Fernando Meirelles tackles José Saramago's searing stream of consciousness novel with intriguing but mixed results.
Blindness (2008)
Tomatometer
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Reviews Counted:147
Fresh:61
Rotten:86
Average Rating:5.2/10
Consensus: This allegorical disaster film about society's reaction to mass blindness is mottled and self-satisfied; provocative but not as interesting as its premise implies.
Australian Theatrical Release:
Mar 19, 2009 Wide
US Box Office: $3,073,392
Synopsis: Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to... Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to forfeit names for his characters, instead spinning BLINDNESS around the plight of a doctor and his wife (respectively played by Mark Ruffalo and Julianne Moore). A blindness epidemic strikes an unnamed city, forcing the government to put many citizens in quarantine, including Ruffalo's doctor. Unable to conceive of life without him, Moore's character feigns blindness and joins him in the grimy high-security institution where visually impaired citizens are kept. Their attempt to survive in the rotting facility, which quickly falls into disrepair and chaos, forms the backbone of Meirelles's movie. There's a twist in the tale as Ruffalo and Moore's characters struggle to lead the blind to a place where they can come to terms with their condition, and Meirelles makes the journey deeply unsettling. An impressive cast ably backs Ruffalo and Moore, including Danny Glover, Gael Garcia Bernal, and Alice Braga. Their performances give a palpable feeling of what it's like to be blind, and even provide a few moments of dark comedy as they stumble through the institution in which they're imprisoned. Meirelles's movie, which essentially functions as an allegory for societal collapse, is an alarming and often distressing look at the dark side of human nature. The director often saturates the film with milky white color, reflecting the bright light the blind see when the condition besets them. This glare often makes it difficult to look at the screen, inflicting Meirelles's audience with a feeling of momentary blindness. An atmosphere of tangible dread manifests itself as BLINDNESS progresses, and the ugly scenes of rape and brawling, largely caused by the meager food rationing among the blind, makes for emotional viewing. [More]
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal, Alice Braga, Sandra Oh
Director: Fernando Meirelles
Director: Fernando Meirelles
Screenwriter: Don McKellar
Producer: Andrea Barata Ribeiro, Niv Fichman, Sonoko Sakai
Composer: Marco Antonio Guimaraes, Uakti
Studio: Miramax Films
Reviews for Blindness
Blindness is a face-first dive into the horror of human nature -- call it Lord of the Blind Flies -- with several memorably harrowing scenes and a compelling cast.
Salutes the vision that sees invisible things, cares for others, and refuses to abandon hope.
Blindness is provocative cinema. But it also is predictable cinema: It startles but does not surprise.
It is an allegory about a group of people who survive under great stress, but frankly I would rather have seen them perish than sit through the final three-quarters of the film.
In his effort to make a grand statement, Meirelles piles on the drama, as well as the affectations. The resulting effect dilutes the film's power.
Stylistically fussy and dramatically confused...a what-if story that's become a pointless so-what movie.
The picture is elongated to a punishing two hours of suffering, infuriatingly slavish screenwriting, and a director who should be gifted the miracle of a tripod this upcoming holiday season.
A dreary jumble of social criticisms and fear mongering that seems perfectly suited to the limitations of a short film.
All this would be unbearable without Moore, who masterfully characterizes the devoted wife’s metamorphosis into a heroicism both unwanted and unheralded.
Fascinating as sci-fi, paltry as a parable, Blindness is one of the movie year's most daring failures.
Cinematographer César Charlone is inventive, his shots ranging from oversaturated with whiteness to distorted silhouettes and double exposures.
Scene by scene, Blindness self-destructs. One begins to resent the art-crowd cast’s willingness to do anything remotely nihilistic.
Blindness lets you clearly see the author’s notions of humankind at its worst, yet the book’s poetry is nowhere in sight.
The extremes are so barbaric few audiences will sit through them, and despite the allegorical intentions, the apocalyptic literary views in the José Saramago novel upon which it is based fail to translate coherently to the screen.
It's too easy a joke to say that Blindness lacks vision; more accurate to say that it lacks control, lucidity and humanity, the last being a particularly calamitous absence in a film about civilization in crisis.
Blindness bleeds seriousness and lofty intentions from its every frame, but it's a didactic bore.
The result makes for a traumatic viewing experience, but never does Mereilles convincingly illuminate the wrenching fear of his source material.
An absorbing (if admittedly flawed) thought-piece. It engaged me throughout and I found the ending to be surprisingly hopeful.
Blindness feels at once honorably serious and way too pleased with its own soothsaying. You stagger from the dimness of the cinema, beaten down and longing for the light.
Latest News for Blindness
February 09, 2009:
RT on DVD: Oliver's W, Spike's St. Anna, and My Name is Bruce!
What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
December 07, 2008:
Iconoclast.com: A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
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