If this movie doesn't make you laugh, you might want to give up on comedy altogether.
Step Brothers (2008)
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Reviews Counted:175
Fresh:97
Rotten:78
Average Rating:5.5/10
Consensus: The relentless immaturity of the humor is not a total handicap for this film, which features the consistently well-matched talents of Will Ferrell and John C. Reilly.
Australian Rating: M [See Full Rating] Coarse language, nudity and sexual references
Runtime: 3 hrs 23 mins
Genre: Comedies
Australian Theatrical Release:
Sep 18, 2008 Wide
US Box Office: $100,468,793
Synopsis: While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY... While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT? [More]
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen
Starring: Will Ferrell, John C. Reilly, Adam Scott, Mary Steenburgen, Kathryn Hahn, Richard Jenkins, Ken Jeong
Director: Adam McKay
Director: Adam McKay
Screenwriter: Will Ferrell, Adam McKay
Story: Will Ferrell, Adam McKay, John C. Reilly
Producer: Jimmy Miller, Judd Apatow
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Step Brothers
That the film itself never attempts to achieve more than the humor enjoyed by 12-year-old boys may make it ironic, but it doesn't make it funny.
It's all over the place, and it will make you laugh when you least expect it, but maybe not so much when you do.
Reilly jumps into his role with the zeal of a Method actor -- no fear about sporting tiny underroos for the bulk of his screen time -- but he sometimes comes off as more scary than funny.
You've seen this schtick a million times before, but you'll be too busy laughing to care.
Step Brothers is stupid. Childish. Moronic. Simple. Juvenile. Silly. Just ridiculous. Man, is it funny.
Will Ferrell and John C. Reilly are essentially playing the same person, which is the movie's fundamental, irreparable flaw.
One more step in the infantilization of American comedy....Its vulgarity is exceeded only by its stupidity, and it glorifies both.
There's something brilliantly stupid (or stupidly brilliant) about the sight of Ferrell and Reilly in vintage '80s t-shirts smacking each other around like steroidal kids, though it's the little things that make their complementary performances thrive.
While your tolerance for Step Brothers will rely upon your willingness to find moronic behavior and potty-mouthed dialogue funny, I must admit that the film had me laughing consistently almost the entire way through.
Ferrell's Brennan is as dumb as his George W. Bush, as enthusiastic as a Spartan cheerleader, and as convinced of his own importance as Ron Burgundy.
A passable comedy about two immature guys on the cusp of middle age, one which bears the marks of producer Judd Apatow.
Goofy, bawdy, and full of slapstick physicality "Step Brothers" takes advantage of the natural comic chemistry between Will Ferrell and John C. Reilly to generate a coming of age comedy that's funnier than any of Will Ferrell's recent outings.
McKay keeps his comedy from straying too far into Adam Sandler turf by limiting the overt sentimentality and not letting the melodrama overwhelm the gloriously crass dialogue and intentionally childish conduct of Ferrell and Reilly who work well together
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