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Movies / Upcoming / The Last House on the Left
The Last House on the Left

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The Last House on the Left (2009)

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Reviews Counted:137

Fresh:57

Rotten:80

Average Rating:4.9/10

Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.

Australian Rating: TBC

Runtime: 1 hr 50 mins

Genre: Horror/Suspense

Australian Theatrical Release:
Oct 15, 2009 Wide

US Box Office: $32,721,635

Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]

Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt

Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome

Director: Dennis Iliadis

Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures

[See More Credits]

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Reviews for The Last House on the Left

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21 - 40 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

It has none of the underlying humanity of that other revenge thriller Eden Lake, and by the end I found the experience repulsive and deeply exploitative of its audience's worst instincts.

Full Review Source: Daily Mail [UK] | comment Comment
06/12/09
Christopher Tookey
Christopher Tookey
Daily Mail [UK]

Predictable, pointless and pathetic.

Full Review Source: Daily Mirror [UK] | comment Comment
06/12/09
David Edwards
David Edwards
Daily Mirror [UK]

A thoroughly nasty rape revenge tale that's short on logic but strong on blood and brutality. An unpleasant movie experience.

Full Review Source: Sunday Mirror [UK] | comment 2 Comments
06/12/09
Mark Adams
Mark Adams
Sunday Mirror [UK]

A thought-provoking ordeal is repackaged as a middling shocker which leaves you feeling good about revenge.

Full Review Source: Empire Magazine | comment Comment
06/12/09
Kim Newman
Kim Newman
Empire Magazine
Top Critic Icon Top Critic

The cast bring a level of reality to this that's surprisingly impressive.

Full Review Source: Daily Telegraph | comment Comment
06/12/09
Tim Robey
Tim Robey
Daily Telegraph

Wes Craven's 1972 classic has been reworked but it has lost the edge-of-seat suspense which made the original one of the best of the genre.

Full Review Source: Sun Online | comment Comment
06/12/09
Sun Online

Nasty but sometimes effective.

Full Review Source: Financial Times | comment Comment
06/12/09
Nigel Andrews
Nigel Andrews
Financial Times

Director Iliadis creates undeniably tense moments in, but the depravity is so gratuitously in-your-face that even a seasoned film critic might baulk.

Full Review Source: Independent | comment Comment
06/12/09
Anthony Quinn
Anthony Quinn
Independent

As pointless remakes go, this is actually pretty good, thanks to strong performances, impressive camerawork and stylish direction.

Full Review Source: ViewLondon | comment Comment
06/12/09
Matthew Turner
Matthew Turner
ViewLondon

In turning the dirt-cheap original into a glossy slice of gore-nography, Wes and director Dennis Iliadis have lost one important thing. The entire ruddy point of the exercise.

Full Review Source: News of the World | comment Comment
06/12/09
Robbie Collin
Robbie Collin
News of the World

Though often well acted and at times impressively directed, the new film eliminates Craven's ugly-to-the-core visual style, tones down the violence and softens the bleakness of the original premise, yet in doing so it becomes more problematic.

Full Review Source: Scotsman | comment Comment
06/12/09
Alistair Harkness
Alistair Harkness
Scotsman

This remake by Dennis Iliadis cost a great deal more than Craven's $100k and in many respects is an upgrade. What it lacks in the shock-of-the-new it makes up for with a more rounded storyline.

Full Review Source: Teletext | comment Comment
06/11/09
Victor Olliver
Victor Olliver
Teletext

... this 'Last House on the Left' doesn't have the bite of the original.

Full Review Source: ESplatter | comment Comment
06/10/09
Lucius Gore
Lucius Gore
ESplatter

All the horror movie standards: sex, drugs, crotch shots and gore.

Full Review Source: BET.com | comment Comment
06/10/09
Clay Cane
Clay Cane
BET.com

What's missing are the subversive, shocking conceits of the original.

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Peg Aloi
Peg Aloi
Boston Phoenix

More a thriller about family ties taken to unimaginable extremes than an attempt to engage with any real subtext.

Full Review Source: Paste Magazine | comment Comment
04/07/09
Jeffrey Bloomer
Jeffrey Bloomer
Paste Magazine

...a dispiriting exercise in ultra-violence that even the gorehounds will find disappointing...

Full Review Source: Worcester Telegram & Gazette | comment Comment
04/03/09
Daniel M. Kimmel
Daniel M. Kimmel
Worcester Telegram & Gazette

There's something admirable about a film that so effectively taps into a viewer's primal instincts.

Full Review Source: EricDSnider.com | comment Comment
03/26/09
Eric D. Snider
Eric D. Snider
EricDSnider.com

A vile exercise masquarading as art.

Full Review Source: Illinois Times | comment Comment
03/25/09
Charles Koplinski
Charles Koplinski
Illinois Times

...just an impersonal Saturday-night revenge flick, of the sort that Michael Haneke's Funny Games (either version) eviscerated and made irrelevant.

Full Review Source: eFilmCritic.com | comment Comment
03/24/09
Rob Gonsalves
Rob Gonsalves
eFilmCritic.com
 
 
21 - 40 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 >> >|
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