Somewhere between unashamed vulgarity and juvenile sweetness lies this surprisingly touching tale about two man-children.
Step Brothers (2008)
Tomatometer
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Reviews Counted:175
Fresh:97
Rotten:78
Average Rating:5.5/10
Consensus: The relentless immaturity of the humor is not a total handicap for this film, which features the consistently well-matched talents of Will Ferrell and John C. Reilly.
Australian Rating: M [See Full Rating] Coarse language, nudity and sexual references
Runtime: 3 hrs 23 mins
Genre: Comedies
Australian Theatrical Release:
Sep 18, 2008 Wide
US Box Office: $100,468,793
Synopsis: While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY... While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT? [More]
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen, Kathryn Hahn, Richard Jenkins, Ken Jeong
Director: Adam McKay
Director: Adam McKay
Screenwriter: Will Ferrell, Adam McKay
Story: Will Ferrell, Adam McKay, John C. Reilly
Producer: Jimmy Miller, Judd Apatow
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Step Brothers
Seesawing from the gleefully stupid to the desperately stupid, Step Brothers is an indicator that the Judd Apatow juggernaut has made one too many trips to the well.
The trick to the Men II Boyz comic genre -- where grown men are simply older, pudgier versions of their teen selves, struggling to find their place in the world -- is to find the surprises and payoffs within the Peter Pan syndrome.
Some are touting this as the grown-up version of Superbad. Wrong. That earlier film was excellent. "Super bad," as applied to Step Brothers, is a super understatement.
It takes roughly 45 minutes for the film to start formulating some semblance of plot, but it's too little too late.
It's hard to find their repetitive antics amusing when they continually destroy the lives of the well-meaning parents who coddle them.
This one's strictly for Ferrell, McKay, and Reilly -- and for those of us who really, really like them.
...not as inspired as Talladega Nights, but it has its own deranged sense of glee.
Nudie magazines, dog poop, words like 'mangina' -- if these are a few of your favorite things, Step Brothers is the comedy for you.
Ferrell and Reilly get more mileage out of juvenile pouting and bickering than any other performers I can imagine, but that's about as far as this goes.
When did comedies get so mean? Step Brothers has a premise that might have produced a good time at the movies, but when I left, I felt a little unclean.
Ticking away just beneath Step Brothers’ freely associative surface is a fairly astute commentary on how we define such abstract concepts as 'growing up' and 'making something of yourself.'
Totally bereft of humor, an insult to the intelligence of anyone over the age of reason, reprehensibly crude, this is worse than stupid.
Though its comedy is nearly as undisciplined and juvenile as its heroes, Step Brothers generates a fair number of laughs. Surprises? Not so much.
Step Brothers is hit-and-miss, but it made me wish that the usual American comedy of 'how stupid can we get?' had this much rage.
Step Brothers immediately dirties its sitcom-ready path with humor that's largely filthy and occasionally flat-out weird.
Early in Step Brothers, Dr. Doback tells his son "Dale, I think that it's time we both made a few changes. " Would that screenwriters Adam McKay and Will Ferrell had taken that advice to heart.
The consistently funny Step Brothers flails with such determination it might make you believe in the redeeming, endearing power of immaturity.
The shouty variety of manchild comedy that Ferrell has cribbed from Jerry Lewis divides movie fans intensely. Here's the one we should put in the time capsule.
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