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Movies / Upcoming / Dark Streets
Dark Streets

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Dark Streets (2008)

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Reviews Counted:34

Fresh:5

Rotten:29

Average Rating:3.8/10

Consensus: Dark Streets is a film noir musical that's too gimmicky for its own good.

Runtime: 84 mins

Genre: Musical & Performing Arts

US Box Office: $0

Synopsis: An atmospheric film noir musical fantasy, Dark Streets tells the story of Chaz Davenport (Gabriel Mann), a dashing bachelor who owns what promises to become the hottest new nightclub in town—if... An atmospheric film noir musical fantasy, Dark Streets tells the story of Chaz Davenport (Gabriel Mann), a dashing bachelor who owns what promises to become the hottest new nightclub in town—if only the lights would stay on. Surrounded by the sumptuous blues music he adores, and with his pick of the gorgeous women who perform their sensual dance numbers onstage every night, Chaz is the envy of every man.

But with the city thrown into darkness by frequent blackouts and a menacing loan shark closing in, Chaz is in danger of losing the club—and far more. At the same time, he finds himself embroiled in a love triangle with the club’s alluring star singer, Crystal (Bijou Phillips), and a new arrival at the club—the mysterious and seductive chanteuse Madelaine (Izabella Miko).

When people close to Chaz begin turning up dead, he doesn’t know where to turn or whom to trust. And the harder he tries to uncover the truth, the further he’s drawn into the darkness of lies and betrayal—a darkness as black as the city’s streets during yet another power outage. Welcome to the Blues.

Directed by Rachel Samuels (The Suicide Club) from a screenplay by Wallace King, the film stars Gabriel Mann (The Bourne Supremacy), Bijou Phillips (Choke), Izabella Miko (Coyote Ugly), Elias Koteas (The Thin Red Line), Michael Fairman (Thirteen Days) and Toledo (Don’s Plum). The film is produced by Andrea Balen, Claus Clausen, Corina Danckwerts and Glenn M. Stewart; and executive produced 2 by Steffen Aumueller. The film’s rich blues score is composed by George Acogny (Blood Diamond), featuring BB King.

Dark Streets features 12 original songs written by James Compton, Tim Brown Tony DeMeur and Bijou Phillips. The film’s stylish and sultry dance numbers are choreographed by Keith Young (Rent) and performed by sensational underground performer Toledo and a stage full of L.A.’s most talented dancers. The Dark Streets soundtrack will be released by Atlantic Records in November 2008. [More]

Starring: Gabriel Mann, Bijou Phillips, Izabella Miko, Elias Koteas

Starring: Gabriel Mann, Bijou Phillips, Izabella Miko, Elias Koteas

Director: Rachel Samuels

Director: Rachel Samuels
Screenwriter: Wallace King
Producer: Glenn M. Stewart, Claus Clausen, Andrea Balen, Corina Dankwerts, Steffen Aumuller
Composer: George Acogny
Studio: Samuel Goldwyn Films

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Reviews for Dark Streets

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21 - 34 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2
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It's like a high school play version of noir with musical numbers written by the drama teacher. In the end, these streets aren't nearly dark enough.

Full Review Source: Movie Retriever | comment Comment
12/12/08
Brian Tallerico
Brian Tallerico
Movie Retriever

...an interesting and ambitious movie that succeeds in a small way as spectacle but fails as drama

Full Review Source: Arkansas Democrat-Gazette | comment Comment
12/12/08
Philip Martin
Philip Martin
Arkansas Democrat-Gazette

Even though it isn't necessarily a "good" film by most conventional critical standards, I have to admit that the sheer strangeness of the entire enterprise kept me reasonably compelled from beginning to end

Full Review Source: eFilmCritic.com | comment Comment
12/11/08
Peter Sobczynski
Peter Sobczynski
eFilmCritic.com

Rachel Samuels' thin, affected jazz-age noir Dark Streets is worse than most, grafting an indifferent series of twists and double-crosses onto a blues-nightclub backdrop that overwhelms the foreground.

Full Review Source: AV Club | comment Comment
12/11/08
Scott Tobias
Scott Tobias
AV Club

So leaden and obvious it doesn't even work as camp.

Full Review Source: Metromix.com | comment Comment
12/11/08
Geoff Berkshire
Geoff Berkshire
Metromix.com

Lavishly styled but narratively lax.

Full Review Source: Las Vegas Weekly | comment Comment
12/11/08
Josh Bell
Josh Bell
Las Vegas Weekly

So obsessed with mimicry it’s practically a tribute band of a movie.

Full Review Source: L.A. Weekly | comment Comment
12/11/08
Tim Grierson
Tim Grierson
L.A. Weekly

It's a lovingly souped-up incarnation of the film-noir look, contains well-staged and performed musical numbers, and has a lot of cigarettes, tough tootsies, bad guys and shadows. What it doesn't have is a story that pulls us along.

Full Review Source: Chicago Sun-Times | comment Comment
12/11/08
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

This charmless fantasy tries to recapture the mix of hot jazz and cold cynicism that lit up Chicago, adding a dash of punk for good measure

Full Review Source: Chicago Reader | comment Comment
12/11/08
J. R. Jones
J. R. Jones
Chicago Reader

Feebly mixing film noir and the old-time nightclub musical, Dark Streets could do with illumination in more ways than one.

Full Review Source: Variety | comment Comment
12/11/08
Rob Nelson
Rob Nelson
Variety
Top Critic Icon Top Critic

This misbegotten musical noir homage could have been written for Garrison Keillor’s Guy Noir sketch, and it mistakes shooting out of focus for stylishness.

Full Review Source: Time Out New York | comment Comment
12/10/08
Ben Kenigsberg
Ben Kenigsberg
Time Out New York

The flimsy plot -- less a whodunit than an isn't-it-screamingly-obvious-that-that-guy-done-it! -- will have thriller fans singing the blues.

Full Review Source: Entertainment Weekly | comment Comment
12/10/08
Clark Collis
Clark Collis
Entertainment Weekly

Less unusual than simply nutty...while it's kind of intriguing, it comes nowhere near to being satisfying.

Full Review Source: One Guy's Opinion | comment Comment
12/10/08
Frank Swietek
Frank Swietek
One Guy's Opinion

Dark Streets may only be a quasi-noir and quasi-musical, but that doesn't stop it from being a wholesale slog.

Full Review Source: Slant Magazine | comment Comment
12/07/08
Nick Schager
Nick Schager
Slant Magazine
 
 
21 - 34 (sorted by date; Australian critics are listed first)
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