It has none of the underlying humanity of that other revenge thriller Eden Lake, and by the end I found the experience repulsive and deeply exploitative of its audience's worst instincts.
The Last House on the Left (2009)
Tomatometer
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Reviews Counted:137
Fresh:57
Rotten:80
Average Rating:4.9/10
Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.
Australian Theatrical Release:
Oct 15, 2009 Wide
US Box Office: $32,721,635
Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome
Director: Dennis Iliadis
Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures
Reviews for The Last House on the Left
A thoroughly nasty rape revenge tale that's short on logic but strong on blood and brutality. An unpleasant movie experience.
A thought-provoking ordeal is repackaged as a middling shocker which leaves you feeling good about revenge.
The cast bring a level of reality to this that's surprisingly impressive.
Wes Craven's 1972 classic has been reworked but it has lost the edge-of-seat suspense which made the original one of the best of the genre.
Director Iliadis creates undeniably tense moments in, but the depravity is so gratuitously in-your-face that even a seasoned film critic might baulk.
As pointless remakes go, this is actually pretty good, thanks to strong performances, impressive camerawork and stylish direction.
In turning the dirt-cheap original into a glossy slice of gore-nography, Wes and director Dennis Iliadis have lost one important thing. The entire ruddy point of the exercise.
Though often well acted and at times impressively directed, the new film eliminates Craven's ugly-to-the-core visual style, tones down the violence and softens the bleakness of the original premise, yet in doing so it becomes more problematic.
This remake by Dennis Iliadis cost a great deal more than Craven's $100k and in many respects is an upgrade. What it lacks in the shock-of-the-new it makes up for with a more rounded storyline.
... this 'Last House on the Left' doesn't have the bite of the original.
What's missing are the subversive, shocking conceits of the original.
More a thriller about family ties taken to unimaginable extremes than an attempt to engage with any real subtext.
...a dispiriting exercise in ultra-violence that even the gorehounds will find disappointing...
There's something admirable about a film that so effectively taps into a viewer's primal instincts.
...just an impersonal Saturday-night revenge flick, of the sort that Michael Haneke's Funny Games (either version) eviscerated and made irrelevant.
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No director in recent history has made their particular genre as much their own as Wes Craven. The legendary helmer virtually redefined the horror movies with the likes of The... More...
March 12, 2009:
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This week at the movies, we've got a supernatural quest (Race to Witch Mountain, starring Dwayne "The Rock" Johnson and AnnaSophia Robb), a vengeance thriller (Last House on... More...
March 12, 2009:
Last House On The Left teases wickedly with a Macmansion torture chamber boasting homicide by candlelight, fried felons, vigilante harmed humans, and bare breasted ballsy babes in the wild. ![]()
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