Elegy makes us question again the cinema’s ability, without loss of heat and light, to translate Roth’s subtle, high-voltage prose from page to screen.
Elegy (2008)
Tomatometer
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Reviews Counted:112
Fresh:83
Rotten:29
Average Rating:6.7/10
Consensus: An intelligent, adult, and provocative Philip Roth adaptation that features classy performances, Elegy is never quite the sum of its parts.
Australian Rating: M [See Full Rating] Sex scenes, sexual references and coarse language
Runtime: 1 hr 52 mins
Genre: Dramas
Australian Theatrical Release:
Apr 9, 2009 Wide
US Box Office: $3,456,676
Synopsis: Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is... Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is an aging writer and professor played by Ben Kingsley. David Kepesh (Kingsley) is a minor literary celebrity in New York City who shies away from commitment, happy with his casual relationship with a businesswoman (Patricia Clarkson) who is rarely in town. But a date with a stunning grad student named Consuela (Penelope Cruz) surprisingly turns into a long-term romance, changing David from a confident Lothario into a jealous boyfriend. His age and her beauty haunt their romance until David begins to push her away. As its title suggests, ELEGY achieves a perfectly somber tone. Adapted from the Philip Roth novel THE DYING ANIMAL, the script from Nicholas Meyer (THE HUMAN STAIN) doesn't try too hard for the audience's tears. But much of the credit goes to the cast: Kingsley and Cruz make for a sexy, affectionate couple with their layered performances, and Clarkson (THE STATION AGENT) is wonderful as always. Dennis Hopper is nicely cast as David's philandering friend George, and Blondie frontwoman Deborah Harry is very non-rock-and-roll (but incredibly genuine) in a small appearance as George's longsuffering wife. The largely classical soundtrack further adds to the film's contemplative mood. [More]
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson, Dennis Hopper, Deborah Harry
Director: Isabel Coixet
Director: Isabel Coixet
Screenwriter: Nicholas Meyer
Producer: Tom Rosenberg, Gary Lucchesi, Andre Lamal
Studio: Samuel Goldwyn Films
Reviews for Elegy
To this thirtysomething critic, though, it seems to be short on wisdom.
An often stodgy film with an unsympathetic central character and far too many tinkling pianos on the soundtrack, it’s also an enjoyable, contemplative movie that you don’t have to be male and over the hill to enjoy. Although it will help.
I can't help feeling this kind of slow, introspective, angst-ridden fare is better suited to the novel than to the big screen.
The big flaw with director Isabel Coixet's adaptation of Philip Roth's short novel The Dying Animal is the sheer unlikelihood of Cruz's Consuela falling for a randy old goat like Kingsley's Kepesh.
There's bracing stuff here about male insecurity and cowardice when it comes to the crunch, but for all Kepesh's worldliness, his character is nothing else but a walking cliché.
Touching, wonderfully acted examination of the corrosive effects of doubt on love.
Elegy is such a serious, oftentimes grave exploration of desire and the ways of aging that it's a miracle the two central characters have as much sex as they do.
This is adult story-telling, elegantly restrained and unmistakably classy, which casts a dispassionate eye on a man who loses heart at the same time as he loses his youth, potency and relevancy.
Adult and provocative, Elegy doesn't entirely pull off its complex philosophical juggling act, but it's an interesting and atmospheric piece of cinema, aided by some truly excellent performances.
Overall, though, the film falls just short, due in no small part to unimaginative music selections, which drain its individuality in favour of mere generic arthouse melancholia.
While the supporting actors are engaging, the turgid screenplay lets the whole thing down.
Not even the nude love scenes can distract from the fact that Cruz has finally cracked the English-language barrier.
If I recommend Elegy to my readers, it is not as a licentiously escapist entertainment, but, rather, as a soberingly eloquent expression of what our lives are all about, whether we want to think about them or not.
A well-acted screen adaptation of a short Philip Roth novel about the multiple splendors of beauty in a chilly world of intellect, sex, and selfishness.
Elegy sneaks up on you anyway -- even overacted, Roth's intelligence shines through.
...a haunting testament to the sentiment that we should take love wherever we find it.
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July 02, 2008:
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