[A] massively gross, massively funny comedy.
Step Brothers (2008)
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Reviews Counted:175
Fresh:97
Rotten:78
Average Rating:5.5/10
Consensus: The relentless immaturity of the humor is not a total handicap for this film, which features the consistently well-matched talents of Will Ferrell and John C. Reilly.
Australian Rating: M [See Full Rating] Coarse language, nudity and sexual references
Runtime: 3 hrs 23 mins
Genre: Comedies
Australian Theatrical Release:
Sep 18, 2008 Wide
US Box Office: $100,468,793
Synopsis: While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY... While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT? [More]
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen, Kathryn Hahn, Richard Jenkins, Ken Jeong
Director: Adam McKay
Director: Adam McKay
Screenwriter: Will Ferrell, Adam McKay
Story: Will Ferrell, Adam McKay, John C. Reilly
Producer: Jimmy Miller, Judd Apatow
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Step Brothers
It doesn't rank high in the lowbrow-comedy genre that has produced legitimately smart entries such as The 40-Year-Old Virgin or Knocked Up, but it does succeed as a token contender by delivering real laughs at the expense of intelligence and decency.
Stupid, crude and hilarious, Step Brothers works by sneaking past our better judgment.
Though Ferrell and Reilly bring puppyish enthusiasm to scenes in which the overgrown boys bond, the shift to friendship leaves Step Brothers with nowhere to go.
It's not subtle, not the cleverest thing Apatow has put his name on. But for lowdown, cheap and dirty laughs, it's pretty hard to beat Reilly and Ferrell, riffing, trashing and trash-talking each other for 94 mostly mean, sometimes manic minutes.
Step Brothers is less ambitious than Anchorman or Talladega and taffy-stretches a sketch-comedy premise.
Although the comedy is a little messed-up and childish itself, it still delivers a few good laughs.
I thought I knew funny, but I was mistaken. Before the blessed light of Step Brothers entered my life, I knew not the sweet comedic splendors of live burial, bunk-bed catastrophe or a minivan family singing 'Sweet Child O' Mine' in four-part harmony.
Watching people act like kids is annoying. Now everyone can join in the un-fun with Step Brothers, Will Ferrell's latest summed-up-in-one-line concept comedy that tests our patience so much more than his previous movies did.
There is no plot, no sense, symmetry or structure to this train wreck.
This is ultimately Ferrell and Reilly's show, and although the two actors have played plenty of stooges in the past, they've never done it with quite the same abandon they do here.
If you put the collected works of Will Ferrell, Adam McKay and Judd Apatow in a pot, boiled off the excess and let the remainder cool, you'd have something very much like Step Brothers.
Ferrell and Reilly do the man-child thing again, only this time it's R-rated and not quite as funny.
A one-joke comedy that might have made a decent recurring sketch on Saturday Night Live, digested in five-minute doses.
It is pure silliness, illogic, and unpredictable deviant behaviour played out at a pitch that achieves a kind of joyful note.
Do not go to Step Brothers looking for anything remotely meaningful, sincere or spiritually enhancing. Go for a laugh. It's got plenty of them.
The unraveling isn't as smartly written as the setup. And because the characters beyond the parents and boys aren't as finely tuned, the film starts to lag.
The engine that drives this flick is the chemistry between Mr. Reilly and Mr. Ferrell. The two obviously delight in each other's company, and it feels good and is funny to watch.
Director Adam McKay is a veteran of the Judd Apatow school of R-rated gross-out gooniness, but this latest installment in the canon is decidedly underpowered.
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