many citizens in quarantine, including Ruffalo's doctor. Unable to conceive of life without him, Moore's character feigns blindness and joins him in the grimy high-security institution where visually impaired citizens are kept. Their attempt to survive in the rotting facility, which quickly falls into disrepair and chaos, forms the backbone of Meirelles's movie. There's a twist in the tale as Ruffalo and Moore's characters struggle to lead the blind to a place where they can come to terms with their condition, and Meirelles makes the journey deeply unsettling. An impressive cast ably backs Ruffalo and Moore, including Danny Glover, Gael Garcia Bernal, and Alice Braga. Their performances give a palpable feeling of what it's like to be blind, and even provide a few moments of dark comedy as they stumble through the institution in which they're imprisoned. Meirelles's movie, which essentially functions as an allegory for societal collapse, is an alarming and often distressing look at the dark side of human nature. The director often saturates the film with milky white color, reflecting the bright light the blind see when the condition besets them. This glare often makes it difficult to look at the screen, inflicting Meirelles's audience with a feeling of momentary blindness. An atmosphere of tangible dread manifests itself as BLINDNESS progresses, and the ugly scenes of rape and brawling, largely caused by the meager food rationing among the blind, makes for emotional viewing. [More]
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal, Alice Braga, Sandra Oh
Director: Fernando Meirelles
Director: Fernando Meirelles
Screenwriter: Don McKellar
Producer: Andrea Barata Ribeiro, Niv Fichman, Sonoko Sakai
Composer: Marco Antonio Guimaraes, Uakti
Studio: Miramax Films
Reviews for Blindness
Glover's occasional all-knowing commentary and the dreary music score dull the edges of what was bound to be a challenging project.
Blindness is a worthy film, and in many ways a beautifully made one – the opening and closing sequences are the best. But in between it’s heavy, gloomy and at times pretty hard to sit through.
Blindness is not unmissable, and has awkwardly implausible moments, but it succeeds in sucking us into its peculiar world.
The film is far from dull or careless but it's not convincing as a lesson in human frailty. If you're going to subject us to this much degradation, it has to be irresistibly believable, not just relentless.
Boy, this is bad. And I mean walk-out-of-the-cinema bad. So awful, in fact, that its dullness, pomposity and sheer gloominess are among the film’s better points.
Only after the audience has experienced the darkness of humankind’s soul do we start to see the light. Or at least that seems to be the message. The problem is that by the time hope arrived, The Sneak’s heart was too heavy to be lifted.
Blindness bleeds seriousness and lofty intentions from its every frame, but it's a didactic bore.
Blindness feels at once honorably serious and way too pleased with its own soothsaying. You stagger from the dimness of the cinema, beaten down and longing for the light.
Scene by scene, Blindness self-destructs. One begins to resent the art-crowd cast’s willingness to do anything remotely nihilistic.
In his effort to make a grand statement, Meirelles piles on the drama, as well as the affectations. The resulting effect dilutes the film's power.
This is one of those films in which no characters have names, a device used to emphasize the point that those locked up could be you or me.
Latest News for Blindness
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
December 07, 2008:
Iconoclast.com: A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
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