if you like rape, you'll love The Last House on the Left. The rest of America with normal sensibilities probably doesn't have the stomach for this film.
The Last House on the Left (2009)
Tomatometer
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Reviews Counted:135
Fresh:56
Rotten:79
Average Rating:4.9/10
Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.
Australian Theatrical Release:
Oct 15, 2009 Wide
US Box Office: $32,721,635
Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome
Director: Dennis Iliadis
Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures
Reviews for The Last House on the Left
Not only is it plodding and completely predictable, the carnage is rendered slowly and quasi-reverentially, making the whole brutal experience come off like torture porn.
I'm giving it a 2.5 in the silly star rating system and throwing up my hands.
Boy, words can not express how much I just loathe and detest this movie.
Terrifying. Director Iliadis burns tension and Garret Dillahunt still scares me. Makes Ned Beatty's Deliverance rape look like a romance.
As an exploitation B-horror movie, this latest addition to the genre is heads and shoulders above anything Rob Zombie has ever done.
This flick is one of the most disturbing, brutal and hard-to-watch movies I have seen. It is definitely on par with the original!
Someone somewhere will probably try to foist The Last House on the Left remake off as some sort of social commentary. Don't be fooled. It's not.
This film is only for those who go in with open eyes and understand what they're in for.
If you want good revenge read some Shakespeare, if you want blood see a slasher, if you want to waste two hours then visit the last house on the left.
It fails, through its villainy; this trio of baddies resembles a dive-bar slumming suburban psychobilly band, no meth-breath hazards.
This remake is merely vile (and dull), with a badly miscast Tony Goldwyn as the raging dad who makes revenge for his daughter's violation look more gratuitously brutal than the crime.
A thoroughly nasty rape revenge tale that's short on logic but strong on blood and brutality. An unpleasant movie experience.
Extremely entertaining if you don’t mind being morally corrupted at every juncture.
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