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Refusenik (2008)
Tomatometer
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Reviews Counted:21
Fresh:19
Rotten:2
Average Rating:7.1/10
Runtime: 1 hr 57 mins
Genre: Education/General Interest
US Box Office: $0
Synopsis:
Refusenik chronicles the thirty-year international movement to free Soviet Jews. Told through the eyes of activists on both sides of the Iron Curtain (including interviews with Natan Sharansky and...
Refusenik chronicles the thirty-year international movement to free Soviet Jews. Told through the eyes of activists on both sides of the Iron Curtain (including interviews with Natan Sharansky and L.A. Country Supervisor Zev Yaroslavsky) - many of whom survived punishment in Soviet Gulag labor camps - the film is a tapestry of first-person accounts of heroism, sacrifice, and ultimately, liberation.
In the early 1960’s, reports came to the West of blatant anti-Semitism in the Communist-controlled Soviet Union. Synagogues were being closed by the government and the study of Hebrew was forbidden. Soviet Jews were required by law to carry “internal passports” identifying their Jewish heritage. They were barred from studying at many universities; refused entrance into selected professions. Yet those who asked permission to emigrate were told they could never leave. Soviet Jews were prisoners in their own country.
Soviet Jews who applied for exit visas were refused, then immediately fired from their jobs. Many of these so-called “Refuseniks” took the unprecedented step of publicly challenging the communist regime. Their stories include courageous activism and tales of hardship: the development of an underground Hebrew school; risky smuggling of information to the West; fear of being arrested; shock of being brought to trial on trumped up charges; suffering in prison or in exile merely for demanding freedom.
Meanwhile, activists in the United States, England, Canada and France organized demonstrations, smuggled contraband to Refuseniks, and lobbied democratic governments to put pressure on the USSR. Eventually, the activists’ incessant demands pushed the issue to the forefront of American foreign policy. American legislators enacted a law limiting the amount of business the United States would conduct with countries that violated human rights – the first time the US placed restrictions on a country for rights abuses of its own population. Nuclear disarmament negotiations with the USSR included American demands for a change in Soviet emigration policies. In 1989, the Soviet Union finally succumbed to international pressure and the gates were opened.
Refusenik is a film about the triumph of grassroots activism. It is the story of ordinary people who—with no money or political power—successfully launched an ecumenical, non-violent movement that crossed all ethnic, racial, and religious boundaries. What had started as a fledgling movement of students and housewives eventually freed one and a half million Soviet Jews, and cracked the seemingly impenetrable wall of Soviet Communism.
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Director: Laura Bialis
Director: Laura Bialis
Producer: Laura Bialis, Stephanie Howard
Composer: Charles Bernstein
Studio: Resonance Media
Reviews for Refusenik
One credits their naivete as the best tool to change history, as, because of it, they refused to cave in to excuse-making politicians and initial indifference in the Jewish-American community.
A conventional but generally well-made documentary about Jewish refuseniks
Neat and nice is good for textbook supplements, but aren’t gonna cut it cinematically when the story itself is the only thing going.
There are fascinating archival clips that show rare glimpses of early years of struggle behind the Iron Curtain, while the story eventually moves through such momentous footage as the Helsinki Accords and the fall of the Berlin Wall.
The result is a documentary that plays like a fat, satisfying work of nonfiction literature -- the final word because it seems to contain every word.
Packed with an extraordinary amount of archival material, the film offers a fascinating, if occasionally dense look at a grass-roots movement that became the world's chance to retroactively fight Hitler's Holocaust.
[Director] Bialis chronicles all this with perhaps too much thoroughness. But, given the nature of the subject, you get the sense that she doesn't want to leave out any voice, no matter if they add little in the way of new information.
[An] absorbing portrait of the refusenik movement of the 1960s and ’70s.
Refusenik's opening on Israel's 60th birthday could not have been more timely.
Refusenik falls short as entertainment because of the plodding, overly studious approach of the director, Laura Bialis.
Refusenik does not so much capture the moment as it does educate, however, with material so compelling and inspiring, a thorough education serves.
Using title cards, interviews, and endless archival footage, Bialis is able to tie a very specific history to the course of 20th century upheaval.
Refusenik is a little dry in its presentation, relying on a conventional mix of talking heads and stock footage. But Bialis has good footage to work with, including some film shot by the BBC in Moscow using equipment smuggled in by tourists.
Visually and intellectually brisk, the movie is as lively as its subjects’ gumption is humbling.
One can only hope that future films about today's most pressing humanitarian crises have such unambiguously happy endings.
The story of the nearly thirty years of courage in the face of repression in the Soviet Union. This is polished and evocative filmmaking.
We've been hearing a lot this year about human-rights abuses and the potential impact of organized protests and diplomacy on uncooperative countries. Rarely is the subject addressed as effectively as it is in Laura Bialis' absorbing new documentary.
[Director] Bialis may have been too diligent in tracking down sources.
What is revealing here is the heretofore unseen civil-rights movement, small but dedicated, that began in the 1960s behind the Iron Curtain.
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